Translating Canada


Book Description

In the last thirty years of the twentieth century, Canadian federal governments offered varying degrees of support for literary and other artistic endeavour. A corollary of this patronage of culture at home was an effort to make the resulting works available for audiences elsewhere in the world. Current developments in the study of translation and its influence as cultural transfer have made possible new assessments of such efforts to project a national image abroad. Translating Canada examines cultural materials exported by Canada in addition to those selected for acquisition by German publishers, theatres, and other culture brokers. It also considers the motivations of particular translators and the reception by German reviewers of works by a wide variety of Canadian writers -- novelists and poets, playwrights and children's authors, literary and social critics. Above all, the book maps for its readers a number of significant, though frequently unsuspected, roles that translation assumes in the intercultural negotiation of national images and values. The chapters in this collection will be of value to students, teachers, and scholars in a number of fields. Informed lay readers, too, will appreciate the authors’ insights into the different ways in which translation has contributed to German reception of Canadian books and culture.




Shakespeare in Canada


Book Description

Is there a distinctly Canadian Shakespeare? What is the status and function of Shakespeare in various locations within the nation: at Stratford, on CBC radio, in regional and university theatres, in Canadian drama and popular culture? Shakespeare in Canada brings insights from a little explored but extensive archive to contemporary debates about the cultural uses of Shakespeare and what it means to be Canadian. Canada's long history of Shakespeare productions and reception, including adaptations, literary reworkings, and parodies, is analysed and contextualized within the four sections of the book. A timely addition to the growing field that studies the transnational reach of Shakespeare across cultures, this collection examines the political and cultural agendas invoked not only by Shakespeare's plays, but also by his very name. In part a historical and regional survey of Shakespeare in performance, adaptation, and criticism, this is the first work to engage Shakespeare with distinctly Canadian debates addressing nationalism, separatism, cultural appropriation, cultural nationalism, feminism, and postcolonialism.




The Best Fooling


Book Description

In the first volume of his memoirs, As Far As I Remember, Michael Bawtree told the story of his youthful years, from his birth in Australia to growing up in England during and after World War II, with an education at Radley College and Worcester College, Oxford and a two-year stint in the British Army. In this second volume he recounts his experience as a raw new immigrant in Canada, and his first steps as a professional actor, a university instructor, a book critic, dramaturge and playwright. In the years that followed he made a name for himself at the newly-founded Simon Fraser University, where he initiated the theatre program, and at the Stratford Festival, where he eventually served as Associate Director and director of the Third Stage, before leaving to freelance as a theatre director both in Canada and the USA. In 1975 he founded COMUS Music Theatre with Maureen Forrester, and went on to establish himself as a pioneer in Canadian music theatre development. The volume finishes in 1977 as he is on his way for the first time to the Banff Centre, where he was to play a major role in the following ten years. Michael's story, elegantly and amusingly written, gives us a vivid picture of Canada's theatre activity in the sixties and seventies, with honest though not always flattering portraits of some of its most distinguished artists. He is also open and honest about himself, recounting his failures and well as his successes, and sharing with us what became the love of his life.ÿ




Proceedings


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Quarry


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Stratford


Book Description

Stratford is a small treasure--a lively, gracious city with heritage homes, beautiful parks, fine restaurants and a Shakespearean festival that draws over half a million people to the community annually. In this book you will discover the story of Stratford's origins and growth and see the city's past and present in more than 100 contemporary and archival photographs. Ranging from the pre-contact period, when the area was settled by Iroquoian First Nations, to the nineteenth century with its legacy of splendid architecture, this is the story of a beautiful, bustling community. The Stratford Festival is illustrated with many images drawn from the festival archives, and an illustrated walking tour highlights many of the city's architectural and heritage treasures. Stratford: Its History and Its Festival is a richly illustrated showcase of this picturesque Ontario town.




Canada and the Idea of North


Book Description

Canada and the Idea of North examines the ways in which Canadians have defined themselves as a northern people in their literature, art, music, drama, history, geography, politics, and popular culture. From the Franklin Mystery to the comic book superheroine Nelvana, Glenn Gould's documentaries, the paintings of Lawren Harris, and Molson beer ads, the idea of the north has been central to the Canadian imagination. Sherrill Grace argues that Canadians have always used ideas of Canada-as-North to promote a distinct national identity and national unity. In a penultimate chapter - "The North Writes Back" - Grace presents newly emerging northern voices and shows how they view the long tradition of representing the North by southern activists, artists, and scholars. With the recent creation of Nunavut, increasing concern about northern ecosystems and social challenges, and renewed attention to Canada's role as a circumpolar nation, Canada and the Idea of North shows that nordicity still plays an urgent and central role in Canada at the start of the twenty-first century.




The Tamarack Review


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International Who's Who in Poetry 2004


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Provides up-to-date profiles on the careers of leading and emerging poets.




Northern Experience and the Myths of Canadian Culture


Book Description

By investigating mutually dependent categories of identity in literature that depicts northern peoples and places, Hulan provides a descriptive account of representative genres in which the north figures as a central theme - including autobiography, adventure narrative, ethnography, fiction, poetry, and travel writing. She considers each of these diverse genres in terms of the way it explains the cultural identity of a nation formed from the settlement of immigrant peoples on the lands of dispossessed, indigenous peoples. Reading against the background of contemporary ethnographic, literary, and cultural theory, Hulan maintains that the collective Canadian identity idealized in many works representing the north does not occur naturally but is artificially constructed in terms of characteristics inflected by historically contingent ideas of gender and race, such as self-sufficiency, independence, and endurance, and that these characteristics are evoked to justify the nationhood of the Canadian state.