Intertextes de L'oeuvre de Beckett


Book Description

Contents: Keir ELAM: Catastrophic mistakes: Beckett, Havel, the end. Wouter OUDEMANS: En attendant. Mary BRYDEN: Balzac to Beckett via God(eau/ot). Catharina WULF: At the crossroads of desire and creativity: a critical approach of Samuel Beckett's Television Plays "Ghost Trio," ..".but the Clouds..." and "Nacht und Traume." Rod SHARKEY: Singing in the last ditch: Beckett's Irish Rebel Songs. Ralph HEYNDELS: Tenace trace toujours trop de sens deja la. Beckett, Adorno et la modernite. Giuseppina RESTIVO: The genesis of Beckett's "ENDGAME" traced in a 1950 holograph. Serge MEITINGER: La spirale de lecriture, D'"IGITUR" AU DERNIER BECKETT. Lance ST. JOHN BUTLER: Two darks: A Solution to the problem of Beckett's Bilingualism.




The Dramatic Works of Samuel Beckett


Book Description

A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.




Beckett in the 1990s


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Palgrave Advances in Samuel Beckett Studies


Book Description

Palgrave Advances in Samuel Beckett Studies explores the evolution of critical approaches to Beckett's writing. It will appeal to graduate students (and advance undergraduates) as well as scholars, for it offers both an overview of Beckett studies and investigates current debates within the interdisciplinary critical arena. Each of the contributors is an eminent Beckett specialist who has published widely in the field. The volume contains an introduction, twelve essays and a guide for further reading.




Samuel Beckett l'œvre carrefour/l'œuvre limite


Book Description

ISBN 9042003375 (paperback) NLG 55.00 From the contents: Beckettissimo: Beckett virtuose de l'echo: 'fin de partie' et l'essence du bouddhisme (Emmanuel Jacquart).- Staging of institutional tensions in Beckett's plays (Juergen Siess).- Postmodern staging of 'waiting for Godot' (Mariko Hori Tanaka).- Staging himself, or Beckett's late style in the theatre (S.E. Gontarski). figure.




English Literature and the Other Languages


Book Description

The thirty essays in English Literature and the Other Languages trace how the tangentiality of English and other modes of language affects the production of English literature, and investigate how questions of linguistic code can be made accessible to literary analysis. This collection studies multilingualism from the Reformation onwards, when Latin was an alternative to the emerging vernacular of the Anglican nation; the eighteenth-century confrontation between English and the languages of the colonies; the process whereby the standard British English of the colonizer has lost ground to independent englishes (American, Canadian, Indian, Caribbean, Nigerian, or New Zealand English), that now consider the original standard British English as the other languages the interaction between English and a range of British language varieties including Welsh, Irish, and Scots, the Lancashire and Dorset dialects, as well as working-class idiom; Chicano literature; translation and self-translation; Ezra Pound's revitalization of English in the Cantos; and the psychogrammar and comic dialogics in Joyce's Ulysses, As Norman Blake puts it in his Afterword to English Literature and the Other Languages: There has been no volume such as this which tries to take stock of the whole area and to put multilingualism in literature on the map. It is a subject which has been neglected for too long, and this volume is to be welcomed for its brave attempt to fill this lacuna.







Beckett, Lacan and the Gaze


Book Description

Forming a pair with the voice, the gaze is a central structuring element of Samuel Beckett’s creation. And yet it takes the form of a strangely impersonal visual dimension testifying to the absence of an original exchange of gazes capable of founding personal identity and opening up the world to desire. The collapse of conventional reality and the highlighting of seeing devices—eyes, mirrors, windows—point to the absence of a unified representation. While masks and closed spaces show the visible to be opaque and devoid of any beyond, light and darkness, spectres—manifestations without origin—reveal a realm beyond the confines of identity, where nothing provides a mediation with the seen, or sets it within perspective. Finally, Beckett’s use of the audio-visual media deepens his exploration of the irreducibly real part of existence that escapes seeing. This study systematically examines these essential aspects of the visual in Beckett’s creation. The theoretical elaborations of Jacques Lacan—in relation with corresponding developments in the history and philosophy of the visual arts—offer an indispensible framework to understand the imaginary not as representation, but as rooted in the fundamental opacity of existence.




Beckett Et la Religion


Book Description