Within a Budding Grove


Book Description

Within a Budding Grove beautifully examines the complex adolescent relationships that the unnamed young narrator begins to witness all around him, including the first pangs of love and the ardent adolescent desires. But most importantly it explores the unbridgeable gap between childhood innocence and the disappointment of adulthood. The novel was scheduled to be published in 1914 but was delayed by the onset of World War I. When published, the novel was awarded the Prix Goncourt in 1919. "My mother, when it was a question of our having M. de Norpois to dinner for the first time, having expressed her regret that Professor Cottard was away from home, and that she herself had quite ceased to see anything of Swann, since either of these might have helped to entertain the old Ambassador . . ." Marcel Proust (1871–1922) was a French novelist, critic, and essayist best known for his monumental novel À la Recherche du Temps Perdu (1913-1927). He is considered by English critics and writers to be one of the most influential authors of the 20th century. Charles Kenneth Scott Moncrieff (1889–1930) was a Scottish writer, most famous for his English translation of most of Proust's À la recherche du temps perdu, which he published under the Shakespearean title Remembrance of Things Past.




In Search of Lost Time: In the Shadow of Young Girls in Flower (Vol. Vol. 2)


Book Description

Celebrated as a “literary gateway drug” to Proust’s masterpiece (NPR), the New York Times–best-selling graphic adaptation continues with this highly anticipated new volume. In what renowned translator Arthur Goldhammer called “a piano reduction of an orchestral score,” the first volume of Stéphane Heuet’s adaptation of In Search of Lost Time electrified the graphic community like no other—re-presenting the novel for anyone who has always dreamed of reading Proust but was put off by the sheer magnitude of the undertaking. Whereas the first volume described the narrator’s childhood in the pastoral town of Combray, the second volume portrays the narrator’s foray into adolescence, set in the opulent seaside resort of Balbec. Preserving Proust’s original dissection of the spontaneity of youth, translator Laura Marris captures the narrator’s infatuation with his playmates—his memories of their intoxicating afternoons together unfolding as if in a dream. Featuring some of Proust’s most memorable characters—from mysterious Charlus to beguiling young Albertine—this second volume becomes a necessary companion piece for any lover of modern literature.




What Color Is the Sacred?


Book Description

Over the past thirty years, visionary anthropologist Michael Taussig has crafted a highly distinctive body of work. Playful, enthralling, and whip-smart, his writing makes ingenious connections between ideas, thinkers, and things. An extended meditation on the mysteries of color and the fascination they provoke, What Color Is the Sacred? is the next step on Taussig’s remarkable intellectual path. Following his interest in magic and surrealism, his earlier work on mimesis, and his recent discussion of heat, gold, and cocaine in My Cocaine Museum,this book uses color to explore further dimensions of what Taussig calls “the bodily unconscious” in an age of global warming. Drawing on classic ethnography as well as the work of Benjamin, Burroughs, and Proust, he takes up the notion that color invites the viewer into images and into the world. Yet, as Taussig makes clear, color has a history—a manifestly colonial history rooted in the West’s discomfort with color, especially bright color, and its associations with the so-called primitive. He begins by noting Goethe’s belief that Europeans are physically averse to vivid color while the uncivilized revel in it, which prompts Taussig to reconsider colonialism as a tension between chromophobes and chromophiliacs. And he ends with the strange story of coal, which, he argues, displaced colonial color by giving birth to synthetic colors, organic chemistry, and IG Farben, the giant chemical corporation behind the Third Reich. Nietzsche once wrote, “So far, all that has given colour to existence still lacks a history.” With What Color Is the Sacred? Taussig has taken up that challenge with all the radiant intelligence and inspiration we’ve come to expect from him.




Literature and Modern Time


Book Description

Literature and Modern Time is a collection of essays that explore literature in the context of a wave of challenges to linear conceptions of time introduced by thinkers such as Bergson, Einstein, McTaggart, Freud and Nietzsche. These challenges were not uniform in character. The volume will demonstrate that literature of the era under scrutiny was not simply reacting to new theories of time—in some cases it is actually inspiring and anticipating them. Thus Literature and Modern Time promises to offer a genuine dialogue between literature and time theory and in doing so will uncover and examine influences and connections— sometimes unexpected—between philosophers and writers of the era. It will examine literary attempts to transcend and escape time and also challenge rupture-based accounts of modernist time by demonstrating that literary texts commonly associated with brokenness, decline or stasis, also, at the same time, maintain faith in healing, renewal and mobility. This collection contains interdisciplinary research of the quite highest kind - to see so many different kinds of time - narrative, historical, mechanical, subjective, non-linear time, myth and nostalgia - as well as time/space discussed here is very stimulating indeed. Professor Simon James




