Iconography of the Counter Reformation in the Netherlands
Author : John Baptist Knipping
Publisher :
Page : 260 pages
File Size : 21,37 MB
Release : 1974
Category : Art
ISBN :
Author : John Baptist Knipping
Publisher :
Page : 260 pages
File Size : 21,37 MB
Release : 1974
Category : Art
ISBN :
Author : J.B. Knipping
Publisher : Springer
Page : 320 pages
File Size : 25,12 MB
Release : 1974
Category : Art
ISBN :
Author : Xander van Eck
Publisher : Waanders Publishers
Page : 248 pages
File Size : 37,35 MB
Release : 2008
Category : Architecture
ISBN :
Investigates the history of Netherlandish religious painting during the 17th and 18th centuries.
Author : Anthony D. Wright
Publisher : Routledge
Page : 329 pages
File Size : 38,12 MB
Release : 2017-09-29
Category : History
ISBN : 1351892223
Modern scholarship has effectively demonstrated that, far from being a knee-jerk reaction to the challenges of Protestantism, the Catholic Reformation of the sixteenth and seventeenth centuries was fuelled primarily by a desire within the Church to reform its medieval legacy and to re-enthuse its institutions with a sense of religious zeal. In many ways, both the Protestant and Catholic Reformations were inspired by the same humanist ideals and though ultimately expressed in different ways, the origins of both movements can be traced back to the patristic revival of the fifteenth and sixteenth centuries. Nevertheless, it is undeniable that many contemporaries, and subsequent historians, came to view the Catholic Reformation as an attempt to challenge the Protestants and to cut the ground from beneath their feet. In this new revised edition of Dr Wright's groundbreaking study of the Counter-Reformation, the wide panoply of the Catholic Reformation is spread out and analysed within the political, religious, philosophical, scientific and cultural context of late medieval and early modern Europe. In so doing, this book provides a fascinating guide to the many doctrinal and interrelated social issues involved in the wholesale restructuring of religion that took place both within Western Europe and overseas.
Author : Angela Vanhaelen
Publisher : Penn State Press
Page : 234 pages
File Size : 29,31 MB
Release : 2012
Category : Art
ISBN : 0271050616
"Explores the relationship between art and religion after the iconoclasm of the Dutch Reformation. Reassesses Dutch realism and its pictorial strategies in relation to the religious and political diversity of the Dutch cities"--Provided by publisher.
Author : Albert C. Moore
Publisher : Chris Robertson
Page : 350 pages
File Size : 46,33 MB
Release : 1977
Category : Art and religion
ISBN : 0800604881
Author : John B. Knipping
Publisher :
Page : 539 pages
File Size : 13,94 MB
Release : 1974
Category :
ISBN :
Author : Helene E. Roberts
Publisher : Routledge
Page : 2586 pages
File Size : 48,60 MB
Release : 2013-09-05
Category : Art
ISBN : 1136787925
First published in 1998. The Encyclopedia of Comparative Iconography compares the uses of iconographic themes from mythology, the Bible and other sacred texts, literature, and popular culture in works of art through various periods, cultures, and genres. Art historians now tend to study narrative themes depicted in works of art in relation to such subjects as gender and sexuality, politics and power, ownership and possession, ceremony and ritual, legitimacy and authority. The Encyclopedia of Comparative Iconography reflects these new approaches by ordering the themes of various iconographic sources in particular biblical, mythological, and literary texts according to these new emphases.Each handsomely illustrated entry discusses the major relevant iconographic narratives and the historical background of each theme. A list of selected works of art that accompanies each essay guides the reader to examples in art that depict the theme under discussion. Each essay includes a list of suggested reading that provides further sources of information about the themes. A general bibliography of reference books is listed separately and can be used in association with all the essays. With 119 entries written by 42 experts, the Encyclopedia of Comparative Iconography is an important reference work for art historians, students of art history, artists, and the general reader.
Author : Susan Merriam
Publisher : Routledge
Page : 214 pages
File Size : 41,11 MB
Release : 2017-07-05
Category : Art
ISBN : 1351549073
Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.
Author : Hans Vlieghe
Publisher : Yale University Press
Page : 356 pages
File Size : 36,71 MB
Release : 1998-01-01
Category : Art
ISBN : 9780300104691
02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.