In Brightest Africa


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In Brightest Africa


Book Description

Carl Ethan Akeley was a pioneering American taxidermist, sculptor, biologist, conservationist, inventor, and nature photographer, noted for his contributions to American museums, most notably to the Field Museum of Natural History and the American Museum of Natural History. In 1921, eager to learn about gorillas to determine if killing them for museum dioramas was justified, Akeley led an expedition to Mt. Mikeno in the Virunga Mountains at the edge of the then Belgian Congo. At that time, gorillas were quite exotic, with very few even in zoos, and collecting such animals for educational museum exhibitions was not uncommon. In the process of "collecting" several mountain gorillas, Akeley's attitude was fundamentally changed and for the remainder of his life he worked for the establishment of a gorilla preserve in the Virungas. This book contains the story of his life, from learning taxidermy to killing a leopard with his hands, his invention of shotcrete to improving motion picture cameras that were used in World War I.--Wikipedia.




In Brightest Africa


Book Description

Hardcover reprint of the original 1923 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Akeley, Carl Ethan. In Brightest Africa. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Akeley, Carl Ethan. In Brightest Africa, . Garden City, N.Y., Doubleday, Page & Co., 1923. Subject: Gorilla




In Brightest Africa (Classic Reprint)


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Excerpt from In Brightest Africa Akeley came twenty-seven years ago into the midst of this unequal contest between the flesh and blood of the animal kingdom and the steel and lead of the sportsman, of the food and ivory hunter, and his sympathies were all on the animal side in the fight. If his sympathies had been on the human side he could not be the biographer of the African vanishing world who speaks in the pages of this volume, lost in admiration of the majesty of the elephant, the unchallenged reign of the lion, the beauty and grace of the antelope, the undaunted courage of the buffalo, and, last but not least, of certain splendid qualities in the native African hunter. We know of only one other sculptor who has immor talized the African Negro in bronze; this is Herbert Ward, whose splendid life work is now in the United States National Museum. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




IN BRIGHTEST AFRICA


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In Search of Brightest Africa


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In the decades between the Berlin Conference that partitioned Africa and the opening of the African Hall at the American Museum of Natural History, Americans in several fields and from many backgrounds argued that Africa had something to teach them. Jeannette Eileen Jones traces the history of the idea of Africa with an eye to recovering the emergence of a belief in “Brightest Africa”—a tradition that runs through American cultural and intellectual history with equal force to its “Dark Continent” counterpart. Jones skillfully weaves disparate strands of turn-of-the-century society and culture to expose a vivid trend of cultural engagement that involved both critique and activism. Filmmakers spoke out against the depiction of “savage” Africa in the mass media while also initiating a countertradition of ethnographic documentaries. Early environmentalists celebrated Africa as a pristine continent while lamenting that its unsullied landscape was “vanishing.” New Negro political thinkers also wanted to “save” Africa but saw its fragility in terms of imperiled human promise. Jones illuminates both the optimism about Africa underlying these concerns and the racist and colonial interests these agents often nevertheless served. The book contributes to a growing literature on the ongoing role of global exchange in shaping the African American experience as well as debates about the cultural place of Africa in American thought.







In Brightest Africa


Book Description




In Search of Brightest Africa


Book Description

In the decades between the Berlin Conference that partitioned Africa and the opening of the African Hall at the American Museum of Natural History, Americans in several fields and from many backgrounds argued that Africa had something to teach them. Jeannette Eileen Jones traces the history of the idea of Africa with an eye to recovering the emergence of a belief in "Brightest Africa"--a tradition that runs through American cultural and intellectual history with equal force to its "Dark Continent" counterpart. Jones skillfully weaves disparate strands of turn-of-the-century society and culture to expose a vivid trend of cultural engagement that involved both critique and activism. Filmmakers spoke out against the depiction of "savage" Africa in the mass media while also initiating a countertradition of ethnographic documentaries. Early environmentalists celebrated Africa as a pristine continent while lamenting that its unsullied landscape was "vanishing." New Negro political thinkers also wanted to "save" Africa but saw its fragility in terms of imperiled human promise. Jones illuminates both the optimism about Africa underlying these concerns and the racist and colonial interests these agents often nevertheless served. The book contributes to a growing literature on the ongoing role of global exchange in shaping the African American experience as well as debates about the cultural place of Africa in American thought.




Season of Rains


Book Description

Africa is playing a more important role in world affairs than ever before. Yet the most common images of Africa in the American mind are ones of poverty, starvation, and violent conflict. But while these problems are real, that does not mean that Africa is a lost cause. Instead, as Stephen Ellis explains in Season of Rains, we need to rethink Africa’s place in time if we are to understand it in all its complexity—it is a region where growth and prosperity coexist with failed states. This engaging, accessible book by one of the world’s foremost researchers on Africa captures the broad spectrum of political, economic, and social foundations that make Africa what it is today. Ellis is careful not to position himself in the futile debate between Afro-optimists and Afro-pessimists. The forty-nine diverse nations that make up sub-Saharan Africa are neither doomed to fail nor destined to succeed. As he assesses the challenges of African sovereignties, Ellis is not under the illusion that governments will suddenly become more benevolent and less corrupt. Yet, he sees great dynamism in recent technological and economic developments. The proliferation of mobile phones alone has helped to overcome previous gaps in infrastructure, African retail markets are becoming integrated, and banking is expanding. Businesses from China and emerging powers from the West are investing more than ever before in the still land-rich region, and globalization is offering possibilities of enormous economic change for the growing population of one billion Africans, actively engaged in charting the future of their continent. This highly readable survey of the continent today offers an indispensable guide to how money, power, and development are shaping Africa’s future.