Improvising the Voice of the Ancestors


Book Description

Cultural heritage and national identity have been significant themes in debates concerning Central Asia following the dissolution of the Soviet Union, not only in academic circles, but more importantly among the general public in the newly independent Central Asian states. Inspired by insights from a popular form of traditional cultural performance in Kyrgyzstan, this book goes beyond cultural revival discourse to explore these themes from a historically informed anthropological perspective. Based on fourteen months of fieldwork and archival research in Kyrgyzstan, this historical ethnography analyses the ways in which political elite in Central Asia attempts to exercise power over its citizens through cultural production from early twentieth century to the present.




Improvising the Voice of the Ancestors


Book Description

Cultural heritage and national identity have been significant themes in debates concerning Central Asia following the dissolution of the Soviet Union, not only in academic circles, but more importantly among the general public in the newly independent Central Asian states. Inspired by insights from a popular form of traditional cultural performance in Kyrgyzstan, this book goes beyond cultural revival discourse to explore these themes from a historically informed anthropological perspective. Based on fourteen months of fieldwork and archival research in Kyrgyzstan, this historical ethnography analyses the ways in which political elite in Central Asia attempts to exercise power over its citizens through cultural production from early twentieth century to the present. Mustafa Co?kun is a cultural anthropologist whose research in oral traditions explores cultural politics of heritage and identity in Central Asia. He conducted his doctoral research as a member of the International Max Planck Research School for the Anthropology, Archaeology and History of Eurasia (IMPRS ANARCHIE).




Musical Improvisation


Book Description

A musical practice used for centuries the world over, improvisation too often has been neglected by scholars who dismiss it as either technically undissectible or inexplicably mysterious. At different times and in different cultures, performing music that is not "precomposed" has constituted an artful expression of the performer's individuality (the Baroque); a wild, unthinking form of expression (jazz antagonists); and the best method to train inexperienced musicians to use their instruments (the Middle East). This wide-ranging collection of essays considers musical improvisation from a variety of approaches, including ethnomusicology, education, performance, historical musicology, and music theory. Laying the groundwork for even further research into improvisation, the contributors of this volume delve into topics as diverse as the creative minds of Mozart and Beethoven, the place of improvised musics in Western and non-Western societies, and the development of jazz as a musical and cultural phenomenon.




The Compass


Book Description

The Compass began in a storefront theater near the U. of Chicago campus in the summer of 1955 and lasted only a few years before its players--including Paul Sills, Elaine May, Mike Nichols, Barbara Harris, Severn Darden, and Shelley Berman--moved on. Coleman recreates the time, the place, the personalities, and the neurotic magic whereby the Campus made theater history in America. Annotation copyrighted by Book News, Inc., Portland, OR.




The Formation of Provincial Capital


Book Description

This book engages critically with mainstream accounts of ‘Anatolian Tigers’ in contemporary Turkey. Based on her fieldwork in Çorum, Deniz explores the dynamics of medium-size businesses with a dual optic of political economy and moral economy. She demonstrates that the formation of the entrepreneurial stratum is a multifaceted process and zooms into a range of workplaces to show the entanglements of market and non-market dynamics in everyday life. This innovative work sheds original light on the role of kinship, religion and social values in shaping the everyday politics of labour.




Earthworks Rising


Book Description

A necessary reexamination of Indigenous mounds, demonstrating their sustained vitality and vibrant futurity by centering Native voices Typically represented as unsolved mysteries or ruins of a tragic past, Indigenous mounds have long been marginalized and misunderstood. In Earthworks Rising, Chadwick Allen issues a compelling corrective, revealing a countertradition based in Indigenous worldviews. Alongside twentieth- and twenty-first-century Native writers, artists, and intellectuals, Allen rebuts colonial discourses and examines the multiple ways these remarkable structures continue to hold ancient knowledge and make new meaning—in the present and for the future. Earthworks Rising is organized to align with key functional categories for mounds (effigies, platforms, and burials) and with key concepts within mound-building cultures. From the Great Serpent Mound in Ohio to the mound metropolis Cahokia in Illinois to the generative Mother Mound in Mississippi, Allen takes readers deep into some of the most renowned earthworks. He draws on the insights of poets Allison Hedge Coke and Margaret Noodin, novelists LeAnne Howe and Phillip Carroll Morgan, and artists Monique Mojica and Alyssa Hinton, weaving in a personal history of earthwork encounters and productive conversation with fellow researchers. Spanning literature, art, performance, and built environments, Earthworks Rising engages Indigenous mounds as forms of “land-writing” and as conduits for connections across worlds and generations. Clear and compelling, it provokes greater understanding of the remarkable accomplishments of North America’s diverse mound-building cultures over thousands of years and brings attention to new earthworks rising in the twenty-first century.




