Indians in Overalls


Book Description

The best-known work by the eccentric anthropologist Jaime de Angulo, Indians in Overalls is a fascinating account of his first linguistic field trip—in 1921—to the Achumawi tribe of northeastern California. The Pit River tribe had lived in the barren high country for thousands of years and, despite the harsh climate and difficult living conditions, they had developed an extraordinary complex language and a rich mythology. As he traveled with the tribe and learned the spoken language, he observed gambling games and shamanistic practices, and he collected some of the marvelous stories told around the fire in the winter lodges. Of all the people he worked with, he felt closest to the Achumawi, among whom he discovered “the spirit of wonder, the recognition of life as power. . .” "One of the most outstanding writers I have ever encountered." — William Carlos Williams Jaime de Angulo (1887-1950) was a Paris-born Spanish novelist and linguist. His other works include Coyote Man and Old Doctor Loon, Coyote's Bones, and The Lariat: and Other Writings.




Indians in Overalls


Book Description




Rolling in Ditches with Shamans


Book Description

Rolling in Ditches with Shamans charts American anthropology in the 1920s through the life and work of one of the amateur scholars of the time, Jaime de Angulo (1887?1950). Although he earned a medical degree, de Angulo chose to live on an isolated ranch in Big Sur, California, where he participated fully in the lives of the people who were his ethnographic informants. The period of his most extensive research coincides almost perfectly with the professionalization of anthropology, and de Angulo provides a link between those who are generally recognized as the most important figures of the day: Franz Boas, Alfred Kroeber, and Edward Sapir. ø The fields of salvage ethnography and linguistics, which Boas emphasized, were aimed at recording the culture, language, and myths of the Native groups before they became completely acculturated. In keeping with these dictates, de Angulo recorded data from thirty groups, mostly in California, which otherwise might have been lost. In an unusual move for that time, he also wrote fiction and poetry describing the modern lives of the people he studied, something of little interest to Boas but of great interest today. His most enduring work is Indian Tales, a fictional synthesis of myths learned from various California Indians. De Angulo?s range of interests, originality, and expertise exemplified the curiosity and brilliance of those who pioneered American anthropology at this time.




Indians at Work


Book Description




The Lariat


Book Description

One of the most colorful and captivating writers of the 20th century, Jaime de Angulo came to America to become a cowboy, not an author. And he did become a cowboy—and a doctor, and a psychologist, and a highly regarded anthropologist. However, it was as a writer that he ultimately found his true calling. His stories uniquely represented the bohemian sensibility of the time, and he was known for infusing intellectualism into his coyote tales and shamanic mysticism. So vivid were his tales that Ezra Pound called him "the American Ovid," and William Carlos Williams claimed that de Angulo was "one of the most outstanding writers that I have ever encountered." The Lariat, which may well be his most important piece of fiction, is highlighted in this prize collection, along with other writings that have long been unavailable.




