I Put a Spell on You


Book Description

In the annals of rock ‘n’ roll there have been a lot of strange characters, but there probably hasn’t been anyone as bizarre as Screamin’ Jay Hawkins, and this is his story. Known mostly for a single record, I Put A Spell On You, and emerging from a coffin to perform on stage, Screamin’ Jay was a whirlwind performer, lusty singer, prolific songwriter and a man who was total stranger to the truth.




I Put A Spell On You


Book Description

The inimitable, gorgeously talented Nina Simone (1933-2003)--the "high priestess of soul"--sets the story of her tumultuous, passionate life straight in I Put a Spell on You. Born Eunice Kathleen Waymon in small-town North Carolina, Nina Simone changed the face of both music and race relations in America. She struck a chord with bluesy jazz ballads like "Put a Little Sugar in My Bowl" and powerful protest songs such as "Mississippi Goddam" and "To Be Young, Gifted, and Black," the anthem of the American Civil Rights movement. Here are the many lives and loves of Nina Simone, recounted in her unshakable voice.




I Put A Spell On You


Book Description

James Baldwin used to tell Nina Simone, "This is the world you have made for yourself, now you have to live in it." Simone has created for herself a world of magnificent peaks. Often compared to Billie Holiday and Edith Piaf, Simone is known as one of the greatest singers of her generation. She has recorded forty-three albums, ranging from blues to jazz to folk, and her hits like "I Loves You, Porgy," "My Baby Just Cares for Me," "I Put a Spell on You," and "Mississippi Goddam" have confirmed her as an enduring force in popular music. Her song "Young, Gifted, and Black" became the anthem for the Civil Rights Movement and thrust her beyond international stardom into the center of activism. But such worlds as Simone's are not without their grim valleys: disastrous marriages, arrest and the threat of imprisonment, mental breakdown, poverty, and attempted suicide. She has survived these trials and continues to perform throughout Europe and the United States. With undiminished passion and in her unconquerable voice, this is Nina Simone's powerful memoir of her tempestuous life.




I Put a Spell on You


Book Description

In this exquisite, haunting book, John Burnside describes his coming of age from the industrial misery of Cowdenbeath and Corby to the new world of Cambridge. The old Scots word ‘glamour’ means magical charm, and the first time he was played I Put a Spell on You, John Burnside thought he had never heard a more beautiful song – it was an enchantment, a fascination that would turn to obsession. Implicit in the song were all the ambiguities that intrigued him – love, possession, and danger – and this book is an exploration of the darker side of glamour and attraction. Beginning with memories of a brutal murder, the book follows the author through a series of uncanny encounters with ‘lost girls’, with brilliant digressions on murder ballads, voodoo, acid and insomnia, and a cast that includes Kafka and Narcissus, Diane Arbus and Mel Lyman, The Four Tops and Screamin’ Jay Hawkins, and time spent lost in the Arctic Circle, black-and-white films and a mental institution. Ending with the tender summoning of the ghost of his dying mother as she sings along to the radio in her empty kitchen, I Put a Spell on You is a book about memory, about the other side of love: a book of secrets and wonders. ‘A marvellously meandering, digressive study of the nature of love... Exact and enthralling.’ Tessa Hadley




The Witch Family


Book Description

This story of two girls trying to banish a witch is “full of wonderful fun, excitement, and humor” (Library Journal). Old Witch likes nothing better than to fly around on her broomstick, crying “Heh-heh!” and casting abracadabras. But now she has been sent away . . . by two young girls. Amy and Clarissa have decided that Old Witch is just too mean and wicked. So, drawing a rickety old house upon a barren glass hill, they exile Old Witch there with a warning: She better be good, or else no Halloween! But to give Old Witch some company, they draw her a Little Witch Girl and a Weeny Witch Baby . . . Old Witch tries to be good, but anyone would get up to no good in a place as lonely as the glass hill. And Amy and Clarissa are about to find that out, when Old Witch magics them into her world of make-believe-made-real, in “a very special book that is certain to give boundless pleasure—at any time of the year” (The Horn Book). “A classic for Halloween.” —Library Journal




A History of Rock Music in 500 Songs Vol 1


Book Description

In this series of books, based on the hit podcast A History of Rock Music in 500 Songs, Andrew Hickey analyses the history of rock and roll music, from its origins in swing, Western swing, boogie woogie, and gospel, through to the 1990s, grunge, and Britpop. Looking at five hundred representative songs, he tells the story of the musicians who made those records, the society that produced them, and the music they were making. Volume one looks at fifty songs from the origins of rock and roll, starting in 1938 with Charlie Christian's first recording session, and ending in 1956. Along the way, it looks at Louis Jordan, LaVern Baker, the Ink Spots, Fats Domino, Sister Rosetta Tharpe, Jackie Brenston, Bill Haley, Chuck Berry, Elvis Presley, Little Richard, and many more of the progenitors of rock and roll.




I Put a Spell on You


Book Description

When Gordon Liddy Community School's resident tattletale-detective, Chrissie Woodward, realizes that the adults are out to fix the big spelling bee, she transfers her loyalty to her fellow students and starts collecting evidence. Told through in-class letters, administrative memos, file notes from Chrissie's investigation, and testimony from spelling bee contestants.




