King's Cutters and Smugglers 1700-1855


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This book covers the history of smuggling between the 1700 to 1855, which can be said as the time when the practice was widespread and even sanctioned. The author states that in the following pages, he has endeavored to resist the temptation to weave a web of pleasant but unreliable fiction around actual occurrences. That which is here set forth has been derived from facts, and in almost every case from manuscript records. It aims at telling the story of an eventful and exciting period according to historical and not imaginative occurrence. There are extant many novels and short stories which have for their heroes the old-time smugglers. But the present volume represents an effort to look at these exploits as they were and not as a novelist likes to think they might have occurred. Perhaps there is hardly an Englishman who was not thrilled in his boyhood days by Marryat and others when they wrote of the King's Cutters and their foes. It is hoped that the following pages will not merely revive pleasant recollections but arouse a new interest in the adventures of a species of sailing craft that is now, like the brig and the fine old clipper-ship, past and done with.




A Geography Of Time


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In this engaging and spirited book, eminent social psychologist Robert Levine asks us to explore a dimension of our experience that we take for granted—our perception of time. When we travel to a different country, or even a different city in the United States, we assume that a certain amount of cultural adjustment will be required, whether it's getting used to new food or negotiating a foreign language, adapting to a different standard of living or another currency. In fact, what contributes most to our sense of disorientation is having to adapt to another culture's sense of time.Levine, who has devoted his career to studying time and the pace of life, takes us on an enchanting tour of time through the ages and around the world. As he recounts his unique experiences with humor and deep insight, we travel with him to Brazil, where to be three hours late is perfectly acceptable, and to Japan, where he finds a sense of the long-term that is unheard of in the West. We visit communities in the United States and find that population size affects the pace of life—and even the pace of walking. We travel back in time to ancient Greece to examine early clocks and sundials, then move forward through the centuries to the beginnings of ”clock time” during the Industrial Revolution. We learn that there are places in the world today where people still live according to ”nature time,” the rhythm of the sun and the seasons, and ”event time,” the structuring of time around happenings(when you want to make a late appointment in Burundi, you say, ”I'll see you when the cows come in”).Levine raises some fascinating questions. How do we use our time? Are we being ruled by the clock? What is this doing to our cities? To our relationships? To our own bodies and psyches? Are there decisions we have made without conscious choice? Alternative tempos we might prefer? Perhaps, Levine argues, our goal should be to try to live in a ”multitemporal” society, one in which we learn to move back and forth among nature time, event time, and clock time. In other words, each of us must chart our own geography of time. If we can do that, we will have achieved temporal prosperity.




Gulliver's Travels


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Stalin's Agent


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This is the true story behind General Alexander Orlov, the man who never was, now revealed in full for the first time: Stalinist henchman, Soviet spy, celebrated defector to the West, and central character in the greatest KGB deception ever.




The Inhabitants of the Philippines


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The Death Ship


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The Cultural Cold War


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During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.




The Frozen Pirate


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ÊThe Laughing Mary was a light ship, as sailors term a vessel that stands high upon the water, having discharged her cargo at Callao, from which port we were proceeding in ballast to Cape Town, South Africa, there to call for orders. Our run to within a few parallels of the latitude of the Horn had been extremely pleasant; the proverbial mildness of the Pacific Ocean was in the mellow sweetness of the wind and in the gentle undulations of the silver-laced swell; but scarce had we passed the height of forty-nine degrees when the weather grew sullen and dark, a heavy bank of clouds of a livid hue rose in the north-east, and the wind came and went in small guns, the gusts venting themselves in dreary moans, insomuch that our oldest hands confessed they had never heard blasts more portentous. The gale came on with some lightning and several claps of thunder and heavy rain. Though it was but two o'clock in the afternoon, the air was so dusky that the men had to feel for the ropes; and when the first of the tempest stormed down upon us the appearance of the sea was uncommonly terrible, being swept and mangled into boiling froth in the north-east quarter, whilst all about us and in the south-west it lay in a sort of swollen huddle of shadows, glooming into the darkness of the sky without offering the smallest glimpse of the horizon. In a few minutes the hurricane struck us. We had bared the brig down to the close-reefed main-topsail; yet, though we were dead before the outfly, its first blow rent the fragment of sail as if it were formed of smoke, and in an instant it disappeared, flashing over the bows like a scattering of torn paper, leaving nothing but the bolt-ropes behind. The bursting of the topsail was like the explosion of a large cannon. In a breath the brig was smothered with froth torn up in huge clouds, and hurled over and ahead of her in vast quivering bodies that filled the wind with a dismal twilight of their own, in which nothing was visible but their terrific speeding. Through these slinging, soft, and singing masses of spume drove the rain in horizontal steel-like lines, which gleamed in the lightning stroke as though indeed they were barbed weapons of bright metal, darted by armies of invisible spirits raving out their war cries as they chased us.




The Waterman Family


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