Traveling Backward


Book Description

TRAVELING BACKWARD is a highly original philosophic romp beyond the youth of old age with a quixotic ‘journalist turned mom turned academic turned peasant.’ It’s a kind of light-hearted guide to the wisdom of the ages—from Socrates to existentialism and beyond—gleaned during a struggle to recover the images that fi rst touched her heart and to answer two questions: Who am I really? Where does the world come from? It’s a colorful, occasionally poignant, journey that could help you look at life through the reverent eyes of a child again. GLIMPSES OF ‘TRAVELING BACKWARD’ : “You two remind me of Peter Pan. Trouble is, I’m not sure which one of you is Peter Pan. Well, I was taken aback. But my mate took action. Muttering something negative about fairy stories, he headed for the door and disappeared down the hall. I started to follow him but changed my mind. Instead, I headed for the public library to reread Peter Pan. Had I missed something?” (Elayne Wareing Fitzpatrick) “Human life – indeed all life – is poetry. It’s we who live it, unconsciously, day by day. . . Yet in its inviolable wholeness it lives us, it composes us. . . We are works of art, but we are not the artist. . . Dare everything, need nothing.” (Lou Andreas—Salome) “I relate to [Andreas—Salome’s] passionate struggle for truth, to her ultimate reverence for all life, and to her desire to enjoy intellectual friendships with a variety of men, free of sexual overtones.” (Fitzpatrick) “I was discovering that, deep down, I didn’t really ‘take’ to popular culture, crowds, and bustling cities, regardless of my curiosity, regardless of my journalist’s delight in writing about all of it.” (Fitzpatrick) “If you can’t change the world, change worlds.” (St. Francis of Assisi) “If I were ever to choose a place away from my country, it would surely be a Greek island, outside Athens. . . In Greece, I feel completely at home. Maybe that’s because, as the poet Shelley said, ‘We’re all Greeks. Our laws, our literature, our religion, our arts have their roots in Greece.” (Fitzpatrick) “Back straight and head held high, he would place his left arm on my right shoulder, snap his fingers and lead me in the graceful, deliberate movements of the Zorba dance, accompanied by a recording of Mozart’s 40th played on the bouzouki. This against a backdrop of tinkling goat bells and singing monks gathered in a distant church.” (Fitzpatrick) “Many of the highs and lows in my life. . . have resulted from conflict born of the struggle between my own strong loving, nesting needs and my equally strong needs for freedom to think, to adventure, to discover, to express myself.” (Fitzpatrick) “All parts of this one organic whole – this one God – are different expressions of the same energy, and they are all in communication with each other, influencing each other, therefore parts of one organic whole.” (Robinson Jeffers) “How did matter happen that makes the stars and cool planets and living beings? And how did the space happen that contains the stars and planets?. . . Much is still very hypothetical. Much is still unknown. Much, we will never know. . . Life is struggle, pain and suffering. But it is also extraordinarily glorious creativity.” (Dr. Kai Woehler) “Like Socrates, I’ve experienced an inner voice that usually let’s me know when I’m about to go off-track, and I’ve come to believe, with Kant, in a moral law within.” (Fitzpatrick) “Nature’ – wonderful and awe-inspiring as it is – can’t participate in a verbal dialogue, can’t exchange and explore ideas with the human mind. We can relate to the animals, the birds, the insects, the fish, and the flora with our most primitive instincts and feel joy, spiritual ecstasy in so recognizing our kinship. Yet nothing in Nature can compare with the human need for a warm




Encyclopedia of Anthropology


Book Description

Focuses on physical, social and applied athropology, archaeology, linguistics and symbolic communication. Topics include hominid evolution, primate behaviour, genetics, ancient civilizations, cross-cultural studies and social theories.




The Rooster Trapped in the Reptile Room


Book Description

"Everything I have to say about race and religion and politics is in the novels," declares Barry Gifford. The Rooster Trapped in the Reptile Room gathers generous portions of all thirteen novels and novellas, as well as first-person essays, generous helpings of poetry, journalism, and a new interview with the author. The broad contours of an episodic output emerge—a full-length view of the freaks and freakish incidents that populate Gifford’s unique human comedy. A world, as Lula, the author’s favorite of all his characters, reflects, "wild at heart and weird on top." The Rooster Trapped in the Reptile Room provides essential reading for anyone after the soul of American writing.




Through Time and the Valley


Book Description

The isolated Canadian River in the Texas Panhandle stretched before John Erickson and Bill Ellzey as they began a journey through time and what the locals call "the valley." They went on horseback, as they might have traveled it a century before. Everywhere they went they talked, worked, and swapped stories with the people of the valley, piecing together a picture of what life has been like there for a hundred years. Through Time and the Valley is their story of the river--its history, its lore, its colorful characters, the comedies and tragedies that valley people have spun yarns about for generations. Rancher Erickson is an insider who knows his territory and has the gifts to tell about it. A wry and delightful humorist, he tickles our funnybone while touching our feelings. Outlaws, frontier wives, Indian warriors, cowboys, craftsmen, dance-hall girls, moonshiners, inventors, big ranchers, small ranchers-all are part of the Canadian River country heritage that gives this book its vitality.




Indians at Work


Book Description