Imants Tillers and the 'Book of Power'


Book Description

"Imants Tillers is recognised as one of Australia's most intriguing and compelling artists. This monograph, the first major publication on his art, provides an overview of his career and a detailed introduction to the works he has produced since 1981, collectively known as the Book of Power. The text shows how, as Tillers reflected on and became engaged in the distribution and circulation of visual imagery, he developed into a true artist of the age of information." "He was initially interested in installation and conceptual art and participated in several performances - he assisted Christo and Jeanne-Claude in the famous "wrapping" of Little Bay, Sydney in 1969. However, since the early 1970s Tillers has been interested primarily in painting, taking his images from other sources - especially reproductions in catalogues and art magazines - and then presenting them, whole or in part, in new combinations or in altered forms."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Studio


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'Studio' presents an extraordinary anthology of visual and verbal insights into the way paintings are made, and the complex blend of motivation and inspiration that sustains the painter in his or her solitary search for meaning.




Imants Tillers


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Imants Tillers


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Credo


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Credo brings together essays from different stages in Imants Tillers’ career, from ‘Locality Fails’ to ‘Metafisica Australe’ and ‘Journey to Nowhere’, and closes with an essay written especially for the collection, ‘The Sources’, on the artists and writers he has drawn on in his art. These essays express an aesthetic credo which has larger implications for both literature and art created out of the experience of migration. His self-coined concepts like ‘the idea of incommensurability’ and ‘reversible destiny’, his ideas about appropriation and the importance of reproduction in Australian culture, the encyclopaedic range of his work, and his orientation and re-orientation towards Aboriginal art, articulate an Australian aesthetic which constantly seeks connectedness between the local and the international, and a broader understanding of the complexities of provincialism. What he calls ‘the revolt of the margins’ is evident in the provocative nature of his writing too, in its wit and irony and intelligence.




Australian Art


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This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.







Imants Tillers


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Diaspora


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Imants Tillers


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