Improv for Writers


Book Description

Free yourself from writer’s block and inner critics with the creative power of improv! “Jorjeana Marie’s generous, joyful, and oh-so-useful book shows writers—both seasoned and new—how to unleash their creativity and find their best story.”—Gayle Forman, New York Times bestselling author of If I Stay and I Have Lost My Way Improv instructor and writer Jorjeana Marie reveals a new way to generate idea after brilliant idea. Applying the rules of improv to fiction writing, Marie presents fun games and exercises you can do from the comfort of your desk at home. Surprise yourself with new plots, infinite characters and settings, and a supreme confidence in your own process. Armed with the power of improv—and liberating exercises like Ad Agency, Raise the Stakes, and Family Portraits—you’ll soon be an idea machine. With Improv for Writers, your creative storytelling well will never run dry again. Advance praise for Improv for Writers “Here’s a secret. Many authors started out as drama geeks and later found that theatrical skills like deep-diving into character and improvising on the fly were essential tools for writing fiction. Jorjeana Marie’s generous, joyful and oh-so useful book applies the principles of improv to writing and though a series of targeted, fun exercises shows writers—both the seasoned and the new—how to unleash their creativity and find their best story.”—Gayle Forman, New York Times bestselling author of If I Stay and I Have Lost My Way “Part practical, part playful, part encouraging and affirming, Jorjeana Marie’s Improv for Writers is a certain antidote to writing blocks—and writer’s block! This book is a necessary and vital tool for authors and storytellers everywhere.”—Karma Brown, bestselling author of The Life Lucy Knew “Thank you, Jorjeana Marie for infusing joy and play and experimentation in the often-arduous act of writing fiction. I'll be turning to these exercises whenever I need to jump-start my writing session and will be recommending many of my writing students to do the same.”—Nina LaCour, Michael L. Printz Award-winning author of We Are Okay, Hold Still, The Disenchantments, and Everything Leads to You; and You Know Me Well, a novel written in collaboration with David Levithan.




Improvised Europeans


Book Description

A provocative work of cultural history that reevaluates the lives and works of four of America's most discussed writers: Henry Adams, Henry James, Ezra Pound and T.S. Eliot.




Doing "Gong Culture"


Book Description

This book shows how the efforts of various actors in 'doing Gong culture' contribute to preserving the intangible heritage of ethnic minorities in the Central Highlands of Vietnam. Tran's research challenges the conventional perspective that views heritagization as a process of cultural appropriation in which local heritage practitioners become cultural 'proprietors', who in UNESCO's view differ from 'culture carriers'. He shows that local artists actively engage with other actors in the 'heritage community', thus contributing to the performance of a 'living' image of the 'Space of Gong Culture' on the heritage stage. In this intangible cultural heritage, practically, all actors are 'culture carriers'. "Drawing on long-term fieldwork and placing the focus on human interaction, Hoai Tran paints a very subtle and sophisticated picture of the 'heritage community' and its actors in Vietnam's central highlands. By investigating who is acting in and on the space of gong culture, with what motivations, interests, intents or desires, how they are doing so and how effectively, this book arrives at new ways of thinking about 'heritagization' in Vietnam." Gábor Vargyas, Research Center for the Humanities, Budapest Hoai Tran received his PhD from the Martin Luther University Halle-Wittenberg in 2020. He is currently a lecturer and researcher at the School of Interdisciplinary Studies, Vietnam National University, Hanoi.




The Great Dispossession


Book Description