Invincible #54


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FIGHTMASTER AND DROP KICK RETURN! They're back from the future to alter the past - can Invincible stop them - or will he be lost in the time stream forever? Also in this issue: Kid Omni-Man saves the day!




American Lumberman


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Invincible Vol. 11


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Collects issues #54-59 & THE ASTOUNDING WOLF-MAN #11! Invincible and Atom Eve are dating at last, but Mark has just recently moved back in with his mom and half brother. To make matters worse, Mark finds himself staring down the deadliest bunch of villains he's faced thus far - including The Astounding Wolf-Man!




Conan the Invincible


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The Wood-worker


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Unfinished Business


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How does structural economic change look and feel? How are such changes normalized? Who represents hope? Who are the cautionary tales? Unfinished Business argues that U.S. deindustrialization cannot be understood apart from issues of race, and specifically apart from images of, and works by and about African Americans that represent or resist normative or aberrant relationships to work and capital in transitional times. It insists that Michael Jackson's performances and coverage of his life, plays featuring Detroit, plans for the city's postindustrial revitalization, and Detroit installations The Heidelberg Project and Mobile Homestead have something valuable to teach us about three decades of structural economic transition in the U.S., particularly about the changing nature of work and capitalism between the mid 1980s and 2016. Jackson and Detroit offer examples of the racialization of deindustrialization, how it operates as a structure of feeling and as representations as well as a shift in the dominant mode of production, and how industrialization's successor mode, financialization, uses imagery both very similar to and very different from its predecessor.




All New, All Different?


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Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.







The Packages


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Talking to the Enemy


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This monograph examines security-related track two diplomacy efforts in the Middle East and South Asia, including how such efforts have socialized participants into thinking about security in more cooperative terms, and whether the ideas generated in track two forums have been acknowledged at the societal level or influenced official policy. Kaye concludes with suggestions on how to improve future track two efforts.