Author : Edward D. Snyder
Publisher : University of Pennsylvania Press
Page : 176 pages
File Size : 30,76 MB
Release : 2016-11-11
Category : Literary Criticism
ISBN : 1512807443
An analysis of the psychological effect of word arrangement in various well-known poems.
Author : Reuven Tsur
Publisher : John Benjamins Publishing
Page : 269 pages
File Size : 28,84 MB
Release : 2006-01-01
Category : Language Arts & Disciplines
ISBN : 9027223696
This book endorses Coleridge's statement: "nothing can permanently please which does not contain in itself the reason why it is so". It conceives of "Kubla Khan" as of a hypnotic poem, in which the "obtrusive rhythms" produce a hypnotic, emotionally heightened response, giving false security to the "Platonic Censor", so that our imagination is left free to explore higher levels of uncertainty. Critics intolerant of uncertainty tend to account for the poem's effect by extraneous background information. The book consists of three parts employing different research methods. Part One is speculative, and discusses three aspects of a complex aesthetic event: the verbal structure of "Kubla Khan", validity in interpretation, and the influence of the critic's decision style on his critical decisions. The other two parts are empirical. Part Two explores reader response to gestalt qualities of rhyme patterns and hypnotic poems in perspective of decision style and professional training. Part Three submits four recordings of the poem by leading British actors to instrumental investigation.
Author : Keith Brooks
Publisher :
Page : 196 pages
File Size : 11,56 MB
Release : 1949
Category :
ISBN :
Author : Reuven Tsur
Publisher : John Benjamins Publishing Company
Page : 466 pages
File Size : 14,31 MB
Release : 2022-06-03
Category : Literary Criticism
ISBN : 9027257833
This book is a collection of studies providing a unique view on two central aspects of poetry: sounds and emotive qualities, with emphasis on their interactions. The book addresses various theoretical and methodological issues related to topics like sound symbolism, poetic prosody, and voice quality in recited poetry. The authors examine how these sound-related phenomena contribute to the generation of emotive qualities and how these qualities are perceived by readers and listeners. The book builds upon Reuven Tsur’s theoretical research and supplements it from an experimental angle. It also engages in methodological debates with prevalent scientific approaches. In particular, it emphasises the importance of proper theory in empirical literary studies and the role of the personal traits of the reader in literary analysis. The intended readership of this book consists mainly of literary scholars, but it might also appeal to researchers from disciplines such as linguistics, psychology, and brain science.
Author : Joe Vitale
Publisher : John Wiley & Sons
Page : 295 pages
File Size : 31,91 MB
Release : 2006-12-22
Category : Business & Economics
ISBN : 0470009799
Discover the secrets of written persuasion! "The principles of hypnosis, when applied to copywriting, add a new spin to selling. Joe Vitale has taken hypnotic words to set the perfect sales environment and then shows us how to use those words to motivate a prospect to take the action you want. This is truly a new and effective approach to copywriting, which I strongly recommend you learn. It's pure genius." -Joseph Sugarman, author of Triggers "I've read countless book on persuasion, but none come close to this one in showing you exactly how to put your readers into a buying trance that makes whatever you are offering them irresistible." -David Garfinkel, author of Advertising Headlines That Make You Rich "I am a huge fan of Vitale and his books, and Hypnotic Writing (first published more than twenty years ago), is my absolute favorite. Updated with additional text and fresh examples, especially from e-mail writing, Joe's specialty, Hypnotic Writing is the most important book on copywriting (yes, that's really what it is about) to be published in this century. Read it. It will make you a better copywriter, period." -Bob Bly, copywriter and author of The Copywriter's Handbook "I couldn't put this book down. It's eye opening and filled with genuinely new stuff about writing and persuading better. And it communicates it brilliantly and teaches it brilliantly-exemplifying the techniques by the writing of the book itself as you go along." -David Deutsch, author of Think Inside the Box, www.thinkinginside.com "Hypnotic Writing is packed with so much great information it's hard to know where to start. The insights, strategies, and tactics in the book are easy to apply yet deliver one heck of a punch. And in case there's any question how to apply them, the before-and-after case studies drive the points home like nothing else can. Hypnotic Writing is not just about hypnotic writing. It is hypnotic writing. On the count of three, you're going to love it. Just watch and see." -Blair Warren, author of The Forbidden Keys to Persuasion
Author : Phil Billitz
Publisher : Createspace Independent Pub
Page : 64 pages
File Size : 34,41 MB
Release : 2012-09-25
Category : Psychology
ISBN : 9781477595046
The Original and Still the Greatest Book of Hypnotic Seduction Poetry. These seduction poems give you the ability to hypnotize women and give them post-hypnotic suggestions to adore and want you - simply by reading them some mildly erotic poems. The NLP for PUA Foreword explains the hypnosis and neuro-linguistic programming (NLP) language patterns used to capture and lead a woman's imagination (and body) into bed. Here are some of the many positive comments I have received from men and women:"Women accept them because of their unobtrusive and romantic nature, without realizing the deep hidden commands that are taking place ..." (Richard G. Butler PhD DD)"Thanks phil they really do work astonishing well. esp when the 7 hypsosis secrets are applied" (Anon) "OMG!!!! This is amazing! Even this sample worked like magic!" (Bob) "wow... These rocked my life! Thanks!" (Anon) "My wife loves the poems and when I put her into a trance and read them to her I get Great results." (Bill) "I read your poem to one woman who I haven't touched in years....She is literally begging me now since getting back in touch with me (bumped into each other at work and was still horny for me anyway,) but now even more so, she is practically dripping thru the phone as I read poems to her....(she thinks I write them). She said she let her female friend listen and her friend said it made her panties wet (to stop it!!)." (Anon) "I'll be your spokes person!! Or that guy on the freeway with a sign saying "Phil is the MAN!" " Perrin "The only comment I have for you Phil is....when is the next book going to be available?....my girl told me to give you her opinion...so here it is... Gotta tell ya though, I read Sublimity to several females to see if it phased them (scientific study of course) and WOW!!! the response was very positive... (Anon) "I am a woman, and I used them with a man. I am very pleased with the results. I read several of them to him as I lay with my head in his lap.. reading softly and slowly, and gazing into his eyes when ever I could without losing my place. Watching his face go from 'but I wanted to watch TV', to interest and then tenderness was awesome! Thanks Phil for you poems, you newsletters, and you book!" (Jen)
Author : Rubin Battino
Publisher : Crown House Publishing
Page : 322 pages
File Size : 44,9 MB
Release : 2005-01-27
Category : Psychology
ISBN : 1845905423
This is the comprehensive guide for all those wishing to explore the fascinating potential of metaphor. Containing sample scripts and suggestions for basic and advanced metaphors and a history of the use of metaphor. " Rubin's freshness and honesty is unparalleled, his grasp of the subject is uncanny."
