Jameson, Althusser, Marx (RLE Marxism)


Book Description

Frederic Jameson is widely regarded as one of the most original and influential Marxist critics of the last decades. His most controversial work, The Political Unconscious, had an enormous impact on literary criticism and cultural studies. In Jameson, Althusser, Marx, first published in 1984, Professor Dowling sets out to provide the intellectual background needed for an understanding of Jameson’s argument and its broader implications. He elucidates the unspoken assumptions that are the foundation of Jameson’s thought – assumptions about how the nature of language, of interpretation and of culture – and shows how Jameson attempts to subsume in an expanded Marxism the critical theories of Derrida, Foucault, Deleuze, Lacan and of structuralism and poststructuralism in general. This lively, concise book will be welcomed by anyone interested in current theoretical debates, in Marxist criticism, and in the wide-ranging implications of Marxist cultural theory for the social sciences, the arts and the study of history.




Jameson, Althusser, Marx


Book Description




The Political Unconscious


Book Description

Fredric Jameson, in The Political Unconscious, opposes the view that literary creation can take place in isolation from its political context. He asserts the priority of the political interpretation of literary texts, claiming it to be at the center of all reading and understanding, not just a supplement or auxiliary to other methods current today. Jameson supports his thesis by looking closely at the nature of interpretation. Our understanding, he says, is colored by the concepts and categories that we inherit from our culture's interpretive tradition and that we use to comprehend what we read. How then can the literature of other ages be understood by readers from a present that is culturally so different from the past? Marxism lies at the foundation of Jameson's answer, because it conceives of history as a single collective narrative that links past and present; Marxist literary criticism reveals the unity of that uninterrupted narrative. Jameson applies his interpretive theory to nineteenth- and twentieth-century texts, including the works of Balzac, Gissing, and Conrad. Throughout, he considers other interpretive approaches to the works he discusses, assessing the importance and limitations of methods as different as Lacanian psychoanalysis, semiotics, dialectical analysis, and allegorical readings. The book as a whole raises directly issues that have been only implicit in Jameson's earlier work, namely the relationship between dialectics and structuralism, and the tension between the German and the French aesthetic traditions.




The Hegel Variations


Book Description

Master philosopher and cultural theorist tackles the founder of modern dialectics In this major new study, the philosopher and cultural theorist Fredric Jameson offers a new reading of Hegel’s foundational text Phenomenology of Spirit. In contrast to those who see the Phenomenology as a closed system ending with Absolute Spirit, Jameson’s reading presents an open work in which Hegel has not yet reconstituted himself in terms of a systematic philosophy (Hegelianism) and in which the moments of the dialectic and its levels have not yet been formalized. Hegel’s text executes a dazzling variety of changes on conceptual relationships, in terms with are never allowed to freeze over and become reified in purely philosophical named concepts. The ending, on the aftermath of the French Revolution, is interpreted by Jameson, contra Fukuyama’s “end of history,” as a provisional stalemate between the political and the social, which is here extrapolated to our own time.




Jameson on Jameson


Book Description

Fredric Jameson is one of the most influential literary and cultural critics writing today. He is a theoretical innovator whose ideas about the intersections of politics and culture have reshaped the critical landscape across the humanities and social sciences. Bringing together ten interviews conducted between 1982 and 2005, Jameson on Jameson is a compellingly candid introduction to his thought for those new to it, and a rich source of illumination and clarification for those seeking deeper understanding. Jameson discusses his intellectual and political preoccupations, most prominently his commitment to Marxism as a way of critiquing capitalism and the culture it has engendered. He explains many of his key concepts, including postmodernism, the dialectic, metacommentary, the political unconscious, the utopian, cognitive mapping, and spatialization. Jameson on Jameson displays Jameson’s extraordinary grasp of contemporary culture—architecture, art, cinema, literature, philosophy, politics, psychoanalysis, and urban geography—as well as the challenge that the geographic reach of his thinking poses to the Eurocentricity of the West. Conducted by accomplished scholars from United States, Egypt, Korea, China, Sweden, and England, the interviews elicit Jameson’s reflections on the broad international significance of his ideas and their applicability and implications in different cultural and political contexts, including the present phase of globalization. The volume includes an introduction by Jameson and a comprehensive bibliography of his publications in all languages. Interviewers Mona Abousenna Abbas Al-Tonsi Srinivas Aravamudan Jonathan Culler Sara Danius Leonard Green Sabry Hafez Stuart Hall Stefan Jonsson Ranjana Khanna Richard Klein Horacio Machin Paik Nak-chung Michael Speaks Anders Stephanson Xudong Zhang




