Author :
Publisher :
Page : 169 pages
File Size : 29,26 MB
Release : 2015
Category : World War, 1939-1945
ISBN :
A classic war film starring acting legend John Mills. Ice Cold in Alex refers to the beer that an army ambulance Captain has promised himself as a reward when he, two nurses, a mechanic and a mysterious South African officer complete their arduous and perilous trek across the deserts of North Africa to Alexandria. As immortalised in a certain television advert for lager, the iconic bar scene is just one of the film's classic moments.
Author : Neil Sinyard
Publisher : Manchester University Press
Page : 304 pages
File Size : 31,79 MB
Release : 2019-01-04
Category : Performing Arts
ISBN : 1526141493
In François Truffaut’s opinion The Innocents was ‘the best English film after Hitchcock goes to America’. Tennessee Williams said of The Great Gatsby: ‘a film whose artistry even surpassed the original novel’. The maker of both films was Jack Clayton, one of the finest English directors of the post-war era and perhaps best remembered for the trail-blazing Room at the Top which brought a new sexual frankness and social realism to the British screen. This is the first full-length critical study of Clayton's work. The author has been able to consult and quote from the director's own private papers which illuminate Clayton’s creative practices and artistic intentions. In addition to fresh analyses of the individual films, the book contains new material on Clayton's many unrealised projects and valuably includes his previously unpublished short story ‘The Enchantment’ – as poignant and revealing as the films themselves. This is a personal and fascinating account of the career and achievement of an important, much-loved director that should appeal to students and film enthusiasts.
Author : Melanie Bell
Publisher : Bloomsbury Publishing
Page : 343 pages
File Size : 28,97 MB
Release : 2009-11-18
Category : Performing Arts
ISBN : 075569788X
It's widely assumed that Britain in the 1950s experienced a return to traditional gender roles. Popular cinema has typically been seen to represent this era through the dominant image of the 'happy housewife'. "Femininity in the Frame" is a sharply observant account of how British cinema engaged with femininity and women's roles during this important period. Written in a lively and accessible manner, it challenges received understandings, arguing that the period was marked by social unease and anxiety about gender roles and femininity, with much British cinema producing ambiguous messages about feminine identities and the role of women. Through analysing marginalized figures, such as prostitutes, criminals and femmes fatales, and addressing central themes, notably sexuality, marriage and female friendship, Melanie Bell examines how British popular cinema imagined and constructed femininity in this era of rapid social and cultural change. She draws together sources ranging from official reports to film reviews, with case studies of films across genres, including "The Perfect Woman", "Young Wives' Tale", "The Weak and the Wicked" and "A Town Like Alice", to show how new ideas and understandings of femininity were seeping into the cultural imagery at this time. She demonstrates how such films expressed proto-feminist ideas and how they ultimately explored new forms of femininity in a manner that has not until now been recognised.
Author : Robert Murphy
Publisher : Bloomsbury Publishing
Page : 867 pages
File Size : 16,21 MB
Release : 2019-07-25
Category : Performing Arts
ISBN : 1838718648
The new edition of The British Cinema Book has been thoroughly revised and updated to provide a comprehensive introduction to the major periods, genres, studios, film-makers and debates in British cinema from the 1890s to the present. The book has five sections, addressing debates and controversies; industry, genre and representation; British cinema 1895-1939; British cinema from World War II to the 1970s, and contemporary British cinema. Within these sections, leading scholars and critics address a wide range of issues and topics, including British cinema as a 'national' cinema; its complex relationship with Hollywood; film censorship; key British genres such as horror, comedy and costume film; the work of directors including Alfred Hitchcock, Anthony Asquith, Alexander Mackendrick, Michael Powell, Lindsay Anderson, Ken Russell and Mike Leigh; studios such as Gainsborough, Ealing, Rank and Gaumont, and recent signs of hope for the British film industry, such as the rebirth of the low-budget British horror picture, and the emergence of a British Asian cinema. Discussions are illustrated with case studies of key films, many of which are new to this edition, including Piccadilly (1929) It Always Rains on Sunday (1947), The Ladykillers (1955), This Sporting Life (1963), The Devils (1971), Withnail and I (1986), Bend it Like Beckham (2002) and Control (2007), and with over 100 images from the BFI's collection. The Editor: Robert Murphy is Professor in Film Studies at De Montfort University and has written and edited a number of books on British cinema, including British Cinema and the Second World War (2000) and Directors in British and Irish Cinema (2006). The contributors: Ian Aitken, Charles Barr, Geoff Brown, William Brown, Stella Bruzzi, Jon Burrows, James Chapman, Steve Chibnall, Pamela Church Gibson, Ian Conrich, Richard Dacre, Raymond Durgnat, Allen Eyles, Christine Geraghty, Christine Gledhill, Kevin Gough-Yates, Sheldon Hall, Benjamin Halligan, Sue Harper, Erik Hedling, Andrew Hill, John Hill, Peter Hutchings, Nick James, Marcia Landy, Barbara Korte, Alan Lovell, Brian McFarlane, Martin McLoone, Andrew Moor, Robert Murphy, Lawrence Napper, Michael O'Pray, Jim Pines, Vincent Porter, Tim Pulleine, Jeffrey Richards, James C. Robertson, Tom Ryall, Justin Smith, Andrew Spicer, Claudia Sternberg, Sarah Street, Melanie Williams and Linda Wood.
