Initiation Artistique
Author : Louis Hourticq
Publisher :
Page : 202 pages
File Size : 24,30 MB
Release : 1927
Category : Art
ISBN :
Author : Louis Hourticq
Publisher :
Page : 202 pages
File Size : 24,30 MB
Release : 1927
Category : Art
ISBN :
Author :
Publisher :
Page : 348 pages
File Size : 35,11 MB
Release : 1927
Category : Bibliography
ISBN :
Author : Andrew S. Curran
Publisher : Other Press, LLC
Page : 496 pages
File Size : 49,78 MB
Release : 2019-01-15
Category : Biography & Autobiography
ISBN : 1590516729
Best Book of the Year – Kirkus Reviews A spirited biography of the prophetic and sympathetic philosopher who helped build the foundations of the modern world. Denis Diderot is often associated with the decades-long battle to bring the world’s first comprehensive Encyclopédie into existence. But his most daring writing took place in the shadows. Thrown into prison for his atheism in 1749, Diderot decided to reserve his best books for posterity–for us, in fact. In the astonishing cache of unpublished writings left behind after his death, Diderot challenged virtually all of his century's accepted truths, from the sanctity of monarchy, to the racial justification of the slave trade, to the norms of human sexuality. One of Diderot’s most attentive readers during his lifetime was Catherine the Great, who not only supported him financially, but invited him to St. Petersburg to talk about the possibility of democratizing the Russian empire. In this thematically organized biography, Andrew S. Curran vividly describes Diderot’s tormented relationship with Rousseau, his curious correspondence with Voltaire, his passionate affairs, and his often iconoclastic stands on art, theater, morality, politics, and religion. But what this book brings out most brilliantly is how the writer's personal turmoil was an essential part of his genius and his ability to flout taboos, dogma, and convention.
Author :
Publisher :
Page : 1332 pages
File Size : 16,79 MB
Release : 1922
Category : American literature
ISBN :
Author :
Publisher :
Page : 420 pages
File Size : 35,64 MB
Release : 1930
Category :
ISBN :
Author : Hamid Irbouh
Publisher : Bloomsbury Publishing
Page : 409 pages
File Size : 17,2 MB
Release : 2013-03-25
Category : History
ISBN : 0857738593
In the Moroccan French Protectorate (1912-1956), the French established vocational and fine art schools, imposed modern systems of industrial production and pedagogy and reinvented old traditions. Hamid Irbouh argues that the French used this systematic modernisation of local arts and crafts regulation to impose their control. He looks in particular at the role and place of women in the structures of art production and education created by the French- that transformed and dominated Moroccan society during the colonial period. French women infiltrated the Moroccan milieu, to buttress colonial ideology, yet at critical moments, Moroccan women rejected traditional roles and sabotaged colonial plans. Meanwhile, the contradictions between reformist goals and the old order added to social dislocations and led to rebellion against French hegemony. Irbouh examines and analyses these processes and demonstrates how Moroccan artists have struggled to exorcise French influences and rediscover an authentic visual culture since decolonisation. This book reveals that the weight of colonial history continues to weigh heavily on artistic practice and production.
Author : Chris Murray
Publisher : Routledge
Page : 267 pages
File Size : 49,7 MB
Release : 2005-08-18
Category : Art
ISBN : 1134545894
Key Writers on Art: From Antiquity to the Nineteenth Century offers a unique and authoritative guide to theories of art from Ancient Greece to the end of the Victorian era, written by an international panel of expert contributors. Arranged chronologically to provide an historical framework, the 43 entries analyze the ideas of key philosophers, historians, art historians, art critics, artists and social scientists, including Plato, Aquinas, Alberti, Michelangelo, de Piles, Burke, Schiller, Winckelmann, Kant, Hegel, Burckhardt, Marx, Tolstoy, Taine, Baudelaire, Nietzsche, Ruskin, Pater, Wölfflin and Riegl. Each entry includes: * a critical essay * a short biography * a bibliography listing both primary and secondary texts Unique in its range and accessibly written, this book, together with its companion volume Key Writers on Art: The Twentieth Century, provides an invaluable guide for students as well as general readers with an interest in art history, aesthetics and visual culture.
Author :
Publisher :
Page : 924 pages
File Size : 41,4 MB
Release : 1921
Category : English literature
ISBN :
A weekly review of politics, literature, theology, and art.
Author :
Publisher : BRILL
Page : 241 pages
File Size : 29,93 MB
Release : 1978
Category : Art
ISBN : 9004651489
Author : Gillian B. Pierce
Publisher : Brill
Page : 237 pages
File Size : 15,2 MB
Release : 2012-01-01
Category : Literary Criticism
ISBN : 9401208697
Scapeland: Writing the Landscape from Diderot’s Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot’s eighteenth-century French Salons, through art criticism by Baudelaire and Breton, to Jean-François Lyotard’s postmodern exhibition Les Immatériaux. In the Salons, an exploration of the painted landscape becomes an encounter with both the limits of representation and the infinite possibilities of fiction. Baudelaire and Breton explore similar limits in their work, set against the backdrop of the modern city. For them, as for Diderot, the attempt to render visual objects in narrative language leads to the development of new literary forms and concerns. Lyotard’s concept of the “postmodern museum” frames the sublime encounter, once again, in terms that expressly evoke Diderot’s verbal rendering of painted spaces as a personal promenade. According to Lyotard, Diderot “ouvre, par écrit, les surfaces des tableaux comme les portes d’une exposition.. . . [il] abolit . . . l’opposition de la nature et de la culture, de la réalité de l’image, du volume et de la surface.” Reading the literary production of these four writers alongside their art criticism, Scapeland considers narrative responses to art as imaginative assertions of human presence against the impersonal world of objects.