Is There God after Prince?


Book Description

Essays considering what it means to love art, culture, and people in an age of accelerating disaster. This is a book about loving things—books, songs, people—in the shadow of a felt, looming disaster. Through lyrical, funny, heart-wrenching essays, Peter Coviello considers pieces of culture across a fantastic range, setting them inside the vivid scenes of friendship, dispute, romance, talk, and loss, where they enter our lives. Alongside him, we reencounter movies like The Shining, shows like The Sopranos; videos; poems; novels by Sam Lipsyte, Sally Rooney, and Paula Fox; as well as songs by Joni Mitchell, Gladys Knight, Steely Dan, Pavement, and the much-mourned saint of Minneapolis, Prince. Navigating an overwhelming feeling that Coviello calls “endstrickenness,” he asks what it means to love things in calamitous times, when so much seems to be shambling toward collapse. Balancing comedy and anger, exhilaration and sorrow, Coviello illuminates the strange ways the things we cherish help us to hold on to life and to its turbulent joys. Is There God after Prince? shows us what twenty-first-century criticism can be, and how it might speak to us, in a time of ruin, in an age of “Last Things.”




Once Upon a Prince


Book Description

The story that inspired the Hallmark Original movie! He’s a royal prince. She’s an ordinary girl. But this holiday could change everything. Susanna Truitt never dreamed of a great romance or being treated like a princess—just to marry the man she has loved for twelve years. But life isn’t going according to plan. When her high-school-sweetheart-turned-Marine-officer breaks up with her instead of proposing, Susanna scrambles to rebuild her life. The last thing Prince Nathaniel expects to find on his American holiday to St. Simons Island is the queen of his heart. The prince has duties, and his family’s tense political situation means he won’t be able to marry for love or even choose his own bride. When Prince Nathaniel stops to help Susanna, who is stranded with a flat tire under the fabled Lover’s Oak, he is immediately enchanted by her. And even though he’s a total stranger, Susanna finds herself pouring her heart out to him. Their lives are worlds apart, and soon Nathaniel must face the ultimate choice: his kingdom or her heart? Enchanting modern-day fairy tale romance Includes discussion questions for book clubs Part of the Royal Wedding series Book 1: Once Upon a Prince Book 2: Princess Ever After Book 3: How to Catch a Prince Book 4: A Royal Christmas Wedding




Dig If You Will The Picture


Book Description

Ben Greenman's monumental yet intimate book on Prince comes a year after the star's death at the age of 57 in an elevator at the legendary Paisley Park complex. With the release of a string of critically acclaimed albums and a new solo tour, the Minneapolis Genius looked set for a renaissance after a quiet-ish (by his standards) decade or so. And then: the silence, forever. Dig If U Will The Picture is a portrait of The Artist, who was also the artist who will be remembered by many as the brightest, most seductive and enigmatic pop star of his generation. In thematically structured chapters, Ben Greenman anatomizes a career and an aesthetic that at times seemed otherworldly. Drawing on over 40 studio albums, a repertoire of 2,000 plus live shows and close analysis of the unreleased highlights of the Vault, Dig If U Will the Picture is a critical consideration of Prince's art, a testimony to the author's deep and abiding personal connection to the work, and a fitting memorial.




Make Yourselves Gods


Book Description

From the perspective of Protestant America, nineteenth-century Mormons were the victims of a peculiar zealotry, a population deranged––socially, sexually, even racially––by the extravagances of belief they called “religion.” Make Yourselves Gods offers a counter-history of early Mormon theology and practice, tracking the Saints from their emergence as a dissident sect to their renunciation of polygamy at century’s end. Over these turbulent decades, Mormons would appear by turns as heretics, sex-radicals, refugees, anti-imperialists, colonizers, and, eventually, reluctant monogamists and enfranchised citizens. Reading Mormonism through a synthesis of religious history, political theology, native studies, and queer theory, Peter Coviello deftly crafts a new framework for imagining orthodoxy, citizenship, and the fate of the flesh in nineteenth-century America. What emerges is a story about the violence, wild beauty, and extravagant imaginative power of this era of Mormonism—an impassioned book with a keen interest in the racial history of sexuality and the unfinished business of American secularism.




The Beautiful Ones


Book Description

#1 NEW YORK TIMES BESTSELLER • The brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time, in his own words—featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death NAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN • NOMINATED FOR THE NAACP IMAGE AWARD Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince’s early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince’s evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to the book’s images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince’s ideas and vision, his voice and image—his undying gift to the world.




