Iconography of the counter reformation in the netherlands vol. Ii
Author : John B. Knipping
Publisher :
Page : 239 pages
File Size : 36,75 MB
Release : 1974
Category :
ISBN :
Author : John B. Knipping
Publisher :
Page : 239 pages
File Size : 36,75 MB
Release : 1974
Category :
ISBN :
Author : John B. Knipping
Publisher :
Page : 233 pages
File Size : 23,80 MB
Release : 1974
Category :
ISBN :
Author : J.B. Knipping
Publisher : Springer
Page : 320 pages
File Size : 48,37 MB
Release : 1974
Category : Art
ISBN :
Author : John Baptist Knipping
Publisher :
Page : 260 pages
File Size : 41,17 MB
Release : 1974
Category : Art
ISBN :
Author : John B. Knipping
Publisher :
Page : pages
File Size : 11,47 MB
Release : 1974
Category :
ISBN :
Author : John Baptist Knipping
Publisher :
Page : pages
File Size : 36,33 MB
Release : 1974
Category :
ISBN :
Author : J. B. Knipping
Publisher :
Page : pages
File Size : 14,2 MB
Release : 1974
Category :
ISBN :
Author : Celeste Brusati
Publisher : BRILL
Page : 773 pages
File Size : 32,60 MB
Release : 2011-11-11
Category : History
ISBN : 9004215158
This book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700.
Author : Helene E. Roberts
Publisher : Routledge
Page : 1072 pages
File Size : 22,82 MB
Release : 2013-09-05
Category : Art
ISBN : 1136787933
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Edward H. Wouk
Publisher : BRILL
Page : 858 pages
File Size : 49,25 MB
Release : 2018-03-20
Category : Art
ISBN : 9004343253
Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liège and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and northern sources. This book maps Floris’s hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of print.