It Came from the 80s!


Book Description

From their heyday in the 1950s and 1960s, B movies declined in popularity through the 1970s. As the big Hollywood studios began to make genre films with sky-high budgets, independent producers of low-budget movies could not compete in theaters. The sale of American International Pictures in 1979 and New World Pictures in 1983 marked the end of an era. The emergence of home video in the 1980s marked the beginning of a new phase, as dozens of B movies were produced each year for the small screen, many becoming cult classics of science fiction, horror and fantasy. Through numerous interviews with producers, directors, photographers and actors, this book sheds light on an overlooked corner of film history with behind-the-scenes stories of 28 low-budget favorites from the 1980s.




It Came from the Multiplex


Book Description

Welcome to tonight's feature presentation, brought to you by an unholy alliance of our spellcasters at Hex Publishers and movie-mages at the Colorado Festival of Horror. Please be advised that all emergency exits have been locked for this special nostalgia-curdled premierre of death. From crinkling celluloid to ferocious flesh--from the silver screen to your hammering heart--behold as a swarm of werewolves, serial killers, Satanists, Elder Gods, aliens, ghosts, and unclassifiable monsters are loosed upon your auditorium. Relax, and allow our ushers to help with your buckets of popcorn--and blood; your ticket stubs--and severed limbs; your comfort candy--and body bags. Kick back and scream as you settle into a fate worse than Hell. Tonight's director's cut is guaranteed to slash you apart.




80s Kid


Book Description

A humorous and nostalgic trip through a typical 80s childhood. Told through the eyes of a normal (ish) British kid from the Birmingham suburbs. A time when urban exploration on your bike was a day long adventure, a Wimpy birthday party the equivalent of a party on a celebrity yacht, Diamond White was a teenage rite of passage and people still wrote love letters and dreamed of winning the pools. Where no one did anything online and the only phones at home were landlines that probably had a lock on. 80s Kid tells the story of a different world, even though it wasn't that long ago.




Brat


Book Description

Fans of Patti Smith's Just Kids and Rob Lowe's Stories I Only Tell My Friends will love this beautifully written, entertaining, and emotionally honest memoir by an actor, director, and author who found his start as an 80s Brat pack member -- the inspiration for the Hulu documentary Brats, written and directed by Andrew McCarthy. Most people know Andrew McCarthy from his movie roles in Pretty in Pink, St. Elmo's Fire, Weekend at Bernie's, and Less than Zero, and as a charter member of Hollywood's Brat Pack. That iconic group of ingenues and heartthrobs included Rob Lowe, Molly Ringwald, Emilio Estevez, and Demi Moore, and has come to represent both a genre of film and an era of pop culture. In his memoir Brat: An '80s Story, McCarthy focuses his gaze on that singular moment in time. The result is a revealing look at coming of age in a maelstrom, reckoning with conflicted ambition, innocence, addiction, and masculinity. New York City of the 1980s is brought to vivid life in these pages, from scoring loose joints in Washington Square Park to skipping school in favor of the dark revival houses of the Village where he fell in love with the movies that would change his life. Filled with personal revelations of innocence lost to heady days in Hollywood with John Hughes and an iconic cast of characters, Brat is a surprising and intimate story of an outsider caught up in a most unwitting success.




Nöthin' But a Good Time


Book Description

Soon to be a Paramount+ exclusive docuseries! The New York Times Bestseller The Explosive National Bestseller "A backstage pass to the wildest and loudest party in rock history—you'll feel like you were right there with us!" —Bret Michaels of Poison Nothin' But a Good Time is the definitive, no-holds-barred oral history of 1980s hard rock and hair metal, told by the musicians and industry insiders who lived it. Hard rock in the 1980s was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated—and maybe even helped to define—a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister’s “We’re Not Gonna Take It,” Mötley Crüe’s “Girls, Girls, Girls,” and Guns N’ Roses’ “Welcome to the Jungle” are as inextricably linked to the era as Reaganomics, PAC-MAN, and E.T. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-Platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. Featuring an impassioned foreword by Slipknot and Stone Sour vocalist and avowed glam metal fanatic Corey Taylor, and drawn from over two hundred author interviews with members of Van Halen, Mötley Crüe, Poison, Guns N’ Roses, Skid Row, Bon Jovi, Ratt, Twisted Sister, Winger, Warrant, Cinderella, Quiet Riot and others, as well as Ozzy Osbourne, Lita Ford, and many more, this is the ultimate, uncensored, and often unhinged, chronicle of a time where excess and success walked hand in hand, told by the men and women who created a sound and style that came to define a musical era—one in which the bands and their fans went looking for nothin’ but a good time...and found it.




Films of Endearment


Book Description

An Esquire Best Book About Hollywood A USA TODAY Best Book of 2021 “A lovely and loving book.”—Will Schwalbe, New York Times bestselling author of The End of Your Life Book Club "I'm not sure I have ever read a book about movies that is as tender and open-hearted as Films of Endearment."—Mark Harris, New York Times bestselling author of Mike Nichols: A Life A poignant memoir of family, grief and resilience about a young man, his dynamic mother and the '80s movies they shared together Michael Koresky's most formative memories were simple ones. A movie rental. A mug of tea. And a few shared hours with his mother. Years later and now a successful film critic, Koresky set out on a journey with his mother to discover more about their shared cinematic past. They rewatched ten films that she first introduced to him as a child, one from every year of the '80s, each featuring women leads. Together, films as divergent as 9 to 5, Terms of Endearment, The Color Purple and Aliens form the story of an era that Koresky argues should rightly be called "The Decade of the Actress." Films of Endearment is a reappraisal of the most important and popular female-driven films of that time, a profound meditation on loss and resilience, and a celebration of the special bond between mothers and their sons.




