Irony in Mark's Gospel


Book Description

An important contribution to our understanding of Marcan irony, and combines a literary-critical approach with insights gained from the sociology of knowledge.




The Messianic Secret


Book Description

William Wrede was among the first to recognise the creative contribution of the Gospel writers. His work thus laid the foundation for the work of the Form Critics, Redaction Critics and Literary Critics whose scholarship dominated New Testament studies during the twentieth century. This highly influential work was throughout this period the departure point for all studies in the Gospel of Mark and in the literary methods of the evangelists. It remains highly relevant for its ground-breaking approach to the classically complicated question of whether Jesus saw himself and represented himself as the Messiah.




Word Plays


Book Description




Irony in the Fourth Gospel


Book Description




The Homeric Epics and the Gospel of Mark


Book Description

In this groundbreaking book, Dennis R. MacDonald offers an entirely new view of the New Testament gospel of Mark. The author of the earliest gospel was not writing history, nor was he merely recording tradition, MacDonald argues. Close reading and careful analysis show that Mark borrowed extensively from the Odyssey and the Iliad and that he wanted his readers to recognise the Homeric antecedents in Mark's story of Jesus. Mark was composing a prose anti-epic, MacDonald says, presenting Jesus as a suffering hero modeled after but far superior to traditional Greek heroes. Much like Odysseus, Mark's Jesus sails the seas with uncomprehending companions, encounters preternatural opponents, and suffers many things before confronting rivals who have made his house a den of thieves. In his death and burial, Jesus emulates Hector, although unlike Hector Jesus leaves his tomb empty. Mark's minor characters, too, recall Homeric predecessors: Bartimaeus emulates Tiresias; Joseph of Arimathea, Priam; and the women at the tomb, Helen, Hecuba, and Andromache. And, entire episodes in Mark mirror Homeric episodes, including stilling the sea, walking on water, feeding the multitudes, the Triumphal E




The Theological Intentions of Mark’s Literary Devices


Book Description

What sets The Theological Intentions of Mark's Literary Devices apart from other books? What niche does it fill that makes its publication important? This volume will interest all those who value a literary approach to the Gospel of Mark. Dean Deppe introduces some new literary devices in the research of the Gospel of Mark as well as demonstrates the theological intentions of Mark when he employs these literary devices. Deppe argues that Mark employs the literary devices of intercalation, framework, allusionary repetitions, narrative surprises, and three types of mirroring to indicate where he speaks symbolically and metaphorically at two levels. Mark employs these literary devices not just for dramatic tension and irony, but also for theological reasons to apply the Jesus tradition to specific problems in his own day.




The Irony of the Cross


Book Description

The cross of Christ is the greatest irony in the history of the universe. It is far too easy to lose track of the paradoxical details of Christ's death. Familiarity replaces what should be shock as we read through the Passion narrative. The Irony of the Cross puts the shock back in the cross by highlighting the ironies of Christ's death. Examining Mark 15:21-29, this book identifies eleven ironies of the cross that will deepen your understanding of the death of Christ and the gospel of grace. Each of these presents Jesus eschewing the prerogatives of his power for the salvation of his people. There is no other point in time when Christ was more emptied and stripped of his divine dignity, and yet there is no other place where Christ's glory is more prominently displayed.




Experiencing Irony in the First Gospel


Book Description

The Gospel of Matthew is both deliberately deceptive and emotionally compelling.Karl McDaniel explores ways in which the narrative of the Gospel of Matthew elicits and develops the emotions ofsuspense, surprise, and curiosity within its readers. While Matthew 1:21 invites readers to expect Jewish salvation, progressive failure of the plot's main characters to meet Jesus' salvation requirements creates increasing suspense for the reader. How will Jesus save 'his people'? The commission to the Gentiles at the Gospel's conclusion provokes reader surprise, and the resulting curiosity calls readers back to the narrative's beginning.Upon rereading with a retrospective view, readers discover that the Gentile mission was actually foreshadowed throughout the narrative, even from its beginning, and they are invited to partake in Jesus' final commission.




The Gospel According to Mark


Book Description

This new Pillar volume offers exceptional commentary on Mark that clearly shows the second Gospel though it was a product of the earliest Christian community to be both relevant and sorely needed in today's church. Written by a biblical scholar who has devoted thirty years to the study of the second Gospel, this commentary aims primarily to interpret the Gosepl of Mark according to its theological intentions and purposes, especially as they relate to the life and ministry of Jesus and the call to faith and discipleship. Unique features of James Edwards's approach include clear descriptions of key terms used by Mark and revealing discussion of the Gospel's literary features, including Mark's use of the "sandwich" technique and of imagistic motifs and irony. Edwards also proposes a new paradigm for interpreting the difficult "Little Apocalypse" of chapter 13, and he argues for a new understanding of Mark's controversial ending.




Irony in Mark 4:10-12


Book Description

The possibility of Mark 4:10-12 containing an ironic utterance on the part of Jesus has been considered for a long time; however, there has generally been no agreement about how to analyze the presence of irony in this or any text In fact, there has generally been no agreement about how to even define the phenomenon of irony in a text The result has often been a loose and undisciplined approach to the evaluation of irony in this passage. Recently, research into irony as a language phenomenon has been conducted outside of biblical scholarship in the fields of literary critical theory and linguistics. This research provides some tools to develop a framework with which to evaluate the probable presence of irony in a text, as well as the meaning and function of that irony. Thus, the time is ripe for tackling this problem with respect to Mark 4:10-12 in a more rigorous manner than in the past Analyzing irony in an ancient Christian text is possible because there is a connection between the current understanding of irony and irony in the ancient Greco-Roman rhetorical manuals. The phenomenon of irony was "in the air" in the ancient Greco-Roman world. Indeed, there is a strong possibility that irony is part of an innate human language faculty; but even if irony is not innate, Greco-Roman cultural influence on the Jewish people of Palestine in the first century certainly would have exposed the Jews of Palestine to irony. Either way, the many examples of irony in ancient Jewish texts show that the use of irony was quite common in the ancient Jewish world as well. Isa. 6:9-10, the passage that Jesus alludes to in Mark 4:10-12, may be one such example. The way in which most of the ancient Jewish and Christian witnesses applied the Isaiah passage suggests that they may have understood it to be ironic. The following key factors lead to the conclusion that Jesus is making the allusion to Isa. 6:9-10 in Mark 4:10-12 as an ironic statement: (1) the examples of irony in the ancient Jewish world, (2) the possibility that most ancient Jewish and Christian readers understood both Isa. 6:9-10 and Mark 4:10-12 as being ironic, (3) specific literary and linguistic features that signal the presence of irony in Mark 4:10-12, and (4) the context of Mark 4, which practically demands an ironic reading of 4:10-12. In his use of irony, Jesus was certainly not saying that his purpose for teaching in parables was to cause those outside of his circle of disciples to misunderstand his message of the kingdom of God and subsequently remain unrepentant and consequently be condemned to damnation. Rather, Jesus was pointing out that his parables, as a synecdoche of his entire ministry, implicate a call to discipleship and cause the listener to respond either positively or negatively, effectively categorizing them as insiders or outsiders. Establishing insiders and outsiders with respect to a group is, in fact, one of the main rhetorical functions of irony, and so verbal irony is the perfect rhetorical device for the point that Jesus was making.