How To Marry Up In The Taisho Era -When the Rich Young Man Won't Take No for an Answer- (4)


Book Description

It's the 1900s, during the Taisho Era, and Ranko Hanamiya is 24 and working as a server at the posh cafe, Cassiopeia. Her parents tell her they're ashamed of having an unwed daughter, but Ranko herself couldn't care less about it. Then, one day, a ravishing college student she's never met before gives her a present while she's working. Her coworkers are ecstatic, but the rational Ranko doesn't know what to make of it. At home, she's met with another surprise. Apparently, someone from the Chonabashi family wants to marry Ranko! It seems as though their grandfathers made a pact to have their grandchildren marry each other one day. Ranko declines, as she enjoys working and isn't interested in marriage, but her parents won't have it. She rather unwillingly goes to the Chonabashi residence to please her parents and protect their egos. When she gets there, who does she see but Yoichiro, the unfriendly young man who gave her that present at the cafe!




How To Marry Up In The Taisho Era -When the Rich Young Man Won't Take No for an Answer- (3)


Book Description

It's the 1900s, during the Taisho Era, and Ranko Hanamiya is 24 and working as a server at the posh cafe, Cassiopeia. Her parents tell her they're ashamed of having an unwed daughter, but Ranko herself couldn't care less about it. Then, one day, a ravishing college student she's never met before gives her a present while she's working. Her coworkers are ecstatic, but the rational Ranko doesn't know what to make of it. At home, she's met with another surprise. Apparently, someone from the Chonabashi family wants to marry Ranko! It seems as though their grandfathers made a pact to have their grandchildren marry each other one day. Ranko declines, as she enjoys working and isn't interested in marriage, but her parents won't have it. She rather unwillingly goes to the Chonabashi residence to please her parents and protect their egos. When she gets there, who does she see but Yoichiro, the unfriendly young man who gave her that present at the cafe!




How To Marry Up In The Taisho Era -When the Rich Young Man Won’t Take No for an Answer-(1)


Book Description

It's the 1900s, during the Taisho Era, and Ranko Hanamiya is 24 and working as a server at the posh caf?, Cassiopeia. Her parents tell her they're ashamed of having an unwed daughter, but Ranko herself couldn't care less about it. Then, one day, a ravishing college student she's never met before gives her a present while she's working. Her coworkers are ecstatic, but the rational Ranko doesn't know what to make of it. At home, she's met with another surprise. Apparently, someone from the Chonabashi family wants to marry Ranko! It seems as though their grandfathers made a pact to have their grandchildren marry each other one day. Ranko declines, as she enjoys working and isn't interested in marriage, but her parents won't have it. She rather unwillingly goes to the Chonabashi residence to please her parents and protect their egos. When she gets there, who does she see but Yoichiro, the unfriendly young man who gave her that present at the cafe!




How To Marry Up In The Taisho Era -When the Rich Young Man Won't Take No for an Answer- (5)


Book Description

It's the 1900s, during the Taisho Era, and Ranko Hanamiya is 24 and working as a server at the posh cafe, Cassiopeia. Her parents tell her they're ashamed of having an unwed daughter, but Ranko herself couldn't care less about it. Then, one day, a ravishing college student she's never met before gives her a present while she's working. Her coworkers are ecstatic, but the rational Ranko doesn't know what to make of it. At home, she's met with another surprise. Apparently, someone from the Chonabashi family wants to marry Ranko! It seems as though their grandfathers made a pact to have their grandchildren marry each other one day. Ranko declines, as she enjoys working and isn't interested in marriage, but her parents won't have it. She rather unwillingly goes to the Chonabashi residence to please her parents and protect their egos. When she gets there, who does she see but Yoichiro, the unfriendly young man who gave her that present at the cafe!




Male Colors


Book Description

Tokugawa Japan ranks with ancient Athens as a society that not only tolerated, but celebrated, male homosexual behavior. Few scholars have seriously studied the subject, and until now none have satisfactorily explained the origins of the tradition or elucidated how its conventions reflected class structure and gender roles. Gary P. Leupp fills the gap with a dynamic examination of the origins and nature of the tradition. Based on a wealth of literary and historical documentation, this study places Tokugawa homosexuality in a global context, exploring its implications for contemporary debates on the historical construction of sexual desire. Combing through popular fiction, law codes, religious works, medical treatises, biographical material, and artistic treatments, Leupp traces the origins of pre-Tokugawa homosexual traditions among monks and samurai, then describes the emergence of homosexual practices among commoners in Tokugawa cities. He argues that it was "nurture" rather than "nature" that accounted for such conspicuous male/male sexuality and that bisexuality was more prevalent than homosexuality. Detailed, thorough, and very readable, this study is the first in English or Japanese to address so comprehensively one of the most complex and intriguing aspects of Japanese history.




