Ideal Commonwealths


Book Description

Plates accompanied by guard sheets with descriptive letterpress.




Ideal Commonwealths


Book Description




Ideal Commonwealths


Book Description




Ideal Commonwealths


Book Description

"Ideal Commonwealths" by Various. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.




Ideal Commonwealths


Book Description




Ideal Commonwealths


Book Description




The Hair Trunk Or the Ideal Commonwealth


Book Description

Half a dozen young men find themselves at the end of their university years facing the awful prospect that they must now support themselves. They decide to found an Ideal Commonwealth, in the Navigator Islands - Samoa (where, by a wonderful coincidence, a decade later, Stevenson himself eventually settled and where he died and is buried). Here - they reason - work and money, dreary offices and dreary jobs, will not be known or needed. But capital is required to start even an Ideal Commonwealth. One of their number knows of a real, glowing, gaudy, old-high treasure - gold and jewels in a trunk in a family castle in the Scottish Highlands, theirs for the stealing, and ...Robert Louis Stevenson began writing this comic novel in April or May 1877, when he was twenty-six, and left it unfinished - after 30,000 words, in nine chapters - two years later. It shows a side of him whom most readers have never known existed: a satirical Stevenson making great fun, in a manner worthy of his contemporaries Gilbert and Sullivan, of the events and passions, the personalities and the predicaments, of his day. Previously published only in a French translation, it now takes its rightful place among his memorable early works of fiction. Transcribed, introduced, and annotated by the noted scholar Roger G. Swearingen from Stevenson's unpublished manuscript (now in the Huntington Library, San Marino, California), this edition reveals glimpses of the author's developing literary skills and of his complex and often madcap personal temperament. The extensive and illustrated annotations are fascinating in themselves, not least for the references to the contemporary late-Victorian scene.







Utopia, Carnival, and Commonwealth in Renaissance England


Book Description

With the emergence of utopia as a cultural genre in the sixteenth century, a dual understanding of alternative societies, as either political or literary, took shape. In Utopia, Carnival, and Commonwealth in Renaissance England, Christopher Kendrick argues that the chief cultural-discursive conditions of this development are to be found in the practice of carnivalesque satire and in the attempt to construct a valid commonwealth ideology. Meanwhile, the enabling social-political condition of the new utopian writing is the existence of a social class of smallholders whose unevenly developed character prevents it from attaining political power equivalent to its social weight. In a detailed reading of Thomas More's Utopia, Kendrick argues that the uncanny dislocations, the incongruities and blank spots often remarked upon in Book II's description of Utopian society, amount to a way of discovering uneven development, and that the appeal of Utopian communism stems from its answering the desire of the smallholding class (in which are to be numbered European humanists) for unity and power. Subsequent chapters on Rabelais, Nashe, Marlowe, Bacon, Shakespeare, and others show how the utopian form engages with its two chief discursive preconditions, carnival and commonwealth ideologies, while reflecting the history of uneven development and the smallholding class. Utopia, Carnival, and Commonwealth in Renaissance England makes a novel case for the social and cultural significance of Renaissance utopian writing, and of the modern utopia in general.




The Limits of Reason in Hobbes's Commonwealth


Book Description

The Limits of Reason in Hobbes's Commonwealth explores Hobbes's attempt to construct a political philosophy of enduring peace on the foundation of the rational individual. Hobbes's rational individual, motivated by self-preservation, obeys the laws of the commonwealth and thus is conceived as the model citizen. Yet Hobbes intimates that there are limits to what such an actor will do for peace, and that the glory-seeker - "too rarely found to be presumed on" - is capable of a generosity that is necessary for political longevity. Michael P. Krom identifies this as a fundamental contradiction in Hobbes's system: he builds the commonwealth on the rational actor, yet acknowledges the need for the irrational glory-seeker. Krom argues that Hobbes's attempt to establish a "king of the proud" fails to overcome the limits of reason and the precariousness of politics. This book synthesizes recent work on Hobbes's understanding of glory and political stability, challenging the view that Hobbes succeeds in incorporating glory-seekers into his political theory and explores the implications of this for contemporary political philosophy after Rawls.