The Dream of the Factory-made House


Book Description

This is the story of what came to be known as the "packaged house," one of the few architect-inspired attempts to manufacture and market a prefabricated home. The plan began in the 1940s as a major collaborative effort between Walter Gropius, then at the height of his fame, and Konrad Wachsmann, a rising star-both in exile from their native Germany. For both men, this was the culmination of many years of experience in the field of industrialized housing and an unparalleled opportunity to make their long-cherished dream of a factory-made house a reality. How did this venture, which seemed to have everything going for it, turn out to be such a dismal failure? The answers to that question make this one of the most fascinating studies in the annals of modern architecture. Gilbert Herbert's analysis of the bold undertaking has within it not only the elements of personal drama, as far as Gropius and Wachsmann are concerned, but it unfolds consequences of more drastic significance for the development of industrially-produced housing the world over. Both architects represented a formidable combination of ability and experience; both had contributed significantly to the theory and practice of prefabrication, and had devised a system that was technically impeccable. That "only a small number of these immaculately conceived and engineered houses was actually sold" was not only a great disappointment for them, it was a grave shock to the whole movement for industrially-produced housing. The facts of the Gropius-Wachsmann case—now fully disclosed with extensive visual documentation—are instructive in themselves. But the real significance of this book lies in its ability to relate the facts to the history of industrialized housing and to the modern architect's confrontation with technological, economic, and social forces.




Building The Dream


Book Description

For Gwendolyn Wright, the houses of America are the diaries of the American people. They create a fascinating chronicle of the way we have lived, and a reflection of every political, economic, or social issue we have been concerned with. Why did plantation owners build uniform cabins for their slaves? Why were all the walls in nineteenth-century tenements painted white? Why did the parlor suddenly disappear from middle-class houses at the turn of the century? How did the federal highway system change the way millions of Americans raised their families? Building the Dream introduces the parade of people, policies, and ideologies that have shaped the course of our daily lives by shaping the rooms we have grown up in. In the row houses of colonial Philadelphia, the luxury apartments of New York City, the prefab houses of Levittown, and the public-housing towers of Chicago, Wright discovers revealing clues to our past and a new way of looking at such contemporary issues as integration, sustainable energy, the needs of the elderly, and how we define "family."




The House Next to the Factory


Book Description

The House Next to the Factory shows a changing India over three decades through the lens of one family and the house that they live in. Life in the house is humdrum and confining, but on a rare evening out, Kavya sets off in search of a nun; a beloved teacher is caught in the aftermath of the anti-Sikh riots; a loyal servant worries over his relationship with a low caste woman; while in England, an aunt reads William Trevor and pines for all that she has left behind. Over the years, the family's steel utensil business blossoms, and amid the clanging of metal and the churning of machines, the household transitions from bourgeois to elite. Yet at thirty, Kavya finds herself in Paris, hoping to get past the sorrows of her young life... Delicate and finely textured, Sonal Kohli's extraordinary debut lays bare the complexities of class and culture and the difficulties as well as excitements of change, even as it evokes loves and triumphs, the pull of incongruous desires and the tragedies of everyday life.




Pre-Fab Living


Book Description

Space-saving, eco-friendly, and cost-efficient, the most innovative pre-fabricated homes around the world—from cabins to containers. Efficient and inexpensive to produce, pre-fabricated homes are an ideal solution to the financial and environmental costs facing the modern homeowner. Their extremely versatile format also makes them adaptable to all kinds of locations, be it a secluded off-the-grid setting or a dense urban area. This survey of the world’s most innovative pre-fab houses explores the full range of possibilities, suitable for anyone interested in clever and creative home-building solutions—no architectural degree required. From carbon-neutral houses to plug-and-play dwellings and converted shipping containers, each chapter explores the varied and exciting ways that people are using pre-fabricated technology to address contemporary challenges. Richly illustrated with photographs and drawings, featuring projects selected by a longtime expert in pre-fab architecture, Pre-Fab Living presents factory-made houses in a new light. Whether designing on a tight budget, crafting something self-sustaining, or simply looking for new spatial ideas, architects, designers, and home builders alike will find it to be an essential source of inspiration.




Glass House


Book Description

For readers of Hillbilly Elegy and Strangers in Their Own Land WINNER OF THE OHIOANA BOOK AWARDS AND FINALIST FOR THE 87TH CALIFORNIA BOOK AWARDS |NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: New York Post • Newsweek • The Week • Bustle • Books by the Banks Book Festival • Bookauthority.com The Wall Street Journal: "A devastating portrait...For anyone wondering why swing-state America voted against the establishment in 2016, Mr. Alexander supplies plenty of answers." Laura Miller, Slate: "This book hunts bigger game.Reads like an odd?and oddly satisfying?fusion of George Packer’s The Unwinding and one of Michael Lewis’ real-life financial thrillers." The New Yorker : "Does a remarkable job." Beth Macy, author of Factory Man: "This book should be required reading for people trying to understand Trumpism, inequality, and the sad state of a needlessly wrecked rural America. I wish I had written it." In 1947, Forbes magazine declared Lancaster, Ohio the epitome of the all-American town. Today it is damaged, discouraged, and fighting for its future. In Glass House, journalist Brian Alexander uses the story of one town to show how seeds sown 35 years ago have sprouted to give us Trumpism, inequality, and an eroding national cohesion. The Anchor Hocking Glass Company, once the world’s largest maker of glass tableware, was the base on which Lancaster’s society was built. As Glass House unfolds, bankruptcy looms. With access to the company and its leaders, and Lancaster’s citizens, Alexander shows how financial engineering took hold in the 1980s, accelerated in the 21st Century, and wrecked the company. We follow CEO Sam Solomon, an African-American leading the nearly all-white town’s biggest private employer, as he tries to rescue the company from the New York private equity firm that hired him. Meanwhile, Alexander goes behind the scenes, entwined with the lives of residents as they wrestle with heroin, politics, high-interest lenders, low wage jobs, technology, and the new demands of American life: people like Brian Gossett, the fourth generation to work at Anchor Hocking; Joe Piccolo, first-time director of the annual music festival who discovers the town relies on him, and it, for salvation; Jason Roach, who police believed may have been Lancaster’s biggest drug dealer; and Eric Brown, a local football hero-turned-cop who comes to realize that he can never arrest Lancaster’s real problems.




