Orozco's American Epic


Book Description

Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.




Children of Immigration


Book Description

Now in the midst of the largest wave of immigration in history, America, mythical land of immigrants, is once again contemplating a future in which new arrivals will play a crucial role in reworking the fabric of the nation. At the center of this prospect are the children of immigrants, who make up one fifth of America's youth. This book, written by the codirectors of the largest ongoing longitudinal study of immigrant children and their families, offers a clear, broad, interdisciplinary view of who these children are and what their future might hold. For immigrant children, the authors write, it is the best of times and the worst. These children are more likely than any previous generation of immigrants to end up in Ivy League universities--or unschooled, on parole, or in prison. Most arrive as motivated students, respectful of authority and quick to learn English. Yet, at the same time, many face huge obstacles to success, such as poverty, prejudice, the trauma of immigration itself, and exposure to the materialistic, hedonistic world of their native-born peers. The authors vividly describe how forces within and outside the family shape these children's developing sense of identity and their ambivalent relationship with their adopted country. Their book demonstrates how "Americanization," long an immigrant ideal, has, in a nation so diverse and full of contradictions, become ever harder to define, let alone achieve.




Investigating the Death of Innocents


Book Description

February 18, 2007: the remains of a child are discovered in a Rubbermaid tub inside a rental storage unit in Tucson, Arizona. Thus begins the child abuse/murder investigation that resulted in new legislation governing Child Protective Services. This is not a dramatic retelling of events, but the day-by-day facts as reported by the lead detective on the case. While certainly of interest to anyone who feels strongly about protecting our children, Investigating the Death of Innocents will also appeal to anyone interested in seeing exactly how a police investigation is carried out, and how it proceeds from the first phone call through to the trial and sentencing of the criminals. This is a story that will break your heart, but also leave you respecting the police investigators and prosecuting attorneys whose dedication and hard work brought this case to a successful conclusion.




Agent of Change


Book Description

The essayist Adela Sloss-Vento (1901–1998) was a powerhouse of activism in South Texas’s Lower Rio Grande Valley throughout the Mexican American civil rights movement beginning in 1920 and the subsequent Chicano movement of the 1960s and 1970s. At last presenting the full story of Sloss-Vento’s achievements, Agent of Change revives a forgotten history of a major female Latina leader. Bringing to light the economic and political transformations that swept through South Texas in the 1920s as ranching declined and agribusiness proliferated, Cynthia E. Orozco situates Sloss-Vento’s early years within the context of the Jim Crow/Juan Crow era. Recounting Sloss-Vento’s rise to prominence as a public intellectual, Orozco highlights a partnership with Alonso S. Perales, the principal founder of the League of United Latin American Citizens. Agent of Change explores such contradictions as Sloss-Vento’s tolerance of LULAC’s gender-segregated chapters, even though the activist was an outspoken critic of male privilege in the home and a decidedly progressive wife and mother. Inspiring and illuminating, this is a complete portrait of a savvy, brazen critic who demanded reform on both sides of the US-Mexico border.




Jose Clemente Orozco


Book Description

Looks at the life and career of the Mexican mural painter.




Written Matter


Book Description

Written Matter" is a selection of texts (translated and transcribed) alongside original pages from artist Gabriel Orozco's workbooks. The book takes as its starting point the year 1992, when Orozco began to travel and exhibit around the world, without maintaining a permanent studio. The notes and drawings in these workbooks became indispensable to the development of his ideas and projects.




Orozco's American Epic


Book Description

Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.




No Mexicans, Women, Or Dogs Allowed


Book Description

Founded by Mexican American men in 1929, the League of United Latin-American Citizens (LULAC) has usually been judged according to Chicano nationalist standards of the late 1960s and 1970s. Drawing on extensive archival research, including the personal papers of Alonso S. Perales and Adela Sloss-Vento, No Mexicans, Women, or Dogs Allowed presents the history of LULAC in a new light, restoring its early twentieth-century context. Cynthia Orozco also provides evidence that perceptions of LULAC as a petite bourgeoisie, assimilationist, conservative, anti-Mexican, anti-working class organization belie the realities of the group's early activism. Supplemented by oral history, this sweeping study probes LULAC's predecessors, such as the Order Sons of America, blending historiography and cultural studies. Against a backdrop of the Mexican Revolution, World War I, gender discrimination, and racial segregation, No Mexicans, Women, or Dogs Allowed recasts LULAC at the forefront of civil rights movements in America.




Orientation and Other Stories


Book Description

Breakfast's boiled egg, the overhead hum of fluorescent lights, the midmorning coffee break—daily routines keep the world running. But when people are pushed—by a coworker's taunt, a face-to-face encounter with a woman in free fall from a bridge—cracks appear, revealing alienation, casual cruelty, madness, and above all a simultaneous hunger for and fear of the unknown. Daniel Orozco leads the reader through the hidden lives and moral philosophies of bridge painters, men housebound by obesity, office temps, and warehouse workers. He reveals the secret pleasures of late-night supermarket trips for cookie binges, exceptional data entry, and an exiled dictator's occasional piss on the U.S. embassy. A love affair blooms between two officers in the impartially worded pages of a police blotter; a new employee's first-day office tour includes descriptions of other workers' most private thoughts and actions; during an earthquake, the consciousness of the entire state of California shakes free for examination. Orientation introduces a writer at the height of his powers, whose work surely invites us to reassess the landscape of American fiction. Orientation is a Kirkus Reviews Best of 2011 Short Story Collections title.




Orozco


Book Description

On August 31, 1915, a Texas posse lynched five “horse thieves.” One of them, it turned out, was General Pascual Orozco Jr., military hero of the Mexican Revolution. Was he a desperado or a hero? Orozco’s death proved as controversial as his storied life, a career of mysterious contradictions that Raymond Caballero puzzles out in this book. A long-overdue biography of a significant but little-known and less understood figure of Mexican history, Orozco tells the full story of this revolutionary’s meteoric rise and ignominious descent, including the purposely obscured circumstances of his death at the hands of a lone, murderous lawman. That story—of an unknown muleteer of Northwest Chihuahua who became the revolution’s most important military leader, a national hero and idol, only to turn on his former revolutionary ally Francisco Madero—is one of the most compelling narratives of early-twentieth-century Mexican history. Without Orozco’s leadership, Madero would likely have never deposed dictator Porfirio Díaz. And yet Orozco soon joined Madero’s hated assassin, the new dictator, Victoriano Huerta, and espoused progressive reforms while fighting on behalf of reactionaries. Whereas other historians have struggled to make sense of this contradictory record, Caballero brings to light Orozco’s bizarre appointment of an unknown con man to administer his rebellion, a man whose background and character, once revealed, explain many of Orozco’s previously baffling actions. The book also delves into the peculiar history of Orozco’s homeland, offering new insight into why Northwest Chihuahua, of all places in Mexico, produced the revolution’s military leadership, in particular a champion like Pascual Orozco. From the circumstances of his ascent, to revelations about his treachery, to the true details of his death, Orozco at last emerges, through Caballero’s account, in all his complexity and significance.