Representing Capital


Book Description

Representing Capital, Fredric Jameson’s first book-length engagement with Marx’s magnum opus, is a unique work of scholarship that records the progression of Marx’s thought as if it were a musical score. The textual landscape that emerges is the setting for paradoxes and contradictions that struggle toward resolution, giving rise to new antinomies and a new forward movement. These immense segments overlap each other to combine and develop on new levels in the same way that capital itself does, stumbling against obstacles that it overcomes by progressive expansions, which are in themselves so many leaps into the unknown.




Representing Capital


Book Description

Representing Capital, Fredric Jameson’s first book-length engagement with Marx’s magnum opus, is a unique work of scholarship that records the progression of Marx’s thought as if it were a musical score. The textual landscape that emerges is the setting for paradoxes and contradictions that struggle toward resolution, giving rise to new antinomies and a new forward movement. These immense segments overlap each other to combine and develop on new levels in the same way that capital itself does, stumbling against obstacles that it overcomes by progressive expansions, which are in themselves so many leaps into the unknown.




The War Against Marxism


Book Description

Marxism has provided the ideological impetus to liberation movements, radical struggles and revolutions across the world. But in the 20th century, the emancipatory and democratic power of its thought has often been distorted and overridden by various Stalinist dictatorships which claimed to be acting in its name. A similar undermining of freedom of thought has been accomplished at an intellectual level; various schools have transformed Marxist thought in line with some of the most fashionable but gentrified forms of contemporary philosophy, shifting the focus from the democratic power of the masses and their ability to challenge the capitalist order to concentrate on superstar thinkers and elite theories. The War Against Marxism traces the war against Marxism which, paradoxically, has been conducted in the name of Marxism itself. As such it provides a fiery philosophical and polemical indictment of so-called 'Marxists' such as Adorno, Horkheimer, Althusser, Jameson, Eagleton, Mouffe, Laclau and Zizek and asks what can be done to stem this counterrevolution.




The Jamesonian Unconscious


Book Description

Imagine Fredric Jameson--the world's foremost Marxist critic--kidnapped and taken on a joyride through the cultural ephemera, generational hype, and Cold War fallout of our post-post-contemporary landscape. In The Jamesonian Unconscious, a book as joyful as it is critical and insightful, Clint Burnham devises unexpected encounters between Jameson and alternative rock groups, new movies, and subcultures. At the same time, Burnham offers an extraordinary analysis of Jameson's work and career that refines and extends his most important themes. In an unusual biographical move, Burnham negotiates Jameson's major works--including Marxism and Form, The Political Unconscious, and Postmodernism, or, The Cultural Logic of Late Capitalism--by way of his own working-class, queer-ish, Gen-X background and sensibility. Thus Burnham's study draws upon an immense range of references familiar to the MTV generation, including Reservoir Dogs, theorists Slavoj Zizek and Pierre Bourdieu, The Satanic Verses, Language poetry, the collapse of state communism in Eastern Europe, and the indie band Killdozer. In the process, Burnham addresses such Jamesonian questions as how to imagine the future, the role of utopianism in capitalist culture, and the continuing relevance of Marxist theory. Through its redefinition of Jameson's work and compelling reading of the political present, The Jamesonian Unconscious defines the leading edge of Marxist theory. Written in a style by turns conversational, playful, and academic, this book will appeal to students and scholars of Marxism, critical theory, aesthetics, narratology, and cultural studies, as well as the wide circle of readers who have felt and understood Jameson's influence.




Fredric Jameson


Book Description

Fredric Jameson has been described as "probably the most important cultural critic writing in English today" and he is widely acknowledged as the foremost proponent for the tradition of critical theory known as Western Marxism.Yet his work has not been given the systematic review like other contemporary thinkers like Fooucault and Derrida. Fredric Jameson: Marxism, Hermeneutics, Postmodernism is a thoroughly up-to-date, detailed review and analysis of the work of this influential intellectual. Covering Jameson's work and thought from his early projects of form and history to his more recent engagements with postmodernism and cultural politics, this synthesis offers a balanced assessment of his ideas, their development and their continuing influence.