Humor is Tremendous


Book Description

This is a fun-filled collection of clean jokes, anecdotes, puns, wisecracks, quotations, and tall stories designed for speakers, teachers, pastors, businessmen, masters of ceremonies and everyone who likes to laugh. Arranged alphabetically.




Back to Our Future


Book Description

Wall Street scandals. Fights over taxes. Racial resentments. A Lakers-Celtics championship. The Karate Kid topping the box-office charts. Bon Jovi touring the country. These words could describe our current moment—or the vaunted iconography of three decades past. In this wide-ranging and wickedly entertaining book, New York Times bestselling journalist David Sirota takes readers on a rollicking DeLorean ride back in time to reveal how so many of our present-day conflicts are rooted in the larger-than-life pop culture of the 1980s—from the “Greed is good” ethos of Gordon Gekko (and Bernie Madoff) to the “Make my day” foreign policy of Ronald Reagan (and George W. Bush) to the “transcendence” of Cliff Huxtable (and Barack Obama). Today’s mindless militarism and hypernarcissism, Sirota argues, first became the norm when an ’80s generation weaned on Rambo one-liners and “Just Do It” exhortations embraced a new religion—with comic books, cartoons, sneaker commercials, videogames, and even children’s toys serving as the key instruments of cultural indoctrination. Meanwhile, in productions such as Back to the Future, Family Ties, and The Big Chill, a campaign was launched to reimagine the 1950s as America’s lost golden age and vilify the 1960s as the source of all our troubles. That 1980s revisionism, Sirota shows, still rages today, with Barack Obama cast as the 60s hippie being assailed by Alex P. Keaton–esque Republicans who long for a return to Eisenhower-era conservatism. “The past is never dead,” William Faulkner wrote. “It’s not even past.” The 1980s—even more so. With the native dexterity only a child of the Atari Age could possess, David Sirota twists and turns this multicolored Rubik’s Cube of a decade, exposing it as a warning for our own troubled present—and possible future.




Searching for John Hughes


Book Description

Searching for John Hughes is Jason Diamond’s hilarious memoir of growing up obsessed with the iconic filmmaker’s movies. From the outrageous, raunchy antics in National Lampoon’s Vacation to the teenage angst in The Breakfast Club and Pretty in Pink to the insanely clever and unforgettable Home Alone, Jason Diamond could not get enough of John Hughes’ films. So, he set off on a years-long delusional, earnest, and assiduous quest to write a biography of his favorite filmmaker, despite having no qualifications, training, background, platform, or direction. In Searching for John Hughes, Jason tells how a Jewish kid from a broken home in a Chicago suburb—sometimes homeless, always restless—found comfort and connection in the likewise broken lives in the suburban Chicago of John Hughes’ oeuvre. He moved to New York to become a writer of a book he had no business writing. In the meantime, he brewed coffee and guarded cupcake cafes. All the while, he watched John Hughes movies religiously. Though his original biography of Hughes has long since been abandoned, Jason has discovered he is a writer through and through. And the adversity of going for broke has now been transformed into wisdom. Or, at least, a really, really good story. In other words, this is a memoir of growing up. One part big dream, one part big failure, one part John Hughes movies, one part Chicago, and one part New York. It’s a story of what comes after the “Go for it!” part of the command to young creatives to pursue their dreams—no matter how absurd they might seem at first.




Pop Goes the Metal


Book Description

YOU'LL NEVER READ ABOUT MUSIC THE SAME WAY AGAIN. Pop metal burst onto the scene in 1980s along with Reaganomics, video games, and Apple Computers. You either loved it or you hated it, but it was impossible to avoid. Bands like Def Leppard, Bon Jovi, and Poison were all over MTV, vying with Madonna and Michael Jackson for musical supremacy. And then, in a flash, it was gone: as suddenly obsolete in 1992 as disco was in 1980. But there's a lot more to this music than meets the ear. It didn't appear out of nowhere, and it didn't vanish, either. Pop Goes the Metal traces the musical and cultural phenomenon that came to be known, both derisively and affectionately, as "hair metal." Musically, it was rooted in the British Invasion, power pop, and early heavy metal. Visually, it began with Bowie and Sweet and T. Rex, and kept right on going through Kiss and Alice Cooper to Poison and Twisted Sister. Travel to L.A.'s Sunset Strip scene that gave birth to Van Halen, Mötley Crüe, Guns N' Roses, and halfway around the world to explore the New Wave of British Heavy Metal. Revisit the early years of MTV, the era of heavy metal magazines, the "Satanic Panic," and the PMRC; read about overdoses, car crashes, unscrupulous managers, and concert chaos. Growing up in the suburbs meant playing air guitar to vinyl and cassettes, or waiting for the DJ to play your favorite songs on album rock radio - which never happened often enough. Pop Goes the Metal captures an era and a musical movement indelibly impressed, for better or worse, in the souls and memories of millions. It served as the soundtrack to our youth and it's still playing in our heads. So Cum on Feel the Noize as you relive the memories of this gone-but-not-forgotten time. Even decades later, it's still all about the music.