Painting in the Far East


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Epochs of Chinese Japanese Art, Vol. 1


Book Description

Excerpt from Epochs of Chinese Japanese Art, Vol. 1: An Outline History of East Asiatic Design With the publication of this book three years of continuous work upon a most complicated and difficult manuscript comes to an end. I have had assistance from scholars all over the world. Many months have been spent in Japan, where invaluable aid was given by artists and scholars who had been associated, several of them since the year 1880, with the arechæological researches and the study of Chinese and Japanese Art to which, shortly after his arrival in Japan, Ernest Fenollosa determined to devote his life. The original manuscript of this book, left as it was in hasty pencil writing, was little more than a rough draft of the finished work he intended to make of it. Many historical dates, the names of temples, Sanskrit and Chinese names, and even the full names of artists were often left a blank. Especially in the choice of illustrations has the work seemed, at times, beyond the grasp of any intelligence less than his. A full list of these was made out, but often the description consisted of a single word of identification known only to the writer. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.










On the Laws of Japanese Painting: An Introduction to the Study of the Art of Japan


Book Description

In 'On the Laws of Japanese Painting: An Introduction to the Study of the Art of Japan' by Henry P. Bowie, readers are taken on a scholarly exploration of the principles that govern Japanese painting. Bowie delves into the historical and cultural context of Japanese art, examining techniques, aesthetics, and the philosophical foundation of the art form. Using a meticulous and insightful approach, Bowie dissects the intricate details of Japanese painting, offering readers a profound understanding of its unique beauty and significance in the art world. The book is a valuable resource for students and enthusiasts of Japanese art, providing a comprehensive overview of its principles and techniques. Henry P. Bowie, a renowned art historian and expert in Japanese art, has dedicated his career to studying and promoting the understanding of Eastern art forms. His extensive research and passion for the subject shine through in this book, showcasing his expertise and deep appreciation for Japanese painting. Bowie's expertise and scholarly approach make 'On the Laws of Japanese Painting' a must-read for anyone interested in delving into the world of Japanese art. For readers seeking a comprehensive and insightful exploration of Japanese painting, 'On the Laws of Japanese Painting' by Henry P. Bowie is an indispensable guide that offers a rich foundation in the study of Japanese art.




Japanese Art


Book Description

This four-volumes reference work offers a critical overview of the history and culture of Japanese art. Drawing up English-language texts from art history, history and anthropology, the volumes explore the diverse and changing material and visual cultures of Japan from the pre-modern period to the present day. 0 0Over 80 essays from Asia, North America and Europe are assembled in this set and they address four major themes ? material cultures (ceramics, textiles, sculpture), visual cultures (painting, calligraphy, decorated screens), printed matter (wood-block prints, books) and the context for Japan?s art history (networks of patronage, sites of artistic production and consumption). Each volume is separately introduced and the selected materials are presented chronologically within the four major themes. 0.