Islamic Designs from Egypt


Book Description




the art and architecture of islamic cairo


Book Description

Cairo is full of masterpieces of medieval art and architecture reflecting the status of Egypt as the centre of several significant Muslim empires. This book redresses the cultural balance and examines the art and architectural treasures of Cairo from the Arab to the Ottoman conquests (642-1517). It is fully illustrated with over 200 photographs.




Islamic Art in Cairo : From the Seventh to the Eighteenth Centuries


Book Description

Emile Prisse d'Avennes (1807-79) spent a total of nineteen years in Egypt, traveling throughout the country to collect the stunning images that he later published in Paris in two collections, Atlas de l'histoire de l'art egyptien and L' Art arabe. It is the illustrations from the latter that make up this volume. Prisse's masterly renderings of Cairo's mosques and their decorations more than retain their impact today: they still have the power to amaze and delight, while at the same time carrying valuable historical and artistic information for specialists studying Islamic art and architecture.




Embroideries and Samplers from Islamic Egypt


Book Description

Shown are rare embroideries and woven striped silks, painted fabrics and knitting from time of the Tulunid, Fatimid, and Ayyubid, through to the Mamluk Sultanate of Egypt and Syria, up to the Ottoman conquest. Included are decorative objects , etc.




Arts of the City Victorious


Book Description

"Fatimid art and architecture has always been somewhat anomalous in the history of islamic art because of the direction it grew (west to east), subject matter (figural at a time when geometry and the arabesque were developing elsewhere), and unusually rich and precise documentation in royal and popular accounts. Whereas earlier studies treated the two and a half centuries of Fatimid art and architecture as a single category, this book is the first to show how they grew and evolved over time."--BOOK JACKET.




Islamic Art and Architecture 650-1250


Book Description

This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.




Weavings From Roman, Byzantine And Islamic Egypt


Book Description

A catalog to an exhibition of Egyptian fabrics at the University of Illinois Krannert Art Museum in Champaign-Urbana, providing information on the color distribution, configuration, function, and subject of over one hundred weavings, and including an essay on the textile industry in Egypt in the Greek and Roman periods.




Desenhos islâmicos do Egipto


Book Description

The culture of the Muslim world has developed a very specific type of ornamental design, which is grounded in the religious demands of Islam. Also known as Arabesque, the visual language of Islamic design employs a variety of geometric patterns, floral elements and ornate calligraphy, all of which are used to decorate furniture and buildings. The flowing nature and mathematical rigour of the Arabesque evoke a sense of eternity and order, which has proved to be aesthetically pleasing. ISLAMIC PATTERNS FROM EGYPT presents a collection of architectural ornamental designs originating from two of the most important cultural centres in the Islamic world, the mediaeval Egyptian cities of Cairo and Alexandria. Originally used as tiling and bas-reliefs for mosques, tombs and private houses, these designs constitute masterpieces of Islamic ornamental design that have lost none of their appeal today. In the present edition, the ornaments, borders and interlocking patterns of this historical style are made available for contemporary use.




Christians and Muslims in Early Islamic Egypt


Book Description

This volume collects studies exploring the relationship of Christians and Muslims in everyday life in Early Islamic Egypt (642–10th c.) focusing mainly, but not exclusively on administrative and social history. The contributions concentrate on the papyrological documentation preserved in Greek, Coptic, and Arabic. By doing so, this book transcends traditional disciplinary boundaries and offers results based on a holistic view of the documentary material. The articles of this volume discuss various aspects of change and continuity from Byzantine to Islamic Egypt and offer also the (re)edition of 23 papyrus documents in Greek, Coptic, and Arabic. The authors provide a showcase of recent papyrological research on this under-studied, but dynamically evolving field. After an introduction by the editor of the volume that outlines the most important trends and developments of the period, the first two essays shed light on Egypt as part of the Caliphate. The following six articles, the bulk of the volume, deal with the interaction and involvement of the Egyptian population with the new Muslim administrative apparatus. The last three studies of the volume focus on naming practices and language change.




Islamic Art and Architecture


Book Description

Issam El-Said pinpoints the rules of composition that form the basis of the geometric concepts of Islamic art. He then shows how intricate patterns are based on these basic principles. Fully illustrated in three colors to show the development of the patterns, this book offers an insight into how craftsmen and designers in the Muslim world achieved monumental feats of artistic expression using the simplest of tools. Chapter I presents graphical analyses of numerous complex patterns, to reveal the numerical rationale behind them. In Chapter II, the author analyses the system of measure used in ancient Egypt, before the use of numbers for calculating measurements. He shows how measuring cords and a geometric method based on a grid-pattern originating from the circle were employed by master craftsmen in the design of Islamic art and architecture. The book offers an insight into how craftsmen and designers in the Muslim world have achieved monumental feats of artistic expression with harmony and precision, using the simplest of tools such as a ruler, a string and templates, together with a system of measure that is both simple and sophisticated.