Indian Women's Short Fiction


Book Description

Although Indian Women S Short Fiction Has Always Enjoyed Equal Importance And Popularity As Their Novels, Very Little Critical Attention Has Been Paid To It So Far. Indian Women S Short Fiction Seeks To Fulfil This Long Felt Need. It Puts Together Fifteen Perceptive And Analytical Articles By Scholars Across The World. The Articles, Which Are Focussed On Native Indian Writing As Well As Diasporic Short Fiction, Deal With Such Interesting Literary Issues As Construction Of Femininity, Disablement And Enablement, Bengali Heritage, Hybrid Identities, Nostalgia, Representation Of The Partition Violence, Tradition And Modernity, And Cultural Perspectivism.It Is Hoped That The Book Will Prove Useful To Scholars Interested In Short Fiction Studies In General And Indian Women S Short Fiction In Particular.




Katha


Book Description

Women's stories in India have been handed down from generation to generation, enriched and embroidered along the way. Political change and the arrival of print culture meant that storytelling was pushed into the background. But in more recent times, these voices have once again come centre-stage - confident, varied and complex. Spanning half a century, this collection covers many languages and cultures, and reflects the vast and complex cultures of the country and its diaspora. It offers a view of the changes that have taken place, both in terms of the subjects women choose to write about and their preferred way of writing about these subjects. From established names such as Mahashveta Devi to the newer generation of young authors, such as Tishani Doshi, Katha brings to the reader a vivid array of voices.




The Penguin Book of Modern Indian Short Stories


Book Description

Twenty classic short stories from master writers across the country This superb collection contains some of the best Indian short stories written in the last fifty years, both in English and in the regional languages. Some of these stories – ‘We Have Arrived in Amritsar’ by Bhisham Sahni, ‘Companions’ by Raja Rao, ‘The Sky and the Cat’ by U.R. Anantha Murthy, ‘A Devoted Son’ by Anita Desai – have been widely anthologized and are well known. Others, like Premendra Mitra’s ‘The Discovery of Telenapota’, Gangadhar Gadgil’s ‘The Dog that Ran in Circles’, Mowni’s ‘A Loss of Identity’, O.V. Vijayan’s ‘The Wart’ and Devanuru Mahadeva’s ‘Amasa’, are less familiar to readers but are nevertheless classics of the art of the short story. This new and revised edition includes three additional classics: R.K. Narayan’s ‘Another Community’, Avinash Dolas’s ‘The Victim’ and Ismat Chughtai’s ‘The Wedding Shroud’. The Penguin Book of Modern Indian Short Stories is a marvellous and entertaining introduction to the rich diversity of pleasures that the Indian short story–a form that has produced masters in over a dozen languages–can offer.




Woman in Indian Short Stories


Book Description

This Study Seeks To Ascertain The Emergence Of The `New` Woman In The Marathi, Hindi, Punjabi And Indian-English Short Story By Women Writers Of The Last Fifty Years, Roughly From The Mid-1940S To The End Of 1990S.




She Speaks


Book Description

About the Book: This collection of short stories offers a fresh prespective of the global Indian experience in the 21st century, as seen through women's eyes. Here you will find stories written by women living and working in India, as well as stories written by those who live across the world, in places as far-flung as the United States of America, Switzerland, the United Kingdom, Indonesia and New Zealand amongst others. The stories speak of love, of anger, of sorrow, of desire as well as hope. They give voice to ideas of displacement and the art of making anew in unfamiliar spaces. Proudly and defiantly multicultural, these stories do not shirk away from disquieting themes which challenge the status quo and shine a light on social currents and topics which straddle the collision of idealism and reality. Everything, from the quest for emancipation to the looming threat of female foeticide to the stories of the every woman, as she asserts her identity in a new land to the stories of women who use their pasts to write their presents and even the story of those who have been affected by a hidden exodus. Every such tale has found a home within these pages. While many of these stories fall into the genre regarded as contemporary fiction, others are fine examples of sci-fi while yet others still, retell the tales of figures from mythology, reimagining them as they negotiate the trials and turbulences of modern life. These stories will resonate with every reader keen to support the voices of women more often written about, than writing.About the Author: By 20 Indian Women Around the World Kamalika Ray, Ashwathy Menon, Shweta Dasgupta, Sindhuja Manohar, Tania Basu, Ekta Sharma, Poppy Choudhury, Munmun Gupta, Sumona Ghosh Das, Suparna Basu, Sujatha Ramanathan, AGOMONI GANGULI MITRA, Abhilasha Kumar, Ipsita Barua, Jyoti Kapoor, Rejina Sadhu, Nayana Chakrabarti, Richa Chauhan, Pallabi Roy-Chakraborty, Brindarica Bose.