Screamin' Jay Hawkins' All-Time Greatest Hits


Book Description

Mark Binelli turns his sharp, forceful prose to fiction, in an inventive retelling of the outrageous life of Screamin' Jay Hawkins, a bluesman with one hit and a string of inflammatory guises He came on stage in a coffin, carried by pallbearers, drunk enough to climb into his casket every night. Onstage he wore a cape, clamped a bone to his nose, and carried a staff topped with a human skull. Offstage, he insisted he'd been raised by a tribe of Blackfoot Indians, that he'd joined the army at fourteen, that he'd defeated the middleweight boxing champion of Alaska, that he'd fathered seventy-five illegitimate children. The R&B wildman Screamin' Jay Hawkins only had a single hit, the classic "I Put a Spell On You," and was often written off as a clownish novelty act -- or worse, an offense to his race -- but his myth-making was legendary. In his second novel, Mark Binelli embraces the man and the legend to create a hilarious, tragic, fantastical portrait of this unlikeliest of protagonists. Hawkins saw his life story as a wild picaresque, and Binelli's novel follows suit, tackling the subject in a dazzling collage-like style. At Rolling Stone, Binelli has profiled some of the greatest musicians of our time, and this novel deftly plays with the inordinate focus on "authenticity" in so much music writing about African-Americans. An entire novel built around a musician as deliberately inauthentic as Screamin' Jay Hawkins thus becomes a sort of subversive act, as well as an extremely funny and surprisingly moving one.




Princess Noire


Book Description

Born Eunice Waymon in Tryon, North Carolina, Nina Simone (1933-2003) began her musical life playing classical piano. A child prodigy, she wanted a career on the concert stage, but when the Curtis Institute of Music rejected her, the devastating disappointment compelled her to change direction. She turned to popular music and jazz but never abandoned her classical roots or her intense ambition. By the age of twenty six, Simone had sung at New York City's venerable Town Hall and was on her way. Tapping into newly unearthed material on Simone's family and career, Nadine Cohodas paints a luminous portrait of the singer, highlighting her tumultuous life, her innovative compositions, and the prodigious talent that matched her ambition. With precision and empathy, Cohodas weaves the story of Simone's contentious relationship with audiences and critics, her outspoken support for civil rights, her two marriages and her daughter, and, later, the sense of alienation that drove her to live abroad from 1993 until her death. Alongside these threads runs a more troubling one: Simone's increasing outbursts of rage and pain that signaled mental illness and a lifelong struggle to overcome a deep sense of personal injustice.




A Spell in the Forest


Book Description

'This book gently leads the reader into a new and deeper understanding of the forest and our ancient and intrinsic connection with the trees, that has been largely forgotten in this modern age. If you wish to develop and nurture a true affinity and knowledge of trees, then Tongues in Trees will most definitely help you to do that.' Luke Eastwood, author of The Druid Garden and The Druid's Primer Trees occupy a place of enormous significance, not only in our planet’s web of life but also in our psyche. A Spell in the Forest - Tongues in Trees is part love-song, part poetic guidebook, and part exploration of thirteen native sacred British tree species. Tongues in Trees is a multi-layered contribution to the current awareness of the importance and significance of trees and the resurgence of interest in their place on our planet and in our hearts. FROM THE BOOK: 'Trees have always figured in human consciousness. I believe that when we walk among trees, or notice a particular tree, a kind of exchange happens. Trees love to be met.' 'Trees somehow mediate between ourselves and a different reality, a different order of consciousness – pre-verbal, post-verbal, trans-verbal, non-verbal – such a relief, sometimes.' 'Trees in a natural forest mirror and speak to something of the wild soul in a human. As we visit, we encounter and are supported by the elemental powers that reside in such places, and can more readily connect with our own instinctual natures and the wild soul.' 'Wildness is not to be confused with a state of chaos, being out of control, savage. It’s a question of relinquishing the ego’s grip to larger natural rhythms, cycles, surroundings: an essential aspect of thriving. When one does this, one is more receptive to one’s environment, physical or more numinous.' 'Woodland, forest, strikes me as a perfect example of the individual and the community being gracefully, harmoniously and inextricably part of each other.' 'I walk the forest, listen for birds, rivers, cascades, stories of the wildwood rustling in the leaves... try and stay aware of the great mycorrhizal web beneath my feet connecting us all...' '[T]he ancients knew that spending time among trees is one of the best approaches to health and healing. Recently, Japan has spent millions researching the health benefits of shinrin-yoku, forest-bathing.' 'In the forest I step into a different kind of time. It's not simply that it so clearly stretches back so far into the past, but also that it allows me what Thoreau described as a ‘broad margin’ to my day.' '‘Mother trees’, we know from work by Suzanne Simard, will reduce their own root competition to make room for their own offspring. Trees will also help neighbours of their own species if necessary.' 'Forests are liminal places, thresholds into a meeting of the physical and metaphysical, where we’re on the cusp of another reality...' 'In our past, our physical survival and some of our sense of meaning came from an awareness and direct experience of our connectedness with the more-than-human. We need that awareness more than ever now.' 'Our being here, our walking on this earth, is a co-creation, a mutual belonging. How to live, if not in reciprocal affinity?'