Jacques Dubois: Crosier Prior General at Clairlieu


Book Description

Jacques Dubois O.S.C. was the last Prior of Clairlieu. The French Revolution ended not only the age-old Crosier Priory at Huy. The French Revolution upended the historic form and traditioned rhythm of Crosier Religious Life that had been lived there.




Relics @ the Lab


Book Description

The book Relics @ the Lab, an Analytical Approach to the Study of Relics includes a series of studies presented at the first international workshop Relics @ the Lab organized by the Royal Institute of Cultural Heritage (KIK-IRPA) in Brussels, Belgium (27-28 October 2016). The papers cover a large variety of themes as well as analytical methods. Some papers focus on the primary relics while others deal with the nature and origin of secondary as well as tertiary relics. The first group of papers emphases on the archaeological authenticity of the relics, the second group elucidate the use, additions and manipulations of the relics through the ages. The applied analytical techniques are very divers. Radiocarbon and physical anthropology are the main tools to study the primary relics, while dye analysis, imaging techniques, textile analysis and dendrochronology are used to study the secondary and tertiary relics. Sometimes unexpected techniques, like the analysis of writing ink or the determination of plants and excrements, complete the wide range of analytical methods used to understand the origin, nature and context of the relics. br />Academics as well as professionals working in archaeology, art history, museum labs and conservation sciences will find this an invaluable reference source.




The Italian Cotton Industry in the Later Middle Ages, 1100-1600


Book Description

This book traces the dynamic advances in textile technology and changes in the structure of demand that accompanied the rise, in the late Middle Ages, of an Italian industry geared to mass production of cotton fabrics. The Italian manufacture, based on borrowed techniques and imitations of Islamic cloth, was the earliest large-scale cotton industry in western Europe. It thus marked a pivotal stage in the transmission of the knowledge and use of this textile fibre from the Mediterranean basin to northern Europe. The success of the Italians in creating new markets for a wide variety of products that included pure cotton, as well as mixed fabrics combining cotton with linen, hemp, wool and silk, permanently altered the patterns of taste and consumption in European society. Cotton, in various stages of proceeding, was at the heart of a complex network of communications that linked the north Italian towns to the source of raw materials and to international markets for finished goods. In the developing urban economy of northern Italy, cotton played a role comparable in magnitude to that of wool and shared with the latter certain basic features of early capitalistic organization.




Heavenly Bodies


Book Description

An intriguing visual history of the veneration in European churches and monasteries of bejeweled and decorated skeletons Death has never looked so beautiful. The fully articulated skeleton of a female saint, dressed in an intricate costume of silk brocade and gold lace, withered fingers glittering with colorful rubies, emeralds, and pearls—this is only one of the specially photographed relics featured in Heavenly Bodies. In 1578 news came of the discovery in Rome of a labyrinth of underground tombs, which were thought to hold the remains of thousands of early Christian martyrs. Skeletons of these supposed saints were subsequently sent to Catholic churches and religious houses in German-speaking Europe to replace holy relics that had been destroyed in the wake of the Protestant Reformation. The skeletons, known as “the catacomb saints,” were carefully reassembled, richly dressed in fantastic costumes, wigs, crowns, jewels, and armor, and posed in elaborate displays inside churches and shrines as reminders to the faithful of the heavenly treasures that awaited them after death. Paul Koudounaris gained unprecedented access to religious institutions to reveal these fascinating historical artifacts. Hidden for over a century as Western attitudes toward both the worship of holy relics and death itself changed, some of these ornamented skeletons appear in publication here for the first time.




The Oxford History of Christian Worship


Book Description

"The Oxford History of Christian Worship is a comprehensive and authoritative history, lavishly illustrated, of the origins and development of Christian worship up to the present day. Following contemporary methods in scholarship, it attends to social and cultural contexts and examines the worship traditions from both Eastern and Western Christianity, ancient and modern. It offers a chronological account, while encompassing spatial and confessional variations, from Baptists in Britain to Roman Catholics in Mexico, from Orthodox in Ethiopia to Pentecostals in the United States, from Lutheran and Reformed in Europe to united churches in India and Australia. The material details of Christian worship, such as music, architecture, and the visual arts, are considered within specific cultural contexts throughout the volume as well as studied thematically in individual chapters."--BOOK JACKET.




Abu Al-Ḥasan Al-Shushtarī


Book Description

Mystic and poet Abū al-Hasan al-Shushtarī (1212-1269) remains a towering figure in North African Sufism. His verses are still well loved and often recited, and his songs are arguably the most vibrant element of Islamic Spain's cultural legacy. He is crucial to an understanding of the history of mysticism in Islamic Spain and North Africa. Yet, he is overlooked by Western scholars and few of his poems have been translated. This book seeks to correct this deficit by (1) setting Shushtarī and his work in the political and intellectual contexts of his time; (2) introducing his thought to an English-speaking audience through a presentation of his poetry. Each of the chapters that presents the poetry starts with a thematic introduction that explores the symbolic, poetic, and doctrinal import of the material that follows. Sensuous and spiritual, erotic and ethereal, this selection of works will delight everyone, whether or not they are devotees of Islamic literature. +




Natural Dyes


Book Description

This book describes some 300 plants and 30 animals (marine mollusks and scale insects) that are used as sources for natural dyes. Botanical or zoological details are given for each source and the chemical structures is shown for each dye. Dyes employed by different civilisations, identified by dye analyses, are illustrated and relevant historical recipes and detailed descriptions of dyeing processes by traditional dyers are quoted and explained in the light of modern science. Other current uses of natural colorants, e.g. in medicine and for food and cosmetics, and replacement of synthetic by natural dyes are also noted.




The Colourful Past


Book Description

An overview of well-known dyestuffs used for dyeing textiles, and the relation between dyestuffs and organic pigments in paintings and their historical relevance.




Italian Painting Before 1400


Book Description

In Italy between 1270 and 1370 the whole tradition of European painting underwent a radical and enduring change of direction. This attractive and unusual study of Italian painted panels of the Early Renaissance examines the materials with which this transformation was effected and demonstrates how modern technology has increased our understanding of medieval panel painting. The authors survey the primarily religious function of these works and the professional context in which the artists worked. They provide explanations of the construction of panels and the preparation of wood for painting and of the preparation and application of gold leaf. The substantial sections on pigments and color represent original research done at the Gallery that has enabled the writers to provide the first comprehensive survey of how paints were prepared, mixed, and applied.