Old Ireland in Colour 3


Book Description

Often imitated but never equalled, the Old Ireland in Colour books are beloved by Irish readers at home and abroad, and in this, the third book of the series, the authors have uncovered yet more photographic gems and breathed new life into them in glorious colour. All of Irish life is here – from evictions in Connemara to the mosgt elegant drawing rooms in Dublin. Famous faces from politics and the arts appear alongside humble labourers and farmers and impish children from all kinjds of backgrounds light up this book’s glorious pages. With endless surprising details to pore over in every picture, and captivating and illuminating text, Old Ireland in Colour 3 is a winning addition to this spectacular series of bestsellng books.




Dark Ireland


Book Description

These evocative images of rural life form a narrative thread with the not-so-distant past. Fitzgerald's camera focuses on the back roads of the countryside, and records intimate moments of people in their cottages and farms. The dimly-lit rooms of Ireland prior to the arrival of electricity are eloquently remembered in his first-hand account of his childhood years; his early experiences observing light and shadow in a world illuminated by candlelight. The result is a unique album that is both compelling and graceful.




Father Browne's Ireland


Book Description

From each of the thirty-two counties, these remarkable photographs depict city and country life, people at home, at fairs and marketplaces. These are images that capture the look of the towns and villages and changing ways of life and, always, the wonderful, distinctive faces of the Irish people.




The Image of Irelande


Book Description




Images of Ireland


Book Description

The timeless beauty of the Emerald Isle unfolds in these spectacular full-color photographs.




Ballinasloe


Book Description

'Images of Ballinasloe' is a pictorial narration of one of County Galway's most venerable old towns. Declan Kelly has created a visual chronicle of a town steeped in history. He charts its progress from Patrician times down to the present day. It was through Ballinasloe's precincts that the armies of Aughrim marched into a bloody and decisive battle in 1691, and it was through its streets that Cardinal Wiseman, the leader of the English Church after the Restoration, was triumphantly drawn along in his carriage as over twenty thousand people went wild with joy. But His Eminence was no Ballinasloe man, and in 1956 a crowd of almost thirty thousand showed up to cheer on Joe Higgins, a native of the town, and the first 'King of the Fair'. In nearby Garbally House, on one occasion, Lady Clancarty 'Belle Bilton', a former music hall star, showed her contempt for the county families who turned their noses up at her lowly birth, by dancing a brilliant ballet that saw her reach her feet to the magnificent candelabra in derision of their snobbery. All of these events and more are regaled by Declan Kelly in this wonderful collection of both old and new photographs, most of which have never before been published. The reader is transported back in time and taken on a journey through the winding corridors of a town rich in history, culture and tradition.




Old Ireland in Colour 2


Book Description




Explaining Northern Ireland


Book Description

This is a bold and timely analysis of the conflict in Northern Ireland, offering a comprehensive, up-to-date and constructively critical evaluation of the massive outpouring of literature on the subject. John McGarry and Brendan O'Leary examine the most common explanations of the conflict - nationalist, unionist, Marxist, religious, cultural and economic - highlighting their shortcomings and placing Northern Ireland within a comparative context. Synthesizing their conclusions, the authors advance a realistic but imaginative prognosis for conflict-resolution in this most troubled region.







Ireland in Focus


Book Description

From an analysis of the Guinness brand’s reflection of Irish identity to an exploration of murals and film portrayals of political prisoners, this pioneering collection of essays seeks to present Ireland’s relationship to visual culture as a whole. While other works have explored the imagistic history of Ireland, most have restricted their lens to a single form of visual representation. Ireland in Focus is the first book to address the diverse range of visual representations of national and communal identity in Ireland. The contributors examine the politics of visual representation from both historical and contemporary perspectives. Drawing from the areas of cultural theory, postcolonial studies, art criticism, documentary and archival history, and gender studies, the essays provide novel insights on a variety of visual-cultural forms, including film, theater, photography, landscape art, political murals, and the visual iconography of commercial marketing. Bringing together established scholars and emerging young critics in the field, Ireland in Focus breaks new ground in showcasing the essential dynamism of visual culture and its relationship to Irish studies