Hush My Mouth


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A spring day brings attorney Avery Andrews a new case. Fran French comes from Atlanta looking for her friend Neanna, who's more like a sister to her. Neanna went to Dacus looking for information on the unsolved murder of her aunt Wenda, and now she's missing. Twenty years earlier, Wenda's body was found posed on a memorial bench in the cemetery, her packed luggage at her feet, as if ready for a journey. When Neanna is found in her car, dead from a shot to the head, the police want to call it suicide. Fran insists it's impossible that Neanna killed herself and urges Avery to help her prove it. While Avery is sifting through Neanna's and Wenda's confused past and present, her office mate Melvin Bertram is befriended by a trio of ghost hunters who arrive in search of ectoplasm from the long-dead. The trio, christened "the ghosters" by Avery, hope to talk Melvin into investing in their TV pilot, oblivious to the fact that someone is baiting them with increasingly ridiculous ghost sightings. In no time at all, the ghosters are having altercations with the resident biker gang and with Avery's private investigator. Let no one say life in Camden County is uninteresting. In this latest in Cathy Pickens's Southern Fried Mystery series, Avery explores the nature of family—the ones we're born into and the ones we find—and learns about the haunting power of the past in the process. Hush My Mouth offers an original blend of humor and mystery, peppered with quirky characters and boasting a decidedly Southern flavor.




Hush My Mouth


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My Heart in My Mouth


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What I like best about Loder's prayers is that they are filled with images to send the soul soaring. --Spirituality & Health Ted Loder is the poet of prayer. I know no one who so movingly and honestly brings us before God in prayers that touch the personal and the social dimensions of our lives. I suspect that I will pray from this book the rest of my life. --Tex Sample, Coordinator of The Network for the Study of U. S. Lifestyles, Robert B. and Kathleen Professor Emeritus of Church and Society, Saint Paul School of Theology Does prayer have to be stilted or sentimental? Can it express real feeling without getting weepy? Ted Loder shows how prayer can escape these pitfalls and become authentic. One could well start or end each day with one of these. --Harvey Cox, Professor of Divinity, Harvard University; Author of Fire from Heaven This is a revealing, intensely personal, and wonderful book of prayers, rich and insightful. Loder helps us to stretch our experiences, our emotions, and our imaginations just a little bit more. --Rev. William H. Gray, III, Senior Pastor, Bright Hope Baptist Church; President/CEO, United Negro College Fund Loder is a modern-day psalmist whose prayers are disarmingly honest and refreshingly real. His message: in all of life's beauty and brokenness love is the struggle that tutors the soul. --Julie Neraas, Presbyterian minister, Spiritual Director, and Faculty Member, Hamline University, St. Paul, Minnesota Loder offers thoughtful and well-crafted prayers that are written in the familiar cadence of everyday language but leavened with echoes of the inspired awe, wonder, and praise of the ancient Scriptures. --Dr. Bob Edgar, General Secretary, National Council of the Churches of Christ in the USA; former Congressman from Pennsylvania Ted Loder is a master pastor. In these prayers we see a pastor bringing his people before the throne of God. Good reading. Good praying. --Dr. William H. Willimon, Dean of the Chapel and Professor of Christian Ministry, Duke University, Durham, North Carolina







The Cosmopolitan


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MAX BRAND Ultimate Collection: 90+ Novels & Short Stories (Including Western Classics, Historical Novels, Adventure Tales & Detective Mysteries)


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This carefully crafted ebook: "MAX BRAND Ultimate Collection: 90+ Novels & Short Stories (Including Western Classics, Historical Novels, Adventure Tales & Detective Mysteries)" is formatted for your eReader with a functional and detailed table of contents. Frederick Schiller Faust (1892-1944) was an American author best known for his thoughtful Westerns under the pen name Max Brand. Prolific in many genres, he wrote historical novels, detective mysteries, pulp fiction stories and many more. Table of Contents: The Untamed The Night Horseman The Seventh Man Dan Barry's Daughter Ronicky Doone Ronicky Doone's Treasure Ronicky Doone's Reward Silvertip The Man from Mustang Silvertip's Strike Silvertip's Roundup Silvertip's Trap Silvertip's Chase Silvertip's Search The Stolen Stallion Valley Thieves The Valley of Vanishing Men The False Rider The Firebrand Claws of the Tigress The Pearls of Bonfadini Internes Can't Take Money The Secret of Dr. Kildare Above the Law Harrigan! Trailin'! Riders of the Silences Crossroads The Man Who Forgot Christmas Black Jack The Cure of Silver Cañon Donnegan Bull Hunter Jerico's Garrison Finish The Long, Long Trail Way of the Lawless Alcatraz The Garden of Eden The Power of Prayer The Rangeland Avenger Wild Freedom The Boy Who Found Christmas His Name His Fortune The Quest of Lee Garrison Rodeo Ranch "Sunset" Wins Soft Metal Under His Shirt The Tenderfoot The Black Rider In the River Bottom's Grip Acres of Unrest Bad Man's Gulch The Whispering Outlaw The Desert Pilot The Mountain Fugitive The Mustang Herder The Sheriff Rides Destry Rides Again Sixteen in Nome The Hair-Trigger Kid The Lightning Warrior The Three Crosses Range Jester Gunman's Gold The Red Bandanna Marbleface Red Devil of the Range Seven Faces King of the Range Seven Mile House John Ovington Returns That Receding Brow Hole-In-The-Wall Barrett The Ghost Out of the Dark Beyond the Finish A Special Occasion The Small World Fixed Wine in the Desert Dust Storm ...




