Illuminating in Micrography


Book Description

In Illuminating in Micrography, Dalia-Ruth Halperin analyzes the Catalan Micrography Maḥzor, a fourteenth-century Barcelonan manuscript in Israel’s National Library. Decorated with micrography, the Jewish scribal art typical of Bible manuscripts, this maḥzor, which includes a rich full-page panel micrography cycle, is unique. Along with the codicological and paleographical analysis, essential for understanding the scribe’s thought and working processes, the author’s meticulous reading of the micrography text reveals the scribe’s textual editing and manipulations. Decoding his writing flow and sequences revealed a close association between the penned text and the images formed, which reflect a Jewish theosophical-theurgical cycle. Evidence of the scribe’s association with the renowned Bassa atelier enhances our knowledge of the cultural, economic, and ethnic realities of the time.




An Introduction to Microscopy by Means of Light, Electrons, X-Rays, or Ultrasound


Book Description

Many people look upon a microscope as a mere instrument(l); to them microscopy is instrumentation. Other people consider a microscope to be simply an aid to the eye; to them microscopy is primarily an expan sion of macroscopy. In actuality, microscopy is both objective and sub jective; it is seeing through an instrument by means of the eye, and more importantly, the brain. The function of the brain is to interpret the eye's image in terms of the object's structure. Thought and experience are required to distinguish structure from artifact. It is said that Galileo (1564-1642) had his associates first look through his telescope microscope at very familiar objects to convince them that the image was a true representation of the object. Then he would have them proceed to hitherto unknown worlds too far or too small to be seen with the un aided eye. Since Galileo's time, light microscopes have been improved so much that performance is now very close to theoretical limits. Electron microscopes have been developed in the last four decades to exhibit thousands of times the resolving power of the light microscope. Through the news media everyone is made aware of the marvelous microscopical accomplishments in imagery. However, little or no hint is given as to what parts of the image are derived from the specimen itself and what parts are from the instrumentation, to say nothing of the changes made during preparation of the specimen.




Photo-micrography


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Knowledge ...


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Knowledge...


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Technical Instrument Bulletin


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"A journal devoted to optical and allied instruments as applied to industry, research and medical science.




Practical Photo-micrography


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Introduction to Microscopy by Means of Light, Electrons, X Rays, or Acoustics


Book Description

Following three printings of the First Edition (1978), the publisher has asked for a Second Edition to bring the contents up to date. In doing so the authors aim to show how the newer microscopies are related to the older types with respect to theoretical resolving power (what you pay for) and resolution (what you get). The book is an introduction to students, technicians, technologists, and scientists in biology, medicine, science, and engineering. It should be useful in academic and industrial research, consulting, and forensics; how ever, the book is not intended to be encyclopedic. The authors are greatly indebted to the College of Textiles of North Carolina State University at Raleigh for support from the administration there for typing, word processing, stationery, mailing, drafting diagrams, and general assistance. We personally thank Joann Fish for word process ing, Teresa M. Langley and Grace Parnell for typing services, Mark Bowen for drawing graphs and diagrams, Chuck Gardner for photographic ser vices, Deepak Bhattavahalli for his work with the proofs, and all the other people who have given us their assistance. The authors wish to acknowledge the many valuable suggestions given by Eugene G. Rochow and the significant editorial contributions made by Elizabeth Cook Rochow.