Kamik


Book Description

Jake finally gets a puppy to train as a sled dog, but soon learns just how much work it will take.




The Owner of the Sea


Book Description

In re-telling the Inuit stories included here, Richard Price opens out remarkable northern vistas and unfamiliar narratives, strange gods, and unforgettable characters. Carol Rumens described Price as a poet who is 'brilliant quietly: inventive, sometimes dazzling, but never merely showy': precisely the talents for rendering, rather than appropriating these great story-cycles of Inuit culture. Here we learn of 'Sedna the Sea Goddess' and 'Kiviuq the Hunter,' the central protagonists of the book's remarkable stories. They are rich in extraordinary incident. In Sedna's world women can marry dogs and have half-puppy, half-human children; birds beat their wings so hard they call down a storm on a fugitive kayak; walruses originate from...well that would be telling. Each story-cycle abounds in natural wonder, celebrating our creaturely relations with our fellow inhabitants of land and sea. 'The Old Woman Who Changed Herself into a Man,' a short narrative, bridges the major sequences, telling the story of an older woman and a younger one who become lovers in the isolation of their remote home.




Inuit Stories of Being and Rebirth


Book Description

Ujarak, Iqallijuq, and Kupaaq were elders from the Inuit community on Igloolik Island in Nunavut. The three elders, among others, shared with Bernard Saladin d’Anglure the narratives which make up the heart of Inuit Stories of Being and Rebirth. Through their words, and historical sources recorded by Franz Boas and Knud Rasmussen, Saladin d’Anglure examines the Inuit notion of personhood and its relationship to cosmology and mythology. Central to these stories are womb memories, narratives of birth and reincarnation, and the concept of the third sex—an intermediate identity between male and female. As explained through first-person accounts and traditional legends, myths, and folk tales, the presence of transgender individuals informs Inuit relationships to one another and to the world at large, transcending the dualities of male and female, human and animal, human and spirit. This new English edition includes the 2006 preface by Claude Lévi-Strauss and an afterword by Bernard Saladin d’Anglure.




Mythology of the Inuit


Book Description

During the long cold winter nights, Inuit families snuggled together in their winter houses and listened to tales about a time when unbelievable things could happen. These adventurers broke up the long hours of winter darkness and gave the listeners a cultural and traditional heritage. Each chapter is followed by a Question and Answer section which covers themes, symbols, and characters; and an Expert Commentary section, which makes for great discussion.




Inuit Stories


Book Description

L'intérêt de ce modeste album est de mettre en regard une vingtaine de légendes et une cinquantaine de reproductions de sculpture qui s'éclairent les unes les autres et nous instruisent sur la culture inuit. [SDM].




ESKIMO FOLK TALES - 53 Inuit folk and failry tales


Book Description

THE 53 ESKIMO, OR INUIT, folk tales contained herein were collected in various parts of Greenland, and recorded directly from the lips of the Inuit(Eskimo) story-tellers by Knud Rasmussen [1879 – 1933], a well-known Danish explorer; himself part Inuit/Eskimo. Like most American Indian tales, these 53 stories are unlike any European children's story. There is no Puss in Boots, nor a Cinderella or a Snow White or Sleeping Beauty. Instead you will find unique stories and tales that the Inuit used to teach their children the moral lessons of life. These stories were usually told around a campfire with great effect. Tales like: Nukunguasik, Who Escaped From The Tupilak, The Insects That Wooed A Wifeless Man, The Very Obstinate Man, The Dwarfs, The Raven And The Goose, How The Fog Came, The Giant Dog and many more. The constellation of the Great Bear is explained in one story as is the origin of Venus in another. There is a version of the Bluebeard theme in imarasugssuaq, "who, it is said, was wont to eat his wives." Instances of friendship and affection between human beings and animals are found, as in the tale of the Foster-Mother And The Bear. Fairy tales are common in all cultures worldwide. A test of how good they are is easily fulfilled by demands for another, usually by a little-one tugging at your sleeve and coyly begging for “’nutther ple-e-e-se,” and this book has many of these. The 12 grey scale illustrations are by native Inuits (Eskimos) artists are not drawn to illustrate the particular stories, but represent typical scenes such as they are described. As regards their contents, the stories present, more clearly, perhaps, than any objective study, the daily life of the Eskimos of old, their habit of thought, their conception of the universe, and the curious "spirit world" which formed their religion and mythology. In point of form they are refreshingly unique and highly enjoyable. 10% of the profit from the sale of this book will be donated to charities. ================== KEYWORDS/TAGS: Eskimo folk tales, Inuit, Canada, Alaska, Greenland, Knud Rasmussen, two friends, travel the world, coming of man, long time ago, nukunguasik, escape, tupilak, qujavarssuk, kunigseq, bear, foster-son, ímarasugssuaq, qalaganguase, land of ghosts, isigaligarssik, woo wifeless man, obstinate man, dwarfs, dwarves, bottom of the sea, frighten people, raven and the goose, when the ravens could speak, makíte, asaloq, ukaleq, íkardlítuarssuk, raven wanted a wife, vixen for a wife, great bear, star, woman with an iron tail, fog came, avenge the widows, search for a son, atungait, wandering, kumagdlak, living arrows, giant dog, inland-dwellers, etah, stab, soul, bodies of beasts, papik, patussorssuaq, artuk, forbidden things, thunder spirits, nerrivik, kagssagssuk, homeless boy, strong man, qasiagssaq, great liar, eagle, whale, two outcasts, atdlarneq, great glutton, angangŭjuk, atarssuaq, puagssuaq, tungujuluk, saunikoq, anarteq, guillemot, kanagssuaq, metis flag, angmagssalik, hunter in kayak, sarqiserasak, spirit flight, bow and arrow, half dog, half human, evil spirit, helping spirit, flying race, angiut,




