Insane Passions


Book Description

In France in 1933, two sisters, presumed to be lovers, murdered the women who employed them as maids. Known as “the Papin affair,” the incident inspired not only Jean Genet's 1947 The Maids but also an essay by Jacques Lacan that presents the sisters' crime as fueled by a narcissistic, homosexual drive that culminated in the assault. In this new investigation of the roots of the twentieth-century myth of the lesbian-as-madwoman, Christine Coffman argues that the female psychotic was the privileged object of Lacan’s effort to derive a revolutionary theory of subjectivity from the study of mental illness. Examining Lacan's early writings, French surrealism, Djuna Barnes’ Nightwood, and H.D.’s homoerotic fiction in light of feminist and queer theory, Insane Passions argues that the psychotic woman that fascinates modernist writers returns with a murderous vengeance in a number of late twentieth-century films—including Basic Instinct, Sister My Sister, Single White Female, and Murderous Maids. Marking the limit of social acceptability, the “psychotic lesbian” repeatedly appears as the screen onto which the violence and madness of twentieth-century life are projected.




Love's Madness


Book Description

Love's Madness is an important new contribution to the interdisciplinary study of insanity. Focusing on the figure of the love-mad woman, it presents a significant reassessment of the ways in which British medical writers and novelists of the nineteenth century thought about madness, femininity, and narrative convention. The book centers around studies of novels by Jane Austen, Sir Walter Scott, Charlotte Bront , Wilkie Collins, and Charles Dickens, as well as of previously neglected writings by Charles Maturin, Lady Caroline Lamb, and Edward Bulwer-Lytton, among others.




Madness


Book Description

Madness: A History is a thorough and accessible account of madness from antiquity to modern times, offering a large-scale yet nuanced picture of mental illness and its varieties in western civilization. The book opens by considering perceptions and experiences of madness starting in Biblical times, Ancient history and Hippocratic medicine to the Age of Enlightenment, before moving on to developments from the late 18th century to the late 20th century and the Cold War era. Petteri Pietikäinen looks at issues such as 18th century asylums, the rise of psychiatry, the history of diagnoses, the experiences of mental health patients, the emergence of neuroses, the impact of eugenics, the development of different treatments, and the late 20th century emergence of anti-psychiatry and the modern malaise of the worried well. The book examines the history of madness at the different levels of micro-, meso- and macro: the social and cultural forces shaping the medical and lay perspectives on madness, the invention and development of diagnoses as well as the theories and treatment methods by physicians, and the patient experiences inside and outside of the mental institution. Drawing extensively from primary records written by psychiatrists and accounts by mental health patients themselves, it also gives readers a thorough grounding in the secondary literature addressing the history of madness. An essential read for all students of the history of mental illness, medicine and society more broadly.










Madness and Democracy


Book Description

How the insane asylum became a laboratory of democracy is revealed in this provocative look at the treatment of the mentally ill in nineteenth-century France. Political thinkers reasoned that if government was to rest in the hands of individuals, then measures should be taken to understand the deepest reaches of the self, including the state of madness. Marcel Gauchet and Gladys Swain maintain that the asylum originally embodied the revolutionary hope of curing all the insane by saving the glimmer of sanity left in them. Their analysis of why this utopian vision failed ultimately constitutes both a powerful argument for liberalism and a direct challenge to Michel Foucault's indictment of liberal institutions. The creation of an artificial environment was meant to encourage the mentally ill to live as social beings, in conditions that resembled as much as possible those prevailing in real life. The asylum was therefore the first instance of a modern utopian community in which a scientifically designed environment was supposed to achieve complete control over the minds of a whole category of human beings. Gauchet and Swain argue that the social domination of the inner self, far from being the hidden truth of emancipation, represented the failure of its overly optimistic beginnings. Madness and Democracy combines rich details of nineteenth-century asylum life with reflections on the crucial role of subjectivity and difference within modernism. Its final achievement is to show that the lessons learned from the failure of the asylum led to the rise of psychoanalysis, an endeavor focused on individual care and on the cooperation between psychiatrist and patient. By linking the rise of liberalism to a chapter in the history of psychiatry, Gauchet and Swain offer a fascinating reassessment of political modernity.




Madness and Crime


Book Description

This book provides an authoritative and highly readable review of the relationship between madness and crime by one of the leading authorities in the field. The book is divided into four parts, each essay focusing on selected features of madness which have relevance to contemporary society. Part 1 is about madness itself, exploring three main models − cognitive, statistical, and emotional. Part 2 is a short discussion on madness, genius and creativity. Part 3 is about the much neglected area of compulsion, an issue that has largely disappeared from public debate. The mad may have moved from victim to violator, yet fundamental questions remain − in particular how to justify compulsory detention, and who should undertake the process? The answers to these questions have sociological, ethical and jurisprudential elements, and cannot just re resolved by reference to medical authorities. Part 4 is about the links between madness and crime − focusing less on the question and nature of criminal responsibility and the various defences that go with this, more on the links between madness and crime and which particular crimes are linked with which types of disorder.




Madness and Irrationality in Spanish and Latin American Literature and Culture


Book Description

The subject matter is topical: madness has universal and enduring appeal. The positive aspects of the irrational, particularly its potential for cultural renewal, are given more prominence than has been the case in the past. The coverage is wide-ranging: new critical angles enrich our understanding of major writers while the appeal of lesser-known figures is highlighted, often by means of a comparative perspective.




The Routledge History of Disease


Book Description

The Routledge History of Disease draws on innovative scholarship in the history of medicine to explore the challenges involved in writing about health and disease throughout the past and across the globe, presenting a varied range of case studies and perspectives on the patterns, technologies and narratives of disease that can be identified in the past and that continue to influence our present. Organized thematically, chapters examine particular forms and conceptualizations of disease, covering subjects from leprosy in medieval Europe and cancer screening practices in twentieth-century USA to the ayurvedic tradition in ancient India and the pioneering studies of mental illness that took place in nineteenth-century Paris, as well as discussing the various sources and methods that can be used to understand the social and cultural contexts of disease. Chapter 24 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. https://www.routledgehandbooks.com/doi/10.4324/9781315543420.ch24




Hearing the Scriptures


Book Description

Throughout the ages, interpreters of the Christian scriptures have been wonderfully creative in seeking to understand and bring out the wonders of these ancient writings. That creativity has often been overlooked by recent scholarship, concentrated as it is in the so-called critical period. In this study, Eugen J. Pentiuc illuminates the remarkable way in which the Byzantine hymnographers (liturgists) expressed their understanding of the Old Testament in their compositions, an interpretive process that he terms "liturgical exegesis." In authorship and methodology, patristic exegesis and liturgical exegesis are closely related. Patristic exegesis, however, is primarily linear and sequential, proceeding verse by verse, while liturgical exegesis offers a more imaginative and eclectic mode of interpretation, ranging over various parts of the Bible. In this respect, says Pentiuc, liturgical exegesis resembles cubist art. To illuminate the multi-faceted creativity of liturgical exegesis, Pentiuc has chosen the vast and rich hymnography of Byzantine Orthodox Holy Week as a case study, offering a detailed lexical, biblical, and theological analysis of selected hymns. His analysis reveals the many different and imaginative ways in which creative liturgists incorporated and interpreted scriptural material in these hymns. By drawing attention to the way in which the bible is used by Byzantine hymnographers in the living Orthodox tradition, Hearing the Scriptures makes a ground-breaking contribution to the history of the reception of the scriptures.