Author : Linda Finlay
Publisher : John Wiley & Sons
Page : 269 pages
File Size : 37,57 MB
Release : 2008-04-15
Category : Medical
ISBN : 0470776986
Reflexivity is a popular tool used to analyse personal, intersubjective and social processes which shape research projects. It enables researchers, particularly within the qualitative tradition, to acknowledge their role and the situated nature of their research. In the current climate, which sees the popularity of qualitative methods coupled with increased public and professional scrutiny of research, reflexivity provides a means of bolstering greater transparency and quality in research. This book recognises the considerable value of reflexivity to researchers, and provides a means to navigate this field. The book is foremost a practical guide which examines reflexivity at different stages of the research process. The editors and contributors offer candid approaches to the subject, which supply readers with diverse strategies on how to do reflexivity in practice. Features * Provides an accessible, practical guide to reflexive research processes, methods and outcomes * Encompasses both the health and social science fields * Includes contributions from international researchers The book is aimed at postgraduate and final year students of health and social sciences. Interested clinicians will also find useful insights in the text.
Author : Reuven Tsur
Publisher : Apollo Books
Page : 492 pages
File Size : 11,51 MB
Release : 2012
Category : Literary Criticism
ISBN : 9781845195250
This research is an instrumental investigation of a theory of rhythmical performance of poetry, originally propounded speculatively in author Reuven Tsur's A Perception-Oriented Theory of Metre (1977). "Iambic pentameter" means that there is a verse unit consisting of an unstressed and a stressed syllable (in this order), and that the verse line consists of five such units. In the first 165 verse lines of Paradise Lost, there are two such lines. The theory takes up one of the central issues in metrical studies: all criteria for metricality hitherto proposed have been violated by the greatest masters of musicality in English poetry. The question arises, how do we recognize two verse lines that are very different in their structures as instances of the same abstract pattern of, e.g., iambic pentameter, and how do we distinguish a metrical from an unmetrical line? One great difference between this theory of meter and others concerns the status of deviation. Most theoreticians deploy a battery of tools to make deviant stress patterns conform with metric pattern. Only when all attempts fail do they speak of "tension." When they succeed, they blur the distinction between, for example, Milton's and Pope's metrical styles. Or else, they have formulated different rules of metricality for Shakespeare and Milton. This theory assumes that when the versification patterns and linguistic patterns conflict, they can be accommodated in a pattern of "Rhythmical Performance" - namely, one in which the conflicting patterns are simultaneously perceptible. There are scales of mounting difficulties of mismatches, on which each poet (and each theorist) draws at different points the boundary of what is acceptable. Reuven Tsur's revised and expanded second edition (original publication, Peter Lang, 1986) is essential reading for all scholars and students involved in versification and Cognitive Poetics.
Author : Reuven Tsur
Publisher : Oxford University Press
Page : 305 pages
File Size : 30,30 MB
Release : 2017-08-01
Category : Language Arts & Disciplines
ISBN : 0190676353
Poetic Conventions as Cognitive Fossils offers a major theoretical statement of where poetic conventions come from. The work comprises Reuven Tsur's research in cognitive poetics to show how conventional poetic styles originate from cognitive rather than cultural principles. The book contrasts two approaches to cultural conventions in general, and poetic conventions in particular. They include what may be called the "culture-begets-culture" or "influence-hunting" approach, and the "constraints-seeking" or "cognitive-fossils" approach here expounded. The former assumes that one may account for cultural programs by pointing out their roots in earlier cultural phenomena and provide a map of their migrations. The latter assumes that cultural programs originate in cognitive solutions to adaptation problems that have acquired the status of established practice. Both conceptions assume "repeated social transmission," but with very different implications. The former frequently ends in infinite regress; the latter assumes that in the process of repeated social transmission, cultural programs come to take forms which have a good fit to the natural constraints and capacities of the human brain. Tsur extends the principles of this analysis of cognitive origins of poetic form to the writing systems, not only of the Western world, but also to Egyptian hieroglyphs through the evolution of alphabetic writing via old Semitic writing, and Chinese and Japanese writings; to aspects of figuration in medieval and Renaissance love poetry in English and French; to the metaphysical conceit; to theories of poetic translation; to the contemporary theory of metaphor; and to slips of the tongue and the tip-of-the-tongue phenomenon, showing the workings and disruption of psycholinguistic mechanisms. Analysis extends to such varying sources as the formulae of some Mediaeval Hebrew mystic poems, and the ballad 'Edward,' illustrative of extreme 'fossilization' and the constraints of the human brain.
