Ishmael's Apocalypse


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Summary Ishmael's Apocalypse Ishmael's Apocalypse is a mystery thriller with intriguing true-to-life terrorism that can happen at any moment in any nation on earth. The story unfolds within an odyssey of world events, during a timeline the author calls 'his last seven days of grace'. This period begins seven days prior to the Jewish New Year in the Hebrew Calendar year of 5777. The mystery 'who is Ishmael' is archetypal, connecting the main characters with secret twists and uncertain turns, pulsing through the storyline. Its action packed scenes engage modern military weapons in authentic places. Unlike typical action novels, this plot incorporates the spiritual nature of people and the significant influence that world religions play on the governing of sovereign nations. The themes of national pride and moral values are succinctly questioned. Each apocalyptical scene moves your mind, body and soul into a future realm of terror on a grand scale. Even so, the magnitude of events will not overshadow the value of one human life. Author's Biography Lloyd R. Little Lloyd Little is the third of nine Irish Catholic children. He was born to Laura and Joseph Little in Philadelphia, Pennsylvania. He attended Catholic grade school in suburban Pennsylvania. At the age of ten, his parents moved to the New Jersey countryside. Lloyd has three college degrees. They include a Master of Arts Degree in education from Glassboro State College, recently renamed Rowan University. He taught in the public schools for eight years and coached numerous sports. During this time, he relocated to the Jersey Shore, opening a small business with his wife Joyce. Ishmael's Apocalypse is a reflection of the faith he received during his Catholic school years and pursued during his adult life. The End Time interpretations in this story incorporate teachings found throughout many world religions.




The Story of B


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From the author of the critically acclaimed, award-winning bestseller Ishmael and its sequel, My Ishmael, comes a powerful novel with one of the most profound spiritual testaments of our time “A compelling ‘humantale’ that will unglue, stun, shock, and rearrange everything you’ve learned and assume about Western civilization and our future.”—Paul Hawken, author of The Ecology of Commerce Father Jared Osborne has received an extraordinary assignment from his superiors: Investigate an itinerant preacher stirring up deep trouble in central Europe. His followers call him B, but his enemies say he’s something else: the Antichrist. However, the man Osborne tracks across a landscape of bars, cabarets, and seedy meeting halls is no blasphemous monster—though an earlier era would undoubtedly have rushed him to the burning stake. For B claims to be enunciating a gospel written not on any stone or parchment but in our very genes, opening up a spiritual direction for humanity that would have been unimaginable to any of the prophets or saviors of traditional religion. Pressed by his superiors for a judgement, Osborne is driven to penetrate B’s inner circle, where he soon finds himself an anguished collaborator in the dismantling of his own religious foundations. More than a masterful novel of adventure and suspense, The Story of B is a rich source of compelling ideas from an author who challenges us to rethink our most cherished beliefs. Explore Daniel Quinn’s spiritual Ishmael trilogy: ISHMAEL • MY ISHMAEL • THE STORY OF B




Call Me Ishmael


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First published in 1947, this acknowledged classic of American literary criticism explores the influences—especially Shakespearean ones—on Melville’s writing of Moby-Dick. One of the first Melvilleans to advance what has since become known as the “theory of the two Moby-Dicks,” Olson argues that there were two versions of Moby-Dick, and that Melville’s reading King Lear for the first time in between the first and second versions of the book had a profound impact on his conception of the saga: “the first book did not contain Ahab,” writes Olson, and “it may not, except incidentally, have contained Moby-Dick.” If literary critics and reviewers at the time responded with varying degrees of skepticism to the “theory of the two Moby-Dicks,” it was the experimental style and organization of the book that generated the most controversy. Passionate in his poetry, Olson was no less passionate in his reading of Melville. Impatient with what he regarded as traditional forms of literary criticism, Olson engaged his own creativity to write a book as robust, original, and compelling as Melville’s masterpiece. “Not only important, but apocalyptic.”—New York Herald Tribune “One of the most stimulating essays ever written on Moby-Dick, and for that matter on any piece of literature, and the forces behind it.”—San Francisco Chronicle “Olson has been a tireless student of Melville and every Melville lover owes him a debt for his Scotland Yard pertinacity in getting on the trail of Melville’s dispersed library.”—Lewis Mumford, New York Times “Records, often brilliantly, one way of taking the most extraordinary of American books.”—W. E. Bezanson, New England Quarterly “The most important contribution to Melville criticism since Raymond Weaver’s pioneering contribution in 1921.”—George Mayberry, New Republic