Daily Life of the Inuit


Book Description

This wide-ranging treatment of daily life in the contemporary Inuit communities of Alaska, Canada, and Greenland reveals the very modern ways of being Inuit. Daily Life of the Inuit is the first serious study of contemporary Inuit culture and communities from the post-World War II period to the present. Beginning with an introductory essay surveying Inuit prehistory, geography, and contemporary regional diversity, this exhaustive treatment explores the daily life of the Inuit throughout the North American Arctic—in Alaska, Canada, and Greenland. Twelve thematic chapters acquaint the reader with the daily life of the contemporary Inuit, examining family, intellectual culture, economy, community, politics, technology, religion, popular culture, art, sports and recreation, health, and international engagement. Each chapter begins with a discussion of the historical and cultural underpinnings of Inuit life in the North American Arctic and describes the issues and events relevant to the contemporary Inuit experience. Leading sources are quoted to provide analysis and perspective on the facts presented.




Canadian Inuit literature


Book Description

A study of the development of contemporary Inuit literature, in both Inuktitut and English, including a discussion of its themes, structures and roots in oral tradition. The author concludes that a strong continuity persists between the two narrative forms despite apparent differences in subject matter and language.




Inuit Women


Book Description

Inuit Women is the definitive study of the Inuit during a time of rapid change. Based on fourteen years of research and fieldwork, this analysis focuses on the challenges facing Inuit women as they enter the twenty-first century. Written shortly after the creation of Nunavut, a new province carved out of traditional Inuit homelands in the Canadian North, this compelling book combines conclusions drawn from the authors' ethnographic research with the stories of Inuit women and men, told in their own words. In addition to their presentation of the personal portraits and voices of many Inuit respondents, Janet Mancini Billson and Kyra Mancini explore global issues: the impact of rapid social change and Canadian resettlement policy on Inuit culture; women's roles in society; and gender relations in Baffin Island, in the Eastern Arctic. They also include an extensive section on how the newly created territory of Nunavut is impacting the lives of Inuit women and their families. Working from a research approach grounded in feminist theory, the authors involve their Inuit interviewees as full participants in the process. This book stands alone in its attention to Inuit women's issues and lives and should be read by everyone interested in gender relations, development, modernization, globalization, and Inuit culture.




The Way of Inuit Art


Book Description

Inuit art, both ancient and contemporary, has inspired the interest of scholars, collectors and art lovers around the globe. This book examines Inuit art from prehistory to the present with special attention to methodology and aesthetics, exploring the ways in which it has been influenced by and has influenced non-Inuit artists and scholars. Part One gives the history of the main art-producing prehistoric traditions in the North American arctic, concentrating on the Dorset who once flourished in the Canadian region. It also demonstrates the influence of theories such as evolutionism, diffusionism, ethnographic comparison, and shamanism on the interpretation of prehistoric Inuit art. Part Two demonstrates the influence of such popular theories as nationalism, primitivism, modernism, and postmodernism on the aesthetics and representation of twentieth-century Canadian Inuit art. This discussion is supported by interviews conducted with Inuit artists. A final chapter shows the presence of Inuit art in the mainstream multi-cultural environment, with a discussion of its influence on Canadian artist Nicola Wojewoda. The work also presents various Inuit artists' reactions to Wojewoda's work.