Inkarri


Book Description

In 1533, Atahualpa, leader of the Inca people, was killed. Decapitated. But before his death he vowed he would return one day. He would return in the form of Inkarri, and he would avenge his own wrongful death and that of his people. Today, in modern Peru, there are some who still await that return and look for their savior. James Leaf, was not looking for the deluxe tour, much less the savior of the Incas. He was not looking for friendship with strangers, much less dependence on them for his life. But James rarely receives what he looks for. So it is James who is thrust into the center of ancient prophecies, bitter destinies, and cruel battles. Most importantly, James finds himself embroiled in a war of his own conscience. While confronted with lies of good and evil, he must discover first, what truths lay in his own heart.




From Conquest to Struggle


Book Description

This book goes to the very heart of the passionate debate over the true character of Christian faith and practice. The advance of liberation theology in the Latin American church has caused international reverberations within both the religious and political worlds. The Vatican was moved to denounce it as heretical, and the Reagan-Bush administration has deemed it a significant threat to the stability of the region. Here Batstone evaluates the writings of liberation theologians as they consider the central figure of Christian faith, Jesus of Nazareth, and asks whether a message of liberation for the poor and oppressed actually springs from the life and teachings of Jesus or is merely a religious projection of activists bent on radical social transformation. The judgment given to that issue will weigh heavily in the debate which currently rages in religious communities and seminaries over the political role and responsibility of the church. Batstone’s work links these discussions to the concrete lives of the Latin American people and, in that sense, goes beneath the text and examines the subtext of religious reflection. Chapters present events and stories that originate in the daily realities of contemporary Latin America and then consider what connection these experiences have to the story of Jesus of Nazareth.




Religion and Political Power


Book Description

This book explores the interaction between two of the most charged topics in the modern world, religion and politics. It shows the inextricable connection between religious attitudes and representations, and political activities. After an introductory chapter explores theoretically the religious articulations of political power, the authors examine the role played by religion in the current political situation in several countries. Approaching these cases as anthropologists, historians, sociologists, and political scientists, the authors make visible the dialectical relationship between religion and the pursuit of political power--on the one hand, the political significance of religious choices, and on the other, the almost unavoidable need to articulate in religious terms a group's attempt to acquire, maintain, or expand political power.







Yawar Fiesta


Book Description

Fiction. In English translation. José María Arguedas is one of the few Latin American authors who loved and described his natural surroundings, and he ranks among the greatest writers of any time and place. He saw the beauty of the Peruvian landscape, as well as the grimness of social conditions in the Andes, through the eyes of the Indians who are a part of it. Yawar Fiesta describes the social relations between Indians, mestizos, and whites in the Peruvian highland town of Puquio in the early twentieth century. Each group’s reaction to the national government’s attempt to suppress the traditional Indian-style bullfight reflects their attitude toward social change more generally. Included with the text of the novel is Arguedas’ anthropological essay “Puquio: A Culture in the Process of Change,” written eighteen years after Yawar Fiesta. The article emphasizes the social changes in the village that resulted from the road construction described in the novel. While Arguedas’ poetry was published in Quechua, he invented a language for his novels in which he used native syntax with Spanish vocabulary, making translation into other languages extremely difficult. Frances Horning Barraclough has met the challenge and produced an excellent work that remains faithful to the author’s use of language to reflect with lived experience of Peruvian Indians.




Apocalyptic Faith and Political Violence


Book Description

This study examines the functional relationship between millenarian-inspired terrorism and the process of political change. Through an exhaustive investigation of late Twentieth-century movements, Aum Shinrikyo, Sendero Luminoso and Hezbollah, it concludes that in each case, apocalyptic expectations performed a significant group mobilization, leadership and therapeutic function.




Art, Nature, and Religion in the Central Andes


Book Description

From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system—that is, art—to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society. In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types—the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today’s artists, many of whom are quoted in the book.




A Companion to Latin American Literature and Culture


Book Description

A COMPANION TO LATIN AMERICAN LITERATURE AND CULTURE “The work contains a wealth of information that must surely provide the basic material for a number of study modules. It should find a place on the library shelves of all institutions where Latin American studies form part of the curriculum.” Reference Review “In short, this is a fascinating panoply that goes from a reevaluation of pre-Columbian America to an intriguing consideration of recent developments in the debate on the modem and postmodern. Summing Up: Recommended.” CHOICE A Companion to Latin American Literature and Culture reflects the changes that have taken place in cultural theory and literary criticism since the latter part of the twentieth century. Written by more than thirty experts in cultural theory, literary history, and literary criticism, this authoritative and up-to-date reference places major authors in the complex cultural and historical contexts that have compelled their distinctive fiction, essays, and poetry. This allows the reader to more accurately interpret the esteemed but demanding literature of authors such as Jorge Luis Borges, Mario Vargas Llosa, Octavio Paz, and Diamela Eltit. Key authors whose work has defined a period, or defied borders, as in the cases of Sor Juana Inés de la Cruz, César Vallejo, and Gabriel García Márquez, are also discussed in historical and theoretical context. Additional essays engage the reader with in-depth discussions of forms and genres, and discussions of architecture, music, and film This text provides the historical background to help the reader understand the people and culture that have defined Latin American literature and its reception. Each chapter also includes short selected bibliographic guides and recommendations for further reading.




Woven Stories


Book Description

The Quechua people of southern Peru are both agriculturalists and herders who maintain large herds of alpacas and llamas. But they are also weavers, and it is through weaving that their cultural traditions are passed down over the generations. Owing to the region's isolation, the textile symbols, forms of clothing, and technical processes remain strongly linked to the people's environment and their ancestors. Heckman's photographs convey the warmth and vitality of the Quechua people and illustrate how the land is intricately woven into their lives and their beliefs. Quechua weavers in the mountainous regions near Cuzco, Peru, produce certain textile forms and designs not found elsewhere in the Andes. Their textiles are a legacy of their Andean ancestors. Andrea Heckman has devoted more than twenty years to documenting and analyzing the ways Andean beliefs persist over time in visual symbols embedded in textiles and portrayed in rituals. Her primary focus is the area around the sacred peak of Ausangate, in southern Peru, some eighty-five miles southeast of the former Inca capital of Cuzco. The core of this book is an ethnographic account of the textiles and their place in daily life that considers how the form and content of Quechua patterns and designs pass stories down and preserve traditions as well as how the ritual use of textiles sustain a sense of community and a connection to the past. Heckman concludes by assessing the influences of the global economy on indigenous Quechua, who maintain their own worldview within the larger fabric of twentieth-century cultural values and hence have survived everything from Latin American militarism to a tidal wave of post-modern change.