Not Really Indian


Book Description

Shivani returns to the heart of Mumbai after a decade of ruling New York as a banker. But who can she count on when a sudden intruder enters her house? Seema’s childhood nanny from Jaipur visits her in Singapore: 50-year-old Mamta massi who has watched her grow. What can a new country do to a loyal simpleton? Twin sisters Ahana and Sahana are oceans apart for the first time in their lives, one in Delhi and the other in London. And both are expecting babies in the same month. What does it take for these inseparable sisters to stay apart? 10 women of Indian origin. No, they are not a sports team. They are women who have a love-hate relationship with their country. Some opportunists, some merely curious, some bystanders and some striking the fine balance between being Indian and not. But none of them can call just India home. This book is a collection of short stories taking us through the lives of these women who are...Not Really Indian.







Khushwant Singh Best Indian Short Stories Volume 1


Book Description

The Indian short story is extraordinary in its ability to stick to the traditional rules of the craft and still demonstrate remarkable originality. It revolves around a limited number of characters, confines itself in time and space, and has a well-plotted narrative that drives its central theme. Within the traditional framework, however, creativity flowers and a fresh and imaginative story emerges. This volume is chock-full with such stories, written by authors well known in their regional languages as well as those who have made a name for themselves in English literary circles. Carefully selected by India's literary giant, the late Khushwant Singh, these pieces represent the best of Indian writing from around the country.




Separate Journeys


Book Description

This collection, which gathers fifteen stories by contemporary Indian women representing the varied languages and regions of their subcontinent, is now available to an American audience for the first time.




At the End of the Century


Book Description

A New York Times Book Review Editors' Choice Multilayered, subtle, insightful short stories from the inimitable Booker Prize–winning author, with an introduction by Anita Desai Nobody has written so powerfully of the relationship between and within India and the Western middle classes than Ruth Prawer Jhabvala. In this selection of stories, chosen by her surviving family, her ability to tenderly and humorously view the situations faced by three (sometimes interacting) cultures—European, post–Independence Indian, and American—is never more acute. In “A Course of English Studies,” a young woman arrives at Oxford from India and struggles to adapt, not only to the sad, stoic object of her infatuation, but also to a country that seems so resistant to passion and color. In the wrenching “Expiation,” the blind, unconditional love of a cloth shop owner for his wastrel younger brother exposes the tragic beauty and foolishness of human compassion and faith. The wry and triumphant “Pagans” brings us middle–aged sisters Brigitte and Frankie in Los Angeles, who discover a youthful sexuality in the company of the languid and handsome young Indian, Shoki. This collection also includes Jhabvala’s last story, “The Judge’s Will,” which appeared in The New Yorker in 2013 after her death. The profound inner experience of both men and women is at the center of Jhabvala’s writing: she rivals Jane Austen with her impeccable powers of observation. With an introduction by her friend, the writer Anita Desai, At the End of the Century celebrates a writer’s astonishing lifetime gift for language, and leaves us with no doubt of Ruth Prawer Jhabvala’s unique place in modern literature. "The stories—all of them elegantly plotted and unsentimental, with an addictive, told–over–tea quality—are largely character studies of people isolated, often tragically, by custom or self–delusion . . . Vivid, unsparing portraits are leavened with the kind of humanizing moments that evoke a total world within their compression."—Megan O’Grady, The New York Times Book Review