Language, Poetry and Poetics


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Selected writings


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Comparative Slavic Studies. The Cyrillo-Methodian Tradition


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Pt. 1. Comparative Slavic studies--the Cyrillo-Methodian tradition--pt. 2. Medieval slavic studies.




Jakobsonian Poetics and Slavic Narrative


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Pomorska (1928-1986) a noted specialist in Slavic literature and literary theory, is best known for her pioneering work in applying Roman Jakobson's theories of poetics to prose narratives. This collection brings together her writings over two decades (some of them appearing in English for the first time). She treats a wide range of Slavic literary works, including those by Puskin, Tolstoi, Pasternak, Chekhov, and Solzhenitsyn, as well as examples from Polish and Ukrainian folklore. Annotation copyright by Book News, Inc., Portland, OR




The Cambridge Handbook of Slavic Linguistics


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The linguistic study of the Slavic language family, with its rich syntactic and phonological structures, complex writing systems, and diverse socio-historical context, is a rapidly growing research area. Bringing together contributions from an international team of authors, this Handbook provides a systematic review of cutting-edge research in Slavic linguistics. It covers phonetics and phonology, morphology and syntax, lexicology, and sociolinguistics, and presents multiple theoretical perspectives, including synchronic and diachronic. Each chapter addresses a particular linguistic feature pertinent to Slavic languages, and covers the development of the feature from Proto-Slavic to present-day Slavic languages, the main findings in historical and ongoing research devoted to the feature, and a summary of the current state of the art in the field and what the directions of future research will be. Comprehensive yet accessible, it is essential reading for academic researchers and students in theoretical linguistics, linguistic typology, sociolinguistics and Slavic/East European Studies.




The Slavic Myths


Book Description

A Pulitzer-nominated author and one of the great public intellectuals of Slavic culture bring to life the unfamiliar myths and legends of the Slavic world. In the first collection of Slavic myths for an international readership, Noah Charney and Svetlana Slapšak expertly weave together the ancient stories with nuanced analysis to illuminate their place at the heart of Slavic tradition. While Slavic cultures are far-ranging, comprised of East Slavs (Russia, Ukraine, Belarus), West Slavs (the Czech Republic, Slovakia, Poland), and South Slavs (the countries of former Yugoslavia plus Bulgaria), they are connected by tales of adventure and magic with roots in a common lore. In the world of Slavic mythology we find petulant deities, demons and fairies, witches, and a supreme god who can hurl thunderbolts. Gods gather under the World Tree, reminiscent of Norse mythology’s Yggdrasill. The vampire—usually the only Serbo-Croatian word in any foreign-language dictionary—and the werewolf both emerge from Slavic belief. In their careful analysis and sensitive reconstructions of the myths, Charney and Slapšak unearth the Slavic beliefs before their distortion first by Christian chroniclers and then by nineteenth-century scholars seeking origin stories for their newborn nation states. They reveal links not only to the neighboring pantheons of Greece, Rome, Egypt, and Scandinavia, but also the belief systems of indigenous peoples of Australia, the Americas, Africa, and Asia. Specially commissioned illustrations inspired by traditional Eastern and European folk art bring the stories and their cultural landscape to life.