Icons in the Western Church


Book Description

Within the Eastern tradition of Christianity, the eikon, or religious image, has long held a place of honor. In the greater part of Western Christianity, however, discomfort with images in worship, both statues and panel icons, has been a relatively common current, particularly since the Reformation. In the Roman Catholic Church, after years of using religious statues, the Second Vatican Council's call for "noble simplicity" in many cases led to a stripping of images that in some ways helped refocus attention on the eucharistic celebration itself but also led to a starkness that has left many Roman Catholics unsure of how to interact with the saints or with religious images at all. Today, Western interest in panel icons has been rising, yet we lack standards of quality or catechesis on what to do with them. This book makes the case that icons should have a role to play in the Western Church that goes beyond mere decoration. Citing theological and ecumenical reasons, Visel argues that, with regard to use of icons, the post-Vatican II Roman Catholic Church needs to give greater respect to the Eastern tradition. While Roman Catholics may never interact with icons in quite the same way that Eastern Christians do, we do need to come to terms with what icons are and how we should encounter them.




Windows to Heaven


Book Description

In this useful guidebook, the authors debunk common misconceptions about Orthodox icons and explain how they might enrich the devotional lives of non-Orthodox Christians.




Icons in the Western Church


Book Description

Within the Eastern tradition of Christianity, the eikon, or religious image, has long held a place of honor. In the greater part of Western Christianity, however, discomfort with images in worship, both statues and panel icons, has been a relatively common current, particularly since the Reformation. In the Roman Catholic Church, after years of using religious statues, the Second Vatican Council’s call for “noble simplicity” in many cases led to a stripping of images that in some ways helped refocus attention on the eucharistic celebration itself but also led to a starkness that has left many Roman Catholics unsure of how to interact with the saints or with religious images at all. Today, Western interest in panel icons has been rising, yet we lack standards of quality or catechesis on what to do with them. This book makes the case that icons should have a role to play in the Western Church that goes beyond mere decoration. Citing theological and ecumenical reasons, Visel argues that, with regard to use of icons, the post–Vatican II Roman Catholic Church needs to give greater respect to the Eastern tradition. While Roman Catholics may never interact with icons in quite the same way that Eastern Christians do, we do need to come to terms with what icons are and how we should encounter them.




Icons and Saints of the Eastern Orthodox Church


Book Description

Catalogues the heritage of images according to type and subject, from the ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. This book includes chapters such as role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church.




The Spiritual Life


Book Description

Originally part of a series of broadcasts made by the author prior to World War II, this small book was meant "to present some of the great truths concerning man’s spiritual life in simple language.” As one critic has noted, “Underhill has admirably and eloquently achieved her objective.” Evelyn Underhill was a prolific British writer on mysticism and spiritual growth. Her other books include The School of Charity and Abba.




Icons and the Liturgy, East and West


Book Description

Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute’s symposium “Icons and Images,” the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Nicholas Denysenko’s book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. The reader will travel to Rome, Byzantium, Armenia, Chile, and to other parts of the world, to see how Christians of yesterday and today have experienced divine encounters through icons. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Lucas, S.J., Bissera V. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, and Andriy Chirovsky.




Praying with Icons


Book Description




Living Icons


Book Description

Living Icons presents an intimate portrait of holiness as exemplified in the lives and thoughts of ten people of faith in the Eastern Orthodox Church. In this inspiring volume, Michael Plekon introduces readers to a diverse and unusual group of men and women who strove to put the Gospel of Christ into action in their lives. The "living icons" Plekon describes were, among other things, priests, theologians, writers, and caregivers to the homeless and poor. One was an artist who became the greatest icon painter in this century; another was assassinated for his teachings in post-Soviet Russia. These remarkable people of faith lived through times of great suffering: forced emigration, the Great Depression, World War II, and the Cold War. Many of them were criticized, if not condemned, by ecclesiastical opponents and authorities. Yet each demonstrate a unique pattern for holiness, illustrating that the path to sainthood is open to all. With the fall of state socialism, Eastern Orthodox churches and monasteries are being reopened and receiving renewed interest from believers and nonbelievers alike. Plekon calls to our attention people like Saint Seraphim of Sarov (1759-1832), a monk, mystic, counselor, healer, and visionary; Father Alexander Men (1935-1990), a Russian whose writings after Glasnost ultimately led to his tragic assassination; Mother Maria Skobtsova (1891-1945), a painter, poet, and political activist who was killed in a concentration camp for hiding her Jewish neighbors; and Father Lev Gillet (1893-1980), one of the twentieth century's greatest spiritual teachers. Living Icons, which includes a foreword by Lawrence S. Cunningham, brings to life the beautiful, and often unfamiliar, spirituality of the Eastern Orthodox Church through some of its most remarkable members. It shows with simplicity and clarity that Christ and the Gospel are often manifested in extraordinary ways in the lives of ordinary people.




The Mystical Language of Icons


Book Description

Solrunn Nes, one of Europe's most admired iconographers, illuminates the world of Christian icons, explaining the motifs, gestures, and colors common to these profound symbols of faith. Nes explores in depth a number of famous icons, including those of the Greater Feasts, the Mother of God, and a number of the better-known saints, enriching her discussion with references to Scripture, early Christian writings, and liturgy. She also leads readers through the process and techniques of icon painting, showing each step with photographs, and includes more than fifty of her own original works of art.




Techniques of Icon and Wall Painting


Book Description

This is the most comprehensive book to date on the techniques of icon and wall painting. Illustrated with over 450 colour photos and 180 drawings, it will be a source of pleasure and inspiration for the general reader as well as for the practising icon painter. The book is more than just a technical manual; it sets artistic practice in the context of the Church's spirituality and liturgy, with chapters on the theology and history of the icon, the role and symbolism of the iconostasis, and the principles behind the positioning of wall paintings within churches. The wealth of information in this book makes it an indispensable reference text, not only for iconographers but also for any painter working in egg tempera, fresco or secco. All the necessary processes are covered, including the making gessoing of wooden panels, gilding, preparing pigments, lime plastering and fresco, the various techniques for painting in tempera, right through to photographing the finished artwork. -- from dust jacket.