The Apocalypse of Abraham


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Call Me Ishmael Tonight: A Book of Ghazals


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"Ali's ghazals are contemporary and colloquial, deceptively simple, yet still grounded in tradition....Highly recommended."—Library Journal The beloved Kashmiri-American poet Agha Shahid Ali presents his own American ghazals. Calling on a line or phrase from fellow poets, Ali salutes those known and loved—W. S. Merwin, Mark Strand, James Tate, and more—while in other searingly honest verse he courageously faces his own mortality.




Apocalypse


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Mumbo Jumbo


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DIVDIVIshmael Reed’s inspired fable of the ragtime era, in which a social movement threatens to suppress the spread of black culture—hailed by Harold Bloom as one of the five hundred greatest books of the Western canon/divDIV In 1920s America, a plague is spreading fast. From New Orleans to Chicago to New York, the “Jes Grew” epidemic makes people desperate to dance, overturning social norms in the process. Anyone is vulnerable and when they catch it, they’ll bump and grind into a frenzy. Working to combat the Jes Grew infection are the puritanical Atonists, a group bent on cultivating a “Talking Android,” an African American who will infiltrate the unruly black communities and help crush the outbreak. But PaPa LaBas, a houngan voodoo priest, is determined to keep his ancient culture—including a key spiritual text—alive. /divDIV /divDIVSpanning a dizzying host of genres, from cinema to academia to mythology, Mumbo Jumbo is a lively ride through a key decade of American history. In addition to ragtime, blues, and jazz, Reed’s allegory draws on the Harlem Renaissance, the Back to Africa movement, and America’s occupation of Haiti. His style throughout is as avant-garde and vibrant as the music at its center./divDIV /divDIVThis ebook features an illustrated biography of Ishmael Reed including rare images of the author./div/div




Progress, Apocalypse, and Completion of History and Life after Death of the Human Person in the World Religions


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The soul is so closely connected to life that one cannot think that it could ever be separated from life and, consequently, be mortal. Therefore, it can only be immortal. This argument from Plato's Phaedo for the immortality of the soul exhibits both a great strength and a great weakness. Its strength is that it is dif ficult for anyone to think that the soul could ever exist without life. Its weakness is, first, that not all religions accept a soul that remains the same as the center of the person - thus one speaks, for instance, in Buddhism of a "soulless theory of the human being" - and, second, that what is true does not depend on what we can think, but on what we recognize in experience and thought. The religions believe in the existence of a power that can work contrary to our experience that the soul in death is not separated from life. How the reli gions believe they can establish this continued life after death and how faith in this life is related in the religions to the interpretation of history, its progress, its apocalyptic end, and its eschatological completion and transfiguration is the theme of this book. In the culture of the West in the nineteenth and twentieth centuries, faith in the secular progress of the technological control of nature and the economic or ganization of society was the enemy of faith in the immortality of the soul.




A Commentary on the Apocalypse of John


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Edmondo Lupieri's main goal in A Commentary on the Apocalypse of John is to introduce readers to the mental and spiritual world of John as both a first-century Jew and a follower of Jesus. The fruit of over ten years of research, a constructive response to postmodern criticism, and an academic best-seller in its Italian edition, Lupieri's commentary offers both new proposals and traditional interpretations to shed light on this complex coda to the biblical message. In an illuminating preface Lupieri discusses the strange world of the Apocalypse and promises an open commentary, full of original treatments of knotty interpretive problems. Maintaining a strong historical perspective throughout, he examines the text of the Apocalypse line by line, paying careful attention to the Greek text, offering a new translation, making wide use of apocryphal, pseudepigraphal, and Qumran literature, and often analyzing John's Apocalypse as compared to other Jewish apocalypses. Thoughtful, thorough, and nonsectarian, Lupieri's Commentary on the Apocalypse of John will appeal to anyone with a serious interest in the meaning of the biblical text.