Twilight of the Belle Epoque


Book Description

Mary McAuliffe’s Dawn of the Belle Epoque took the reader from the multiple disasters of 1870–1871 through the extraordinary re-emergence of Paris as the cultural center of the Western world. Now, in Twilight of the Belle Epoque, McAuliffe portrays Paris in full flower at the turn of the twentieth century, where creative dynamos such as Picasso, Matisse, Stravinsky, Debussy, Ravel, Proust, Marie Curie, Gertrude Stein, Jean Cocteau, and Isadora Duncan set their respective circles on fire with a barrage of revolutionary visions and discoveries. Such dramatic breakthroughs were not limited to the arts or sciences, as innovators and entrepreneurs such as Louis Renault, André Citroën, Paul Poiret, François Coty, and so many others—including those magnificent men and women in their flying machines—emphatically demonstrated. But all was not well in this world, remembered in hindsight as a golden age, and wrenching struggles between Church and state as well as between haves and have-nots shadowed these years, underscored by the ever-more-ominous drumbeat of the approaching Great War—a cataclysm that would test the mettle of the City of Light, even as it brutally brought the Belle Epoque to its close. Through rich illustrations and evocative narrative, McAuliffe brings this remarkable era from 1900 through World War I to vibrant life.




When Atheism Becomes Religion


Book Description

Critiques the radical mindset that rages against religion and faith, and identifies the pillars of the new atheist belief system, revealing that the stringent rules and rigid traditions in place are as strict as those of any religious practice. The new atheists, led by Richard Dawkins, Christopher Hitchens and Sam Harris, do not make moral arguments about religion. Rather, they have created a new form of fundamentalism that attempts to permeate society with ideas about our own moral superiority and the omnipotence of human reason. Journalist Hedges makes a case against both religious and secular fundamentalism.--From amazon.com.




The Incarnation of Language


Book Description

The Incarnation of Language investigates how the notion of incarnation has been employed in phenomenology and how this has influenced literary criticism. It then examines the interest that Joyce and Proust share in the concept of incarnation. By examining the themes of synthesis and embodiment that incarnation connotes for these writers, it offers a new reading of their work departing from critical readings that have privileged notions of radical alterity and difference.




The Miracle of Analogy


Book Description

The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor copy, as conventional studies would have it, the photographic image is an analogy. This principle obtains at every level of its being: a photograph analogizes its referent, the negative from which it is generated, every other print that is struck from that negative, and all of its digital "offspring." Photography is also unstoppably developmental, both at the level of the individual image and of medium. The photograph moves through time, in search of other "kin," some of which may be visual, but others of which may be literary, architectural, philosophical, or literary. Finally, photography develops with us, and in response to us. It assumes historically legible forms, but when we divest them of their saving power, as we always seem to do, it goes elsewhere. The present volume focuses on the nineteenth century and some of its contemporary progeny. It begins with the camera obscura, which morphed into chemical photography and lives on in digital form, and ends with Walter Benjamin. Key figures discussed along the way include Nicéphore Niépce, Louis Daguerre, William Fox-Talbot, Jeff Wall, and Joan Fontcuberta.




Intimate Domain


Book Description

For René Girard, human life revolves around mimetic desire, which regularly manifests itself in acquisitive rivalry when we find ourselves wanting an object because another wants it also. Noting that mimetic desire is driven by our sense of inadequacy or insufficiency, Girard arrives at a profound insight: our desire is not fundamentally directed toward the other’s object but toward the other’s being. We perceive the other to possess a fullness of being we lack. Mimetic desire devolves into violence when our quest after the being of the other remains unfulfilled. So pervasive is mimetic desire that Girard describes it as an ontological illness. In Intimate Domain, Reineke argues that it is necessary to augment Girard’s mimetic theory if we are to give a full account of the sickness he describes. Attending to familial dynamics Girard has overlooked and reclaiming aspects of his early theorizing on sensory experience, Reineke utilizes psychoanalytic theory to place Girard’s mimetic theory on firmer ground. Drawing on three exemplary narratives—Proust’s In Search of Lost Time, Sophocles’s Antigone, and Julia Kristeva’s The Old Man and the Wolves—the author explores familial relationships. Together, these narratives demonstrate that a corporeal hermeneutics founded in psychoanalytic theory can usefully augment Girard’s insights, thereby ensuring that mimetic theory remains a definitive resource for all who seek to understand humanity’s ontological illness and identify a potential cure.




Transcendence and Phenomenology


Book Description

Transcendence and Phenomenology presents a definitive collection of essays discussing the much debated turn to theology in philosophy, most evident in phenomenology. Arguably the most pressing debate at the interface of philosophy and theology, this collection of essays makes a significant intervention in the on-going argument, gathering together some of the finest phenomenologist s writing today; Jean-Luc Marion, Jean-Yves Lacoste, Jean-Louis Chretien and Michel Henry. It also presents major criticisms of phenomenology in relation to theology, especially from John Milbank. This volume will provide a framework for those new to the debate. Contributors to this volume: JEAN-LUC MARION, MICHEL HENRY, RICHARD KEARNEY, JEFF BLOECHL, RUDI VISKER, JEAN-YVES LACOSTE, LASZLO TENGELYI, JOHN MILBANK, JEAN GREISCH, RUUD WELTEN, MAURO CARBONE. Dr Conor Cunningham is Co Director of the Centre for Theology and Philosophy at the University of Nottingham. Dr Peter Candler is Assistant Professor of Theology at Baylor University in Texas.