Images and Understanding


Book Description

How do you paint a picture of God, or dance about death, or draw a diagram explaining infinity? Images and Understanding explores the human problem of transferring facts and ideas from one mind to another--the problem of how we see things. We create images, not just in the form of pictures and diagrams, but with words, demonstrations, and even music and dance. The editors present their findings in six sections: the essence of images, movement, narration, making images, images and thought, and images and meaning. Each section begins with an explanatory introduction and is followed by contributions from internationally distinguished figures in fields as diverse as choreography, psychology, computer science, philosophy and art. Images and Understanding arrives at a new perspective on imagery through the eyes of both science and art, and provides new insights about images and new ideas about understanding.







Islamic Images and Ideas


Book Description

These 24 studies on specific symbols, images and icons from the Muslim tradition are authored by scholars from around the world. Divided into four sections, the Divine, the Spiritual, the Physical, and the Societal, they examine theological issues, such as divine unity, creation, wrath, and justice, as well as spiritual subjects, such as the straight path, servitude, perfection, the jinn, intoxication, and the status of Fatimah, the daughter of the Prophet Muhammad. Essays also explore the symbolism of physical elements such as water, trees, seas, ships, food, the male sexual organ, eyebrows, and camels; and the significance of more socially-centered subjects such as the center, ijtihad, governance, otherness, Ashura, and Arabic. Drawing from the Qur'an and Sunnah, the essays address these topics with tact and respect from a position that appreciates exegetical diversity while remaining within the realm of unity.




Images and Ideas in Seventeenth-Century Spanish Painting


Book Description

Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation. As a consequence, the painter emerges in isolation from the forces that shaped his work. Jonathan Brown offers another approach to the subject by relating important Spanish Baroque paintings and painters to their cultural milieu. A critical survey of the historiography of seventeenth-century Spanish painting introduces this two-part collection of essays. Part One provides the most detailed study to date of the artistic-literary academy of Francisco Pacheco, and Part Two contains original studies of four major painters and their works: Las Meninas of Velázquez, Zurbarán's decoration of the sacristy at Guadalupe, and the work by Murillo and Valdés Leal for the Brotherhood of Charity, Seville. The essays are unified by the author's intention to show how the artists interacted with and responded to the prevailing social, theological, and historical currents of the time. While this contextual approach is not uncommon in the study of European art, it is newly applied here to restore some of the diversity and substance that Spanish Baroque painting originally possessed.







Images and Ideas of Debated Readings in the Book of Lamentations


Book Description

The Hebrew versions of the five poems in the book of Lamentations are riddled with debated readings. Debated readings are words, phrases, or sentences whose forms and meanings modern readers find difficult or objectionable. In this book, Gideon R. Kotze adopts a text-critical approach to the interpretation of such readings and suggests that some of them make sense as expressions of images and ideas that circulated widely in the cultural and intellectual environment of Lamentations. After surveying examples of passages in Lamentations where the Hebrew wordings show remarkable resemblances to the images and ideas exhibited by cultural products from all over the ancient Near East, the author discusses five case studies of debated readings that can be explained along similar lines. On this interpretation, the readings in question are not corrupt and do not have to be emended for that reason.




Words and Images


Book Description

For centuries philosophers have attempted to derive concepts from perceptual representations but have failed to explain how the mind generates the building blocks of thought. Gauker addresses this problem in a new account of imagistic cognition. He shows that much of cognition occurs by means of mental imagery, without the help of concepts.




Images and Ideas in Seventeenth-Century Spanish Painting


Book Description

Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation. As a consequence, the painter emerges in isolation from the forces that shaped his work. Jonathan Brown offers another approach to the subject by relating important Spanish Baroque paintings and painters to their cultural milieu. A critical survey of the historiography of seventeenth-century Spanish painting introduces this two-part collection of essays. Part One provides the most detailed study to date of the artistic-literary academy of Francisco Pacheco, and Part Two contains original studies of four major painters and their works: Las Meninas of Velázquez, Zurbarán's decoration of the sacristy at Guadalupe, and the work by Murillo and Valdés Leal for the Brotherhood of Charity, Seville. The essays are unified by the author's intention to show how the artists interacted with and responded to the prevailing social, theological, and historical currents of the time. While this contextual approach is not uncommon in the study of European art, it is newly applied here to restore some of the diversity and substance that Spanish Baroque painting originally possessed.




Thinking 3D


Book Description

During the Renaissance, artists and illustrators developed the representation of truthful three-dimensional forms into a highly skilled art. As reliable illustrations of three-dimensional subjects became more prevalent, they also influenced the ways in which disciplines developed: architecture could be communicated much more clearly, mathematical concepts and astronomical observations could be quickly relayed, and observations of the natural world moved towards a more realistic method of depiction. Through essays on some of the world's greatest artists and thinkers--such as Leonardo da Vinci, Luca Pacioli, Andreas Vesalius, Johann Kepler, Galileo Galilei, William Hunter, and many more--this book tells the story of how of we learned to communicate three-dimensional forms on the two-dimensional page. It features some of Leonardo da Vinci's ground-breaking drawings now in the Royal Collections and British Library as well as extraordinary anatomical illustrations, early paper engineering such as volvelles and flaps, beautiful architectural plans, and even views of the moon. With in-depth analysis of more than forty manuscripts and books, Thinking 3D also reveals the impact that developing techniques had on artists and draftsmen throughout time and across space, culminating in the latest innovations in computer software and 3D printing.




Images and Ideas


Book Description

Julius Friedman, one of America's most prolific and versatile artists, photographers and graphic designers of the modern era, presents the output of a lifetime in Julius Friedman: Images and Ideas. In 256 beautiful, full-color pages we see not only the impeccably-composed, witty and lavishly colorful posters for which he is internationally renowned, but also the full scope of his other wide-ranging explorations?furniture design, bookmaking, art installations, sculpture and photography.At no time before has the complete oeuvre of this world-class artist been aggregated and presented to an admiring world, because Friedman's catalog?still in progress and now in the most mature, assured years of his working life?has defied easy compilation. But herein Friedman himself has tackled the assignment, exploring his life, his processes, and his complete works to date, even designing the book that sums it all up.In the design you will get a glimpse into the mind and instincts of the artist, suggesting the inspirations and sources of his particular imaginative product, moreover exploring the general processes that power art in all media around the world.