The Sound and the Fury (Third Edition) (Norton Critical Editions)


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“A man is the sum of his misfortunes.” —William Faulkner, The Sound and the Fury William Faulkner’s provocative and enigmatic 1929 novel, The Sound and the Fury, is widely acknowledged as one of the most important English-language novels of the twentieth century. This revised and expanded Norton Critical Edition builds on the strengths of its predecessors while focusing new attention on both the novel’s contemporary reception and its rich cultural and historical contexts. The text for the Third Edition is again that of the corrected text scrupulously prepared by Noel Polk, whose textual note precedes the novel. David Minter’s annotations, designed to assist readers with obscure words and allusions, have been retained. “Contemporary Reception,” new to the Third Edition, considers the broad range of reactions to Faulkner’s extraordinary novel on publication. Michael Gorra’s headnote sets the stage for assessments by Evelyn Scott, Henry Nash Smith, Clifton P. Fadiman, Dudley Fitts, Richard Hughes, and Edward Crickmay. New materials by Faulkner (“The Writer and His Work”) include letters to Malcolm Cowley about The Portable Faulkner and Faulkner’s Nobel Prize for Literature address. “Cultural and Historical Contexts” begins with Michael Gorra’s insightful headnote, which is followed by seven seminal considerations—five of them new to the Third Edition—of southern history, literature, and memory. Together, these works—by C. Vann Woodward, Richard H. King, Richard Gray, William Alexander Percy, Lillian Smith, William James, and Henri Bergson—provide readers with important contexts for understanding the novel. “Criticism” represents eighty-five years of scholarly engagement with The Sound and the Fury. New to the Third Edition are essays by Eric Sundquist, Noel Polk, Doreen Fowler, Richard Godden, Stacy Burton, and Maria Truchan-Tataryn. A Chronology of Faulkner’s life and work is newly included along with an updated Selected Bibliography.




The Sound and the Fury (Third International Edition) (Norton Critical Editions)


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“A man is the sum of his misfortunes.” —William Faulkner, The Sound and the Fury William Faulkner’s provocative and enigmatic 1929 novel, The Sound and the Fury, is widely acknowledged as one of the most important English-language novels of the twentieth century. This revised and expanded Norton Critical Edition builds on the strengths of its predecessors while focusing new attention on both the novel’s contemporary reception and its rich cultural and historical contexts. The text for the Third Edition is again that of the corrected text scrupulously prepared by Noel Polk, whose textual note precedes the novel. David Minter’s annotations, designed to assist readers with obscure words and allusions, have been retained. “Contemporary Reception,” new to the Third Edition, considers the broad range of reactions to Faulkner’s extraordinary novel on publication. Michael Gorra’s headnote sets the stage for assessments by Evelyn Scott, Henry Nash Smith, Clifton P. Fadiman, Dudley Fitts, Richard Hughes, and Edward Crickmay. New materials by Faulkner (“The Writer and His Work”) include letters to Malcolm Cowley about The Portable Faulkner and Faulkner’s Nobel Prize for Literature address. “Cultural and Historical Contexts” begins with Michael Gorra’s insightful headnote, which is followed by seven seminal considerations—five of them new to the Third Edition—of southern history, literature, and memory. Together, these works—by C. Vann Woodward, Richard H. King, Richard Gray, William Alexander Percy, Lillian Smith, William James, and Henri Bergson—provide readers with important contexts for understanding the novel. “Criticism” represents eighty-five years of scholarly engagement with The Sound and the Fury. New to the Third Edition are essays by Eric Sundquist, Noel Polk, Doreen Fowler, Richard Godden, Stacy Burton, and Maria Truchan-Tataryn. A Chronology of Faulkner’s life and work is newly included along with an updated Selected Bibliography.







Cosmopolitan


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