McClure's Magazine


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The Continent


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Photoplay


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The Postal Clerk


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Murder Is Against the Law, but ...


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When she starts her job at Sawyer Developmental Center, Janet Nelson is young, attractive, and nave. It doesnt take long for things to change. Her innocence makes her a target, and she soon receives the attention of Barton Cleese, director at Sawyer. He wants to make Janet his mistress, and he will have herbecause he always gets what he wants. In this corporate world, everyone is out for blood. Theres the assistant director, Cleeses current mistress, who is now in charge of training Janet as her replacement. There are supervisors and CEOs who will say yes to anything in exchange for a fat paycheck or a step up the ladder. Caught in a web of deceit and hostility, Janet must be on her guard on and off the job. When things take a turn for the worse, its Janet versus the Sawyer administration. She decides to take matters into her own hands, wreaking revenge on all those who have wronged her with the help of her intellect and her imagination. She knows murder is against the law, but some people need to die. Some people need to be destroyed for the good of humanity.




The Young Man


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The young man of the title, Leon Pracht, has left the theater to write. Contemplative, brooding, alienated from both society in general and those to whom he should be closest, Pracht moves numbly through a series of encounters, the precision of his observation of both the everyday and the fantastic underscored by his increasing detachment.




The Postal Record


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The Making of a Dream


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“A sweeping chronicle of the immigrant rights movement. . . . Wides-Muñoz reminds us that thanks to the ability of young people to dream, what seems impossible today may yet prove achievable tomorrow.” —New York Times Book Review A journalist chronicles the next chapter in civil rights—the story of a movement and a nation, witnessed through the poignant and inspiring experiences of five young undocumented activists who are transforming society’s attitudes toward one of the most contentious political matters roiling America today: immigration. They are called the DREAMers: young people who were brought, or sent, to the United States as children and who have lived for years in America without legal status. Growing up, they often worked hard in school, planned for college, only to learn they were, in the eyes of the United States government and many citizens, "illegal aliens." Determined to take fate into their own hands, a group of these young undocumented immigrants risked their safety to "come out" about their status—sparking a transformative movement, engineering a seismic shift in public opinion on immigration, and inspiring other social movements across the country. Their quest for permanent legal protection under the so-called "Dream Act," stalled. But in 2012, the Obama administration issued a landmark, new immigration policy: Deferred Action for Childhood Arrivals, or DACA, which has since protected more than half a million young immigrants from deportation even as efforts to install more expansive protections remain elusive. The Making of a Dream begins at the turn of the millennium, with the first of a series of "Dream Act" proposals; follows the efforts of policy makers, activists, and undocumented immigrants themselves, and concludes with the 2016 presidential election and the first months of the Trump presidency. The immigrants’ coming of age stories intersect with the watershed political and economic events of the last two decades: 9/11, the recession, the wars in Iraq and Afghanistan, the Obama presidency, and the rebirth of the anti-immigrant right. In telling their story, Laura Wides-Muñoz forces us to rethink our definition of what it means to be American.