Hubert Parry


Book Description




C. Hubert H. Parry


Book Description




English Lyrics


Book Description




Parry Before Jerusalem


Book Description

First published in 1997, this volume demonstrates that through his activities as a composer, historian, lecturer and administrator, Sir Hubert Parry (1848-1918) played a significant role in British music during the latter half of the nineteenth century. Yet despite his achievements, this century has for the most part neglected both Parry’s writings and his compositions; his name is remembered by the general public for one work alone – Jerusalem. In this collection of essays, Bernard Benoliel examines some of the reasons for this neglect and reassesses some of Parry’s most important works. These essays show that it was due to the large number and diversity of his public engagements (both social and work related) that Parry’s musical achievements did not often reach the heights of creative genius of which he might otherwise have been capable. By examining Parry’s personal relationships with his family, and in particular with his wife, Maude, Benoliel reveals an immensely complex personality; a man whose private and public selves were very much shaped by the society in which he lived. The book concludes with a selection of Parry’s own published writings, with introductions by the author.




An Imperishable Heritage: British Choral Music from Parry to Dyson


Book Description

The rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.




Parry to Finzi


Book Description

"Each chapter begins with a discussion of its composer's song-output and of the poets and poetry he sets, and goes on to give an account of the influences on him and the hallmarks of his style; the songs are then discussed in detail, focusing on the major works. The text is illustrated with musical examples and there is a comprehensive bibliography and index"--Jacket.




Style in Musical Art


Book Description




King Arthur in Music


Book Description

"Between these two extremes, the main body of the book deals largely with opera, from Wagner's 'Tristan' and 'Parsifal' to Harrison Birtwistle's 'Sir Gawain and the Green Knight'. Some works have never been performed, such as Hubert Parry's 'Guenever' and Rutland Boughton's Arthurian cycle, while others have only recently been staged or revived, such as Isaac Albeniz's 'Merlin' and Ernest Chausson's 'Le roi Artus', both striking post-Wagnerian works in very different styles - 'Merlin', for instance, beginning with a passage based on Gregorian chant. The range of music is wider than one might at first suspect."--BOOK JACKET.




Charles Villiers Stanford


Book Description

'Jeremy Dibble has written a book which adds substantially to Stanford's reputation and which greatly enriches both British and Irish musical scholarship. It is brilliantly done.' -Irish TimesJeremy Dibble presents the first authoritative, comprehensive study of the life and works of Charles Villiers Stanford (1852-1924), one of the most gifted and influential composers. Dibble reveals how, although perhaps best known for his church music, Stanford was also an eminent symphonist, songwriter, and author of many fine choral works. Cosmopolitan, ambitious, and pragmatic, he was untiring in his efforts to advance the cause of British music during its renaissance at the end of the nineteenth century, promoting the music of his contemporaries, and the many pupils he taught at Cambridge and the Royal College of Music, including Vaughan Williams, Ireland, Howells, Bliss, Holst, and Gurney.




British Organ Music of the Twentieth Century


Book Description

This is the first book-length survey of 20th -century British music for solo organ. Beginning with a discussion of British organ music in the last decades of the Victorian era, the book focuses on the pieces that the composers wrote, their musical style, possible influences on the composition of specific works, and the details of their composition. Arranged in chronological order according to date of birth are detailed studies on important composers that made especially significant contributions to organ music including Parry, Stanford, Healey Willan, Herbert Howells, Percy Whitlock, Francis Jackson, Peter Racine Fricker, Arthur Wills, and Kenneth Leighton. Composers' biographies, the role of organs and organ building developments, influential political and sociological events, and aesthetic aspects of British musical life are also discussed in detail. In the concluding chapter, the author discusses the major phases and achievements of the century and gauges what may lie ahead in the new millennium. A comprehensive Catalog of Works provides titles of works, dates of composition, details of publishers, and the dates of publication. More than 60 music examples, 12 black and white photos, and an up-to-date bibliography are included.