Infowhelm


Book Description

How do artists and writers engage with environmental knowledge in the face of overwhelming information about catastrophe? What kinds of knowledge do the arts produce when addressing climate change, extinction, and other environmental emergencies? What happens to scientific data when it becomes art? In Infowhelm, Heather Houser explores the ways contemporary art manages environmental knowledge in an age of climate crisis and information overload. Houser argues that the infowhelm—a state of abundant yet contested scientific information—is an unexpectedly resonant resource for environmental artists seeking to go beyond communicating stories about crises. Infowhelm analyzes how artists transform the techniques of the sciences into aesthetic material, repurposing data on everything from butterfly migration to oil spills and experimenting with data collection, classification, and remote sensing. Houser traces how artists ranging from novelist Barbara Kingsolver to digital memorialist Maya Lin rework knowledge traditions native to the sciences, entangling data with embodiment, quantification with speculation, precision with ambiguity, and observation with feeling. Their works provide new ways of understanding environmental change while also questioning traditional distinctions between types of knowledge. Bridging the environmental humanities, digital media studies, and science and technology studies, this timely book reveals the importance of artistic medium and form to understanding environmental issues and challenges our assumptions about how people arrive at and respond to environmental knowledge.




Houser


Book Description

Catherine Bauer (1905–64) changed forever the concept of public housing in the United States—and inspired a generation of urban activists to include housing in welfare planning in the mid-20th century. She was one of a small group of idealists who called themselves Housers because of their commitment to raising the quality of urban life through improving shelter for low-income families. In the late 1920s, Bauer spent time in Paris, where she befriended Ferdinand Leger, Man Ray, and Sylvia Beach, publisher of Ulysses. Back in New York she fell under the spell of urban critic Lewis Mumford. It was at his urging that she became involved with the architects of change in post-World War I Europe, among them Ernst May, Andre Lurcat, and Walter Gropius. Convinced by their example that good social housing could produce good social architecture and moved by the visible ravages of the depression, she became a passionate leader in the fight for housing forthe poor. Soon established through her critical writings as a housing expert, she lodged the issue of public housing firmly within the New Deal’s agenda and was instrumental in the creation of the first public housing act in 1937. Her book Modern Housing, published in 1934, vividly depicts the essential interdependence of social, economic, and architectural policies in modern life; it is still required college reading. She taught for many years at the University of California Berkeley, as well as Harvard University.




Babel


Book Description

Self-taught mixed media artist Jim Houser's creative journey began as a child when he started drawing in sketchbooks brought home to him by his father. Over the years, driven by impulse and inspired by words as well as the perspective that his childhood drawings provide. Houser developed a style combining words, phrases and existential story fragments with crisp, colorful paintings on surfaces ranging from canvas to walls to skateboards and more. Houser forces us to re-examine these often wellworn words and discover their lost, faded and even alternate meanings amidst visions of ten gallon hats, snaggletooth snakes, preternatural beigns and visualized natural elements. Jim Houser is a Philadelphia-based artist who was a founding member of the collective Space 1026 and an avid skateboarder who designs skate decks for Toy Machine.




Logic as a Liberal Art


Book Description

In the twenty-first century there are two ways to study logic. The more recent approach is symbolic logic. The history of teaching logic since World War II, however, casts doubt on the idea that symbolic logic is best for a first logic course. Logic as a Liberal Art is designed as part of a minority approach, teaching logic in the "verbal" way, in the student's "natural" language, the approach invented by Aristotle. On utilitarian grounds alone, this "verbal" approach is superior for a first course in logic, for the whole range of students. For millennia, this "verbal" approach to logic was taught in conjunction with grammar and rhetoric, christened the trivium. The decline in teaching grammar and rhetoric in American secondary schools has led Dr. Rollen Edward Houser to develop this book. The first part treats grammar, rhetoric, and the essential nature of logic. Those teachers who look down upon rhetoric are free, of course, to skip those lessons. The treatment of logic itself follows Aristotle's division of the three acts of the mind (Prior Analytics 1.1). Formal logic is then taken up in Aristotle's order, with Parts on the logic of Terms, Propositions, and Arguments. The emphasis in Logic as a Liberal Art is on learning logic through doing problems. Consequently, there are more problems in each lesson than would be found, for example, in many textbooks. In addition, a special effort has been made to have easy, medium, and difficult problems in each Problem Set. In this way the problem sets are designed to offer a challenge to all students, from those most in need of a logic course to the very best students.




Allan Houser


Book Description

He mastered a number of styles ranging from straightforward representation to pure abstraction, and throughout his career he remained alert to developments in the work of his contemporaries. Until his death in 1994 he continued to evolve, to rethink his approach, and to remaster his art. Today, his work, particularly his sculpture, can be seen in a number of collections both in the United States and abroad.".




Ecosickness in Contemporary U.S. Fiction


Book Description

The 1970s brought a new understanding of the biological and intellectual impact of environmental crises on human beings, and as efforts to prevent ecological and human degradation aligned, a new literature of sickness emerged. “Ecosickness fiction” imaginatively rethinks the link between ecological and bodily endangerment and uses affect and the sick body to bring readers to environmental consciousness. Tracing the development of ecosickness through a compelling archive of modern U.S. novels and memoirs, this study demonstrates the mode’s crucial role in shaping thematic content and formal and affective literary strategies. Examining works by David Foster Wallace, Richard Powers, Leslie Marmon Silko, Marge Piercy, Jan Zita Grover, and David Wojnarowicz, Heather Houser shows how these authors unite experiences of environmental and somatic damage through narrative affects that draw attention to ecological phenomena, organize perception, and convert knowledge into ethics. Traversing contemporary cultural studies, ecocriticism, affect studies, and literature and medicine, Houser juxtaposes ecosickness fiction against new forms of environmentalism and technoscientific innovations such as regenerative medicine and alternative ecosystems. Ecosickness in Contemporary U.S. Fiction recasts recent narrative as a laboratory in which affective and perceptual changes both support and challenge political projects.




Pacific


Book Description




The Essential Peirce, Volume 1


Book Description

A convenient two-volume reader's edition makes accessible to students and scholars the most important philosophical papers of the brilliant American thinker Charles Sanders Peirce. Volume 1 presents twenty-five key texts, chronologically arranged, beginning with Peirce's 'On a New List of Categories' of 1867, a highly regarded alternative alternative to Kantian philosophy, and ending with the first sustained and systematic presentation of his evolutionary metaphysics in the Monist Metaphysical Series of 1891-1893.




The Wheels of Justice


Book Description

A woman recounts her decades-long saga to bring her sister’s killer to justice in a harrowing true crime story of domestic abuse and family perseverance. From the moment it happened, Renee Fehr knew that Gregory Houser had murdered her sister Sheryl. Cruel, abusive, and increasingly violent, Greg had threatened to kill Sheryl if she tried to leave him. Yet Sheryl’s death was ruled a suicide. And for twenty-seven years after her death, Greg continued walked free. But Renee wouldn’t rest until he was convicted for murder. As the old saying goes, “the wheels of justice turn slowly, but they grind exceedingly fine.” The Wheels of Justice is the story of a monstrous killer, a harrowing look at domestic violence, and an inspirational story of a family that wouldn’t quit until justice prevailed.







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