Prince of Lies


Book Description

The gods may have been restored to their rightful seats of power—but the end of the Time of Troubles does not mark the end of all strife Although the gods have regained their powers and no longer walk in the mortal world, there is still little peace between them. When their deeply engrained power struggles erupt once more, ex-comrades Mystra—formerly known as Midnight and recently elevated to godhood—and Cyric are bound together in conflict. Cyric, now the god of strife, murder, and the dead, has become even more obsessed with power and revenge. No longer content with just the Tablets of Fate, he wants the Forgotten Realms all to himself—and to rule them in the name of evil. Only Mystra, the new goddess of magic, has the ability to defeat him and restore the balance that has been lost.




The Prince and the Prodigal


Book Description

Joseph is the pampered favorite son of the patriarch Jacob. His older brothers, deeply resentful of his status in the family, take advantage of the chance to get rid of him, selling him to slave traders and deceiving their father about his fate. It seems like their troubles are over. But for Joseph and older brother Judah, they are just beginning. While Joseph is accused of rape and imprisoned, Judah attempts to flee the memory of his complicity in the betrayal of his younger brother. After decades apart, the brothers will come face-to-face in a stunning role reversal that sees Joseph in a position of great power while Judah begs for mercy. Will forgiveness or vengeance win the day? Bestselling and award-winning author Jill Eileen Smith brings her considerable research and imaginative skills to bear in this vivid retelling of one of the most popular stories found in Scripture--a story of jealousy, betrayal, and a reconciliation that only God could bring about.




The Prince of This World


Book Description

“Kotsko goes beyond the biography of an icon to a provocative investigation of the devil’s many lives and effects in cultural and political ideologies.” —Laurel C. Schneider, author of Beyond Monotheism The most enduring challenge to traditional monotheism is the problem of evil, which attempts to reconcile three incompatible propositions: God is all-good, God is all-powerful, and evil happens. The Prince of This World traces the story of one of the most influential attempts to square this circle: the offloading of responsibility for evil onto one of God’s rebellious creatures. In this striking reexamination, the devil’s story is bitterly ironic, full of tragic reversals. He emerges as a theological symbol who helps oppressed communities cope with the trauma of unjust persecution, torture, and death at the hands of political authorities and eventually becomes a vehicle to justify oppression at the hands of Christian rulers. And he evolves alongside the biblical God, who at first presents himself as the liberator of the oppressed but ends up a cruel ruler who delights in the infliction of suffering on his friends and enemies alike. In other words, this is the story of how God becomes the devil—a devil who remains with us in our ostensibly secular age. “This diabolically gripping genealogy offers a stunning parable of western politics religious and secular. It tracks as has never been done before the dramatic shifts of the relation between God and the Devil—conflict, rivalry, game of mirrors, fusion. With the ironic wisdom of a postmodern Beatrice, Kotsko guides us through the sequence of hells that leads to our own.” —Catherine Keller, author of On the Mystery: Discerning Divinity in Process




Prince and the Parade and Sign O' The Times Era Studio Sessions


Book Description

"[W]ill command the rapt attention of casual fans and scholars alike." Booklist, Starred Review From Prince's superstardom to studio seclusion, this second book in the award-winning Prince Studio Sessions series spotlights how Prince, the biggest rock star on the planet at the time, risked everything to create some of the most introspective music of his four-decade career. Duane Tudahl takes us on an emotional and intimate journey of love, loss, rivalry, and renewal revealed through unprecedented access to dozens of musicians, singers, studio engineers, and others who worked with him and knew him best—with never-before-published memories from the Revolution, the Time, the Family, and Apollonia 6. Also included is a heartfelt foreword by musical legend Elton John about his time and friendship with Prince.




Is There God After Prince?


Book Description

"Is There God After Prince? is a book about loving things (books, songs, poems, people) in the shadow of looming disaster. Coviello's dazzling, highly personal essays address pieces of contemporary culture across an expansive range--songs by Prince, Joni Mitchell, SZA, and Phoebe Bridgers, writings by Sam Lipsyte, Paula Fox, Paul Beatty, and Dana Spiotta, movies like Heathers, TV shows like The Sopranos, as well as videos, poems, and other pop artefacts. Coviello places these artefacts back in the scenes where he first found them and traces what they did there, whether private (a kid's graduation, an aging parent, a divorce) or public (an election, a pandemic). Laced throughout is a queasy fascination with signs that so much is now coming to an end. It is on this terrain of endstrickenness, as Coviello calls it, that the book lingers, though it does so often in the mood of a startled joyousness, one that these pieces are at pains to understand. Cumulatively, Is There God After Prince? wants to be a model for what criticism can do--what it can sound like, how much sorrow and delight it can get into one place--in an era of Last Things"--