Horror Comics #15


Book Description




The Mammoth Book of Best Horror Comics


Book Description

Bringing together the finest names in comic book horror, this volume features nearly 50 comics that caused a furor in the US and sparked legislation to crack down on explicit horror—from the 1940s to the 21st century. Includes names like Steve Niles, Pete Von Sholly, Michael Kaluta, Mike Ploog, Rudy Palais, Rand Holmes, Vincent Locke, Frank Brunner, and many more. Reproduced in black and white for this brand-new collection.




Creepy Comics #15


Book Description

Here comes Uncle Creepy to tingle your spine with all-new tales of terror! Alex de Campi (_Grindhouse_) and Henrik S. Jonsson (_Detective Comics_) present a lovers' quarrel full of mischief, while Doug Moench (_Batman_) unleashes ancient alarm from an Aztec tomb! * Frontispiece by Bruce Timm (_Batman: The Animated Series_)! * Cover by J. G. Jones (_Final Crisis_)!




Jungle Comics #15


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Jungle action straight out of the pulps, just as you like it! Heroic Men, beautiful women, real danger!




Planet Comics #15


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EC Horror Comics


Book Description

Starting in 1950, EC Comics launched a series of titles that turned the comicbook world upside-down. Their science-fiction, suspense, and war comics thrilled young readers… but it was for their horror tales that they are best remembered. Over 60 years later, titles like Tales from the Crypt and Vault of Horror conjure up all sorts of ghastly stories with ghoulish twist endings, populated by some of the most stomach-churningly loathsome creatures imaginable. This ebook presents large, full-color scans of the company’s three main horror titles, as well as a number of smaller ones, representing all of the EC books in this genre. In addition the reader is given story and publishing information on each issue as well.







Horror Comics in Black and White


Book Description

In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.




The Horror Comic Never Dies


Book Description

Horror comics were among the first comic books published--ghastly tales that soon developed an avid young readership, along with a bad reputation. Parent groups, psychologists, even the United States government joined in a crusade to wipe out the horror comics industry--and they almost succeeded. Yet the genre survived and flourished, from the 1950s to today. This history covers the tribulations endured by horror comics creators and the broader impact on the comics industry. The genre's ultimate success helped launch the careers of many of the biggest names in comics. Their stories and the stories of other key players are included, along with a few surprises.




The Graphic Novel


Book Description

This book provides both students and scholars with a critical and historical introduction to the graphic novel. Jan Baetens and Hugo Frey explore this exciting form of visual and literary communication, showing readers how to situate and analyse graphic novels since their rise to prominence half a century ago. Several key questions are addressed: what is the graphic novel? How do we read graphic novels as narrative forms? Why is page design and publishing format so significant? What theories are developing to explain the genre? How is this form blurring the categories of high and popular literature? Why are graphic novelists nostalgic for the old comics? The authors address these and many other questions raised by the genre. Through their analysis of the works of many well-known graphic novelists - including Bechdel, Clowes, Spiegelman and Ware - Baetens and Frey offer significant insights for future teaching and research on the graphic novel.