Master Drawings from the Yale University Art Gallery


Book Description

This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.




Italian, French, English, and Spanish Drawings and Watercolors


Book Description

"This is the third volume in an acclaimed series that will publish all of the master drawings at one of America's great museums. It reproduces and documents - with essays by a team of leading scholars - sheets from Italy, France, England, and Spain ranging from the sixteenth through the eighteenth centuries. It features splendid works by some of the greatest draftsmen of all time, among them Michelangelo, Tintoretto, Guercino, Canaletto, Giovanni Battista and Giovanni Domenico Tiepolo, Jacques Callot, Claude Lorrain, Francois Boucher, Maurice Quentin de La Tour, Thomas Gainsborough, John Hoppner, Peter Lely and George Romney as well as others by lesser-known and unidentified artists. Each work is exquisitely reproduced in rich duotone and discussed in an individual essay." "The Detroit Institute of Arts acquired its first two drawings in the year of its founding, 1885, both gifts from James E. Scripps, who went on to be one of the great benefactors of the graphic arts division. Among the other leading figures in the history of the drawing collection have been donors John S. Newberry and Mr. and Mrs. Bernard Walker as well as director William R. Valentiner, who in 1934 made a now-legendary buying trip to Europe, returning with sixty-nine master drawings acquired with a budget of $4,000." "Italian, French, English, and Spanish Drawings and Watercolors represents the combined efforts of a team of leading specialists in the field of master drawings. They provide for each of 231 sheets: attribution, date, medium, dimensions, inscriptions and annotations, condition, provenance, exhibition history, and published references."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Art in Rome in the Eighteenth Century


Book Description

"Caught between the Theatricality of the Baroque and the acute sensibility of Romanticism, art in Rome in the eighteenth century has long been a neglected area of study." "The grand scale and spectacular diversity of the period are comprehensively captured for the first time in this definitive history of the period, produced to accompany a major U.S. exhibition organized by the Philadelphia Museum of Art and The Museum of Fine Arts, Houston, and documenting the work of over 150 artists. With over 450 illustrations, and texts by an outstanding array of experts from around the world, Art in Rome in the Eighteenth Century provides a massively authoritative survey of a fascinating era."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




The Eighteenth Century in Italy


Book Description

"This is the third in a series of catalogues published jointly by The Metropolitan Museum of Art and The Pierpont Morgan Library to record exhibitions of drawings from the two institutions and from distinguished private collections. The exhibitions and the books that illustrate them will ultimately document the finest traditions of European draughtsmanship, from the Renaissance through the nineteenth century. The Eighteenth Century in Italy, which follows The Italian Renaissance and The Seventeenth Century in Italy, contains reproductions of 300 drawings, presented one to a page. The book brings together, chronologically, brilliant works by G. B. Tiepolo, Canaletto, Francesco Guardi, Giovanni Battista Piranesi, and Domenico Tiepolo—as well as drawings of fifty-one other masters of the Settecento. As in the preceding catalogues, the photographic reproductions have been made directly from the drawings themselves in order to retain, as much as possible, the original tonalities. Each of the 300 drawings has a commentary, record of provenance and exhibitions, technical description, and bibliography. And, for the first time in the series, many watermarks have been drawn and reproduced photographically"--Publisher's description.







Italian and Spanish Sculpture


Book Description

The catalogue is abundantly illustrated, including multiple views of each sculpture."--BOOK JACKET.




Raphael to Renoir


Book Description

"The works from the Bonna Collection are illustrated in color, and whenever possible, at their actual sizes. They are arranged chronologically by the artist's date of birth and are grouped according to the main artistic schools. This volume is introduced by an interview with Jean Bonna by George Goldner. Each drawing is then described in an entry, many of which have comparative illustrations that shed further light on individual works."--BOOK JACKET.




Italian Fifteenth- to Seventeenth-century Drawings


Book Description

Perhaps more than any other collector of his generation in the United States, Robert Lehman was interested in acquiring early drawings. He made a great effort to add drawings to the collection of paintings, sculpture, ceramics, glass, and other objects that his father, Philip Lehman, had begun assembling. The 116 Italian drawings analyzed and discussed in this volume are among the more than 2,000 works of art from the collection now housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman's collection demonstrates the variety of drawings produced in Italy from the fifteenth to the seventeenth century, a period when the purposes and techniques of drawings, as well as the aims and abilities of the artist who made them, became increasingly sophisticated. The volume includes an elaborate design for an equestrian monument by Antonio Pollaiuolo, a magnificent study of a bear by Leonardo da Vinci, a cartoon by Luca Signorelli, a study for a vault fresco by Taddeo Zuccaro, and many other drawings that are among the best Italian examples to have survived from that era. Most types of drawings, in a wide variety of techniques, are represented—figure studies, grand compositions, landscapes, cartoons, modelli, and even sculptors' studies. -- Metropolitan Museum of Art website.