Author : John Brannigan
Publisher : Bloomsbury Publishing
Page : 323 pages
File Size : 46,58 MB
Release : 2002-11-25
Category : Literary Criticism
ISBN : 1350308854
This essential introductory guide provides a comprehensive critical survey of the diverse and rich body of literary writing produced in England in the postwar period. John Brannigan explores the relationship between literature and history, and analyses how poets, playwrights and novelists have revisited notions of Englishness, represented Englands of the past, and sought to make new 'maps' of English culture and society. Orwell to the Present: Literature in England, 1945-2000 combines original readings of familiar texts with wide-ranging explorations of the principal themes and historical and cultural contexts of literature since the end of the Second World War. Writers considered in detail include: Martin Amis, Simon Armitage, Pat Barker, John Betjeman, Edward Bond, Angela Carter, Margaret Drabble, Sarah Kane, Mark Ravenhill, Jean Rhys, Salman Rushdie, Sam Selvon, Graham Swift and Evelyn Waugh.
Author : Robert Shail
Publisher : Edinburgh University Press
Page : 256 pages
File Size : 18,82 MB
Release : 2007-10-18
Category : Performing Arts
ISBN : 0748629688
British national cinema has produced an exceptional track record of innovative, creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast.Key features include:* A complete list of each director's British feature films.* Suggested further reading on each filmmaker.* A comprehensive career overview, including biographical information and an assessment of the director's current critical standing. * 10 B&W illustrations.
Author : Alan Allport
Publisher : Yale University Press
Page : 441 pages
File Size : 30,39 MB
Release : 2015-01-01
Category : History
ISBN : 0300170750
More than three-and-a-half million men served in the British Army during the Second World War, the vast majority of them civilians who had never expected to become soldiers and had little idea what military life, with all its strange rituals, discomforts, and dangers, was going to be like. Alan Allport's rich and luminous social history examines the experience of the greatest and most terrible war in history from the perspective of these ordinary, extraordinary men, who were plucked from their peacetime families and workplaces and sent to fight for King and Country. Allport chronicles the huge diversity of their wartime trajectories, tracing how soldiers responded to and were shaped by their years with the British Army, and how that army, however reluctantly, had to accommodate itself to them. Touching on issues of class, sex, crime, trauma, and national identity, through a colorful multitude of fresh individual perspectives, the book provides an enlightening, deeply moving perspective on how a generation of very modern-minded young men responded to the challenges of a brutal and disorienting conflict.
Author : David A. Ellis
Publisher : Scarecrow Press
Page : 245 pages
File Size : 16,89 MB
Release : 2012
Category : Biography & Autobiography
ISBN : 0810881268
In Conversations with Cinematographers, David A. Ellis has assembled interviews with some of the most influential and highly regarded cameramen of the last half century and more. While their names may not be known by the general public, these men and their work have left indel...
Author : Sue Harper
Publisher : OUP Oxford
Page : 436 pages
File Size : 16,78 MB
Release : 2003-09-11
Category : Performing Arts
ISBN : 0191541648
In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema.
Author : Alexander Joffe
Publisher : Bloomsbury Publishing
Page : 269 pages
File Size : 45,67 MB
Release : 2020-09-03
Category : History
ISBN : 1350132896
Shortlisted for the 2021 Society for Army Historical Research's Templer Medal Operation Crusader, launched in November 1941, was the third and final British attempt to relieve the siege of Tobruk and break the German and Italian forces in North Africa. After tough initial fighting, the British made important gains, only to be countered by a stunning breakthrough overseen personally by Lt. General Erwin Rommel. As the British situation teetered, the commander of the 8th Army, Lt. General Alan Cunningham, was relieved of duty by his superior, General Claude Auchinleck. This decision changed the direction of the battle and perhaps the war itself. Why and how Cunningham was relieved has been the subject of commentary and speculation since it occurred. Using newly discovered evidence, Alexander Joffe rethinks the events that brought about the sudden relief of the operation's commanding officer, including insubordination. The book then discusses how narratives regarding the operation were created, were incorporated into British and Commonwealth official and unofficial historical writing about the war, and contributed to British historical memory. Based on a decade of archival work, the book presents a new and detailed analysis of a consequential battle and, importantly, of how its history was written and received in the context of post-war Britain.