Sound Of 1 Hand


Book Description

When The Sound of the One Hand came out in Japan in 1916 it caused a scandal. Zen was a secretive practice, its wisdom relayed from master to novice in strictest privacy. That a handbook existed recording not only the riddling koans that are central to Zen teaching but also detailing the answers to them seemed to mark Zen as rote, not revelatory. For all that, The Sound of the One Hand opens the door to Zen like no other book. Including koans that go back to the master who first brought the koan teaching method from China to Japan in the eighteenth century, this book offers, in the words of the translator, editor, and Zen initiate Yoel Hoffmann, the clearest, most detailed, and most correct picture of Zen that can be found. What we have here is an extraordinary introduction to Zen thought as lived thought, a treasury of problems, paradoxes, and performance that will appeal to artists, writers, and philosophers as well as Buddhists and students of religion."




Cloud Atlas (20th Anniversary Edition)


Book Description

#1 INTERNATIONAL BESTSELLER • A timeless, structure-bending classic that explores how actions of individual lives impact the past, present and future—from a postmodern visionary and one of the leading voices in fiction Featuring a new afterword by David Mitchell and a new introduction by Gabrielle Zevin, author of Tomorrow, and Tomorrow, and Tomorrow One of the New York Times’s 100 Best Books of the 21st Century • Shortlisted for the International Booker Prize Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. The novel careens, with dazzling virtuosity, to Belgium in 1931, to the West Coast in the 1970s, to an inglorious present-day England, to a Korean superstate of the near future where neocapitalism has run amok, and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history. But the story doesn’t end even there. The novel boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, David Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky. As wild as a video game, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.




The One-Straw Revolution


Book Description

Call it “Zen and the Art of Farming” or a “Little Green Book,” Masanobu Fukuoka’s manifesto about farming, eating, and the limits of human knowledge presents a radical challenge to the global systems we rely on for our food. At the same time, it is a spiritual memoir of a man whose innovative system of cultivating the earth reflects a deep faith in the wholeness and balance of the natural world. As Wendell Berry writes in his preface, the book “is valuable to us because it is at once practical and philosophical. It is an inspiring, necessary book about agriculture because it is not just about agriculture.” Trained as a scientist, Fukuoka rejected both modern agribusiness and centuries of agricultural practice, deciding instead that the best forms of cultivation mirror nature’s own laws. Over the next three decades he perfected his so-called “do-nothing” technique: commonsense, sustainable practices that all but eliminate the use of pesticides, fertilizer, tillage, and perhaps most significantly, wasteful effort. Whether you’re a guerrilla gardener or a kitchen gardener, dedicated to slow food or simply looking to live a healthier life, you will find something here—you may even be moved to start a revolution of your own.




The Prison Memoirs of a Japanese Woman


Book Description

Kaneko Fumiko (1903-1926) wrote this memoir while in prison after being convicted of plotting to assassinate the Japanese emperor. Despite an early life of misery, deprivation, and hardship, she grew up to be a strong and independent young woman. When she moved to Tokyo in 1920, she gravitated to left-wing groups and eventually joined with the Korean nihilist Pak Yeol to form a two-person nihilist organization. Two days after the Great Tokyo Earthquake, in a general wave of anti-leftist and anti-Korean hysteria, the authorities arrested the pair and charged them with high treason. Defiant to the end (she hanged herself in prison on July 23, 1926), Kaneko Fumiko wrote this memoir as an indictment of the society that oppressed her, the family that abused and neglected her, and the imperial system that drove her to her death.




Something Like An Autobiography


Book Description

Translated by Audie E. Bock. "A first rate book and a joy to read.... It's doubtful that a complete understanding of the director's artistry can be obtained without reading this book.... Also indispensable for budding directors are the addenda, in which Kurosawa lays out his beliefs on the primacy of a good script, on scriptwriting as an essential tool for directors, on directing actors, on camera placement, and on the value of steeping oneself in literature, from great novels to detective fiction." --Variety "For the lover of Kurosawa's movies...this is nothing short of must reading...a fitting companion piece to his many dynamic and absorbing screen entertainments." --Washington Post Book World