Shakespearean and Jacobean Tragedy


Book Description

Critical introductions to a range of literary topics and genres. Tragedies echoed the brutalities and injustices of the time and mirror other features of the age. Exploration was opening up new worlds, the discoveries of science were rapidly expanding knowledge and the country was fiercely divided in matters of religion. Tragedy explores what it is to be human and these anxious, sceptical times fuelled the imagination of Shakespeare and other playwrights. The book considers the tragedies of Christopher Marlowe, William Shakespeare, John Webster and Thomas Middleton and invites the reader to consider how they are still fresh and relevant today.




The Changeling


Book Description

The Changeling is a popular Renaissance tragedy in which the relationship between money, sex, and power is explored. Frequently performed and studied in University courses, it is a key text in the New Mermaids series.




A Study of Elizabethan and Jacobean Tragedy


Book Description

This study combines a consideration of the general issues affecting Elizabethan and Jacobean tragedy with particular comment on plays.




Jacobean Revenge Tragedy and the Politics of Virtue


Book Description

"The Maid's Tragedy, The Second Maid's Tragedy, Valentinian, and The Duchess of Malfi appeared on the English stage at a time when disenchantment with King James and nostalgia for Queen Elizabeth cast doubt on the traditional analogy between maleness and authority. In their sensational portrayal of politics and sex, these revenge tragedies challenge the dogmas of patriarchalism and absolutism on which James based his rule." "Focusing initially on the first three plays, Eileen Allman examines the genre's resident tyrants, revengers, androgynous heroes, and virtuous heroines."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Jacobean Tragedy


Book Description

The work of dramatists such as George Chapman, Thomas Heywood, Cyril Tourneur, John Webster, Thomas Middleton and John Ford can profitably be studied as attempts to construct a new moral order in response to the absence or weakening of the religious sanction. In this study, first published in 1962, the author examines these texts in detail, and throws a great deal of light on the plays as plays. This title will be of interest to students of English Literature, Drama and Performance.







Shakespeare, Revenge Tragedy and Early Modern Law


Book Description

This book, the first to trace revenge tragedy's evolving dialogue with early modern law, draws on changing laws of evidence, food riots, piracy, and debates over royal prerogative. By taking the genre's legal potential seriously, it opens up the radical critique embedded in the revenge tragedies of Kyd, Shakespeare, Marston, Chettle and Middleton.




The Duchess of Malfi


Book Description

More widely studied and more frequently performed than ever before, John Webster's The Duchess of Malfi is here presented in an accessible and thoroughly up-to-date edition. Based on the Revels Plays text, the notes have been augmented to cast further light both on Webster's amazing dialogue and on the stage action. An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action. From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.







Jacobean Drama


Book Description

The plays of Shakespeare's contemporaries are increasingly popular thanks to a spate of recent stage and screen productions and to courses that set Shakespeare's plays in context. This Reader's Guide introduces students to the criticism and debates that are specific to the drama of playwrights such as Jonson, Middleton, Dekker and Webster. Pascale Aebischer explores recent critical developments in key areas including: - How the plays were staged and printed - Innovative editions of plays - How the plays represent and contest the dominant ideologies of the Jacobean period - Dramatic genres - The representation of the human body and of social, gender and race relations - Modern productions on stage and screen Featuring suggestions for further research and reading, and a filmography of commercially available film versions of non-Shakespearean drama, this is an invaluable resource for anyone with an interest in the diverse plays of the Jacobean age.