The Good Life


Book Description

This text is an essay on the relationship between ways of thinking, the rich seams of contemporary thought and the forms of the house, of planning and living in it. The descriptive method is based on seven guided visits to a group of real or imaginary houses that make up a sufficiently extended panorama for understanding what the 20th century has bequeathed to us in the way of a heritage. In order to choose the houses to visit it was necessary to narrow things down, simplify them, by highlighting a series of archetypes defined by their most pronounced features. The reader, then, won't find any of the masterworks built by modern architects -neither the Villa Savoye, nor Fallingwater, nor the Villa Tugendhat-but mostly imaginary houses, houses constructed by manipulating different references. In short, this book invites the reader on a fantasy tour, one whose aim is not just to celebrate the diversity of the 20th-century house but also to stimulate the pleasure of thinking, planning and living intensely, to promote the appearance of a house that does not yet exist.




Event Factory


Book Description

“More Kafka than Kafka, Renee Gladman’s achievement ranks alongside many of Borges’ in its creation of a fantastical landscape with deep psychological impact.” —Jeff VanderMeer A “linguist-traveler” arrives by plane to Ravicka, a city of yellow air in which an undefined crisis is causing the inhabitants to flee. Although fluent in the native language, she quickly finds herself on the outside of every experience. Things happen to her, events transpire, but it is as if the city itself, the performance of life there, eludes her. Setting out to uncover the source of the city’s erosion, she is beset by this other crisis—an ontological crisis—as she struggles to retain a sense of what is happening. Event Factory is the first in a series of novels (also available are the second, The Ravickians; the third, Ana Patova Crosses a Bridge; and the fourth, Houses of Ravicka) that Renee Gladman is writing about the invented city-state of Ravicka, a foreign “other” place fraught with the crises of American urban experience, not least the fundamental problem of how to move through the world at all.




Prefab Housing and the Future of Building


Book Description

As we stand on the cusp of a fundamental restructuring of the housing and building industries, this book provides timely insights into the promise of prefabricated housing. The idea of a more industrialised approach to house building is not a new one: since the 19thcentury, designers, inventors, engineers, builders, developers, and entrepreneurs have all been fascinated by the idea of the factory-built, modular home. But international housing affordability crises, emerging technologies, and concerns for more sustainable building practices have given a new urgency to the need to transform building construction in the 21st century.Richly illustrated and drawing on historical examples and contemporary design studies, the book takes the reader through the foundations of prefab, leading up to a discussion of contemporary problems and opportunities. It includes a broad international survey of leading companies and their products, and draws on research from an international team of experts in the field. This book suggests a future scenario for industrialised house building that will both challenge the existing industry and stimulate the public imagination.




House Out of Factory


Book Description

Originally published in 1946, when Britain was facing a post-war housing crisis, this book dealt with the issue of the factory-produced house in being part of the solution for housing people in an affordable manner and a short time-scale. The book, aimed at both lay-people and technicians discusses aspects of pre-fabricated housing such as comfort, standardisation and aesthetics. The book is illustrated with 48pp of black and white plates.




Houses of Ravicka


Book Description

“More Kafka than Kafka, Renee Gladman’s achievement ranks alongside many of Borges’ in its creation of a fantastical landscape with deep psychological impact.” —Jeff VanderMeer Since 2010 writer and artist Renee Gladman has placed fantastic and philosophical stories in the invented city-state of Ravicka, a Ruritanian everyplace with its own gestural language, poetic architecture, and inexplicable physics. As Ravicka has grown, so has Gladman's project, spilling out from her fiction—Event Factory, The Ravickians, and Ana Patova Crosses a Bridge—into her nonfiction (Calamities) and even visual art (Prose Architectures). The result is a project unlike any other in American letters today, a fictional world that spans not only multiple books but different genres, even different art forms. In Houses of Ravicka, the city's comptroller, author of Regulating the Book of Regulations, seems to have lost a house. It is not where it's supposed to be, though an invisible house on the far side of town, which corresponds to the missing house, remains appropriately invisible. Inside the invisible house, a nameless Ravickian considers how she came to the life she is living, and investigates the deep history of Ravicka—that mysterious city-country born of Renee Gladman's philosophical, funny, audacious, extraordinary imagination.