Pursuing the Spiritual Roots of Protest


Book Description

2015 Thomas Merton "Louie" award winner for a publication that provides "fresh direction and provocative insight to Merton Studies," presented by the International Thomas Merton Society. In the fall of 1964, Trappist monk Thomas Merton prepared to host an unprecedented gathering of peace activists. "About all we have is a great need for roots," he observed, "but to know this is already something." His remark anticipated their agenda--a search for spiritual roots to nurture sound motives for "protest." This event's originality lay in the varied religious commitments present. Convened in an era of well-kept faith boundaries, members of Catholic (lay and clergy), mainline Protestant, historic peace church, and Unitarian traditions participated. Ages also varied, ranging from twenty-three to seventy-nine. Several among the fourteen who gathered are well known today among faith-based peace advocates: the Berrigan brothers, Jim Forest, Tom Cornell, John Howard Yoder, A. J. Muste, and Merton himself. During their three days together, insights and wisdom from these traditions would intersect and nourish each other. By the time they parted, their effort had set down solid roots and modeled interreligious collaboration for peace work that would blossom in coming decades. Here for the first time, the details of those vital discussions have been reconstructed and made accessible to again inspire and challenge followers of Christ to confront the powers and injustices of today.




Impressions That Remained - Memoirs of Ethel Smyth


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IMPRESSIONS THAT REMAINED emoirs By ETHEL SMYTH Introduction by ERNEST NEWMAN NEW YORK ALFKED A. EDSTOPF 1 946 FIRST PUBLISHED 1919 by Longmans, Green Co., Ltd RESET AND REPRINTED September 1946 INTRODUCTION COPYRIGHT 1946 by Alfred A. Knopf, Inc. All rights reserved. No part of this book may be reproduced in any form without permission in writing from the publisher, except by a reviewer who may quote brief passages or reproduce not more than three illustrations in a review to be printed in a magazine or newspaper. Manufactured in the United States of America. Published simul taneously in Canada by The Ryerson Press. This is a Borzoi Book, published by Alfred A, Knopf, Inc. The Author, agd afam jfk e IN MEMORY OF M E P THE HON. LADY PONSONBY AND OF OUR LONG FRIENDSHIP 1890 1916 1 find Lady Ponsonby, the wise judge the firm Liberal, more and more de lightful at last one feels she is getting old she is eighty-two. She is like a fine flame kindled by sea-logs and sandlewood good to watch and good to warm the mind at, and the heart too. EDITH SICHELL 1914 INTRODUCTION Ethel Smyths Impressions That Remained when it was first published in England I expressed the opinion that this was one of the half-dozen best autobiographies in the English language. This estimate has been confirmed by a recent re-reading of it for the present American edition. But there are several other books by the same author equally worth reading, for Ethel Smyth was one of the most remarkable women of her epoch and I am glad that a request from Mr. Alfred Knopf to furnish an Introduction to this new edition affords me an opportunity of telling the American musi cal public more about her than is contained in her firstbook. The autobiography may be trusted to tell its own story so far as it goes. But it was issued in 1919, and a great deal happened be tween then and the authors death in 1944. The memoirs, apart from a brief reference in the Epilogue to friends or incidents of the years immediately following, carry us only as far as 1892. Writing as she did in 1918 her scope was necessarily restricted here and there by the fact that several people who had played a considerable part in her life-story were still alive. One of these was the Ex-Empress Eug6-nie of France, with whom she was on terms of close friendship for more than a quarter of a century from 1890 onwards, the Empresss English estate at Farnborough Hill being close to the Smyth house at Frimley and to later residences of Ethel. It would obviously have been impossible for the author to write about the Empress at any length or with any freedom while she was still alive. She died, at the age of ninety-five in July 1920 a year or so after the publication of the Impressions and in her second book, Streaks of Life 1921, Ethel Smyth painted a portrait of her that is not only fascinating in itself but of value to students and historians of the Second Empire. The passing of the Empress from the scene also placed the author Introduction at liberty to indulge in some amusing reminiscences of the old Queen Victoria, with whom she had come into contact through Eug6nie they include the rich story, told with rich humour, of the dreadful breach of etiquette of which Ethel was innocently guilty at an after-dinner reception at Balmoral. At one end of the large room was a fireplace, and in front of this a hearthrug on which, in remote dignity, the Queen wasstanding with the Empress. Lead ing up to the two august ladies, says Ethel, was an avenue composed of royal personages ranged, as I afterwards found out, in order of precedence, the highest in rank being closest to the hearthrug which avenue, broadening towards its base, gradually became mere ladies and gentlemen of the Court, and finally petered out in a group of Maids of Honour huddled ingloriously in the bay-window...




Henry James and the Art of Impressions


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Henry James criticized the impressionism which was revolutionizing French painting and French fiction, and satirized the British aesthetic movement, which championed impressionist criticism. Yet time and again he used the word 'impression' to represent the most intense moments of consciousness of his characters, as well as the work of the literary artist. Henry James and the Art of Impressions argues that the literary art of the impression, as James practised it, places his work within the wider cultural history of impressionism. Henry James and the Art of Impressions offers an unprecedentedly detailed cultural and intellectual history of the impression. It draws on philosophy, psychology, literature, critical theory, intellectual influences and aesthetics to study James's early art criticism, literary criticism, travel writing, prefaces, and the three great novels of his major phase, The Ambassadors, The Wings of the Dove, and The Golden Bowl. It argues that the coherent philosophical meanings of the Jamesian impression emerge when they are comprehended as a family of related ideas about perception, imagination, and aesthetics - bound together by James's attempt to reconcile the novel's value as a mimetic form and its value as a transformative creative activity. Henry James and the Art of Impressions traces the development of the impression across a range of disciplines to show how James's use of the word owes them cultural and intellectual debt. It offers a more philosophical account of James to complement the more historicist work of recent decades.




Life and Remains


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Judge This


Book Description

First impressions are everything. They dictate whether something stands out, how we engage with it, whether we buy it, and how strongly we feel. In Judge This, the reader travels through a day in the life of renowned designer Chip Kidd as he takes in first impressions of all kinds. We follow this visual journey with Kidd as he encounters and engages with everyday design, breaking down the good, the bad, the absurd and the brilliant as only a designer can. From the design of the paper you read in the morning to the subway ticket machine to the books you browse to the smartphone you use to the packaging for the chocolate bar you buy as an afternoon treat, Kidd will reveal the hidden secrets behind each of the design choices, with a healthy dose of humour, expertise and judgment







The Lancet


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Social Phobia


Book Description

In this book, internationally renowned contributors fill a critical gap in the literature by providing an overview of current work in the diagnosis, assessment, and treatment of social phobia, the third most common psychiatric disorder.