Jiang Zhi: Love Letters


Book Description

Jiang Zhi's flowers 'die' before our eyes -set aflame, they are on the brink of death, not yet devoured. It is this 'decisive moment' we see -a fleeting, brazen instant, of mortality in a nutshell. Time is caught in its flight: each photograph is a powerful memento mori, like a time capsule, a miniature image of death. Jiang Zhi's photography explores the metaphysics of mortality. He makes us reconsider the ephemeral, the evanescent nature of things in the face of death. Death and love are melted together like Eros and Thanatos, but here, beauty overrides the macabre. In a very subtle and nuanced way, Jiang Zhi infuses this curse of death with touches of elegance -the flowers are almost dead, and at the same time peculiarly splendid. Death is around the corner, awaits them, but they don't care, or at least, they resist--in vain. Like a vanity, each snapshot is also a painting.




CEO, Don't Tease Me


Book Description

Jiang Yan'er fell in love with Jin Chen at first sight and was first seen at the birthday party of her best friend, Ni Xiaoxing, who already belonged to the family and hated the marriage of the family, thus delaying her engagement with Jin Chen again and again. When she discovered Jiang Yan'er's worry, she began to prepare to tie the knot between the two of them, but unfortunately, the third string girl Tong Yin also fell in love with Jin Chen, and used a despicable method to force Jiang Yan'er to climb onto Jin Chen's bed, forcing the two of them to marry each other.




Mr. CEO, I'm Very Obedient


Book Description

In his previous life, Yun Zhen was extremely disgusted with Lu Jiuyuan, who was taken back by his father. Later on, his family's bankruptcy was bullied by his aunt's family, and Lu Jiujiu became Yan City's noble crown prince. After his rebirth, Cloudy Heavens had obtained a system. She decided to pamper this big boss, Lu Jiuyun! She was reborn on the day that she had just offended Lu Jiuyun. "Long distance ~ I shouldn't have bullied you before. Please forgive me for my past actions!" Lu Jiuyuan squatted down, with a smile that was not a smile: "Whatever I can do?" He used his long fingers to pick up the red bellyband he had given him for his birthday one year. "Put it on, then." "... It will stain your eyes. " "I was so happy today that I wanted to draw a merry little fish doll. The number of the apron is also quite big, anything that needs to be covered can definitely be covered up, hmm, bright and bright? " A year after the wedding, Yun was not only in her apron but also in her miniskirt. The Heavenly Dao was the perfect reincarnation cycle. Who had the heavens spared?




The Literary Field of Twentieth Century China


Book Description

At least since the late nineteenth century onwards, Chinese literature as a form of cultural production has been taking place within a specific social space, including writers, critics, journalists, editors, publishers, printers and booksellers. Focusing on people as well as on texts, and looking at what writers did as well as at what they wrote, the essays in this volume draw a vivid and variegated picture of Chinese literary life throughout the modern period. The book treats differences between periods, but also traces the continuities that have characterised modern Chinese literary practice and its discourses from the beginning to the present, including ties of allegiance, utilisation of 'the people' and appropriation of the west. The book places modern Chinese literature firmly within its socio-historical context, thereby increasing the reader's awareness of the hidden assumptions behind literary production. In doing so, it opens new perspectives on Chinese culture as a whole, and on literature as a cosmopolitan concept.




Epistolary Korea


Book Description

By expanding the definition of "epistle" to include any writing that addresses the intended receiver directly, JaHyun Kim Haboush introduces readers to the rich epistolary practice of Chos?n Korea. The Chos?n dynasty (1392-1910) produced an abundance of epistles, writings that mirror the genres of neighboring countries (especially China) while retaining their own specific historical trajectory. Written in both literary Chinese and vernacular Korean, the writings collected here range from royal public edicts to private letters, a fascinating array that blurs the line between classical and everyday language and the divisions between men and women. Haboush's selections also recast the relationship between epistolography and the concept of public and private space. Haboush groups her epistles according to where they were written and read: public letters, letters to colleagues and friends, social letters, and family letters. Then she arranges them according to occasion: letters on leaving home, deathbed letters, letters of fiction, and letters to the dead. She examines the mechanics of epistles, their communicative space, and their cultural and political meaning. With its wholly unique collection of materials, Epistolary Korea produces more than a vivid chronicle of pre- and early modern Korean life. It breaks new ground in establishing the terms of a distinct, non-European form of epistolography.




A History of Chinese Letters and Epistolary Culture


Book Description

A History of Chinese Letters and Epistolary Culture is the first publication, in any language, that is dedicated to the study of Chinese epistolary literature and culture in its entirety, from the early empire to the twentieth century. The volume includes twenty-five essays dedicated to a broad spectrum of topics from postal transmission to letter calligraphy, epistolary networks to genre questions. It introduces dozens of letters, often the first translations into English, and thus makes epistolary history palpable in all its vitality and diversity: letters written by men and women from all walks of life to friends and lovers, princes and kings, scholars and monks, seniors and juniors, family members and neighbors, potential patrons, newspaper editors, and many more. With contributions by: Pablo Ariel Blitstein, R. Joe Cutter, Alexei Ditter, Ronald Egan, Imre Galambos, Natascha Gentz, Enno Giele, Natasha Heller, David R. Knechtges, Paul W. Kroll, Jie Li, Y. Edmund Lien, Bonnie S. McDougall, Amy McNair, David Pattinson, Zeb Raft, Antje Richter, Anna M. Shields, Suyoung Son, Janet Theiss, Xiaofei Tian, Lik Hang Tsui, Matthew Wells, Ellen Widmer, and Suzanne E. Wright.




Victorious in Defeat


Book Description

An extensively researched, comprehensive biography of Chinese Nationalist leader Chiang Kai-shek, one of the twentieth century's most powerful and controversial figures Chiang Kai-shek (1887-1975) led the Republic of China for almost fifty years, starting in 1926. He was the architect of a new, republican China, a hero of the Second World War, and a faithful ally of the United States. Simultaneously a Christian and a Confucian, Chiang dreamed of universal equality yet was a perfidious and cunning dictator responsible for the deaths of over 1.5 million innocent people. This critical biography is based on Chiang Kai-shek's unpublished diaries, his extensive personal files from the Russian archives, and the Russian files of his relatives, associates, and foes. Alexander V. Pantsov sheds new light on the role played by the Russians in Chiang's rise to power in the 1920s and throughout his political career--and indeed the Russian influence on the Chinese revolutionary movement as a whole--as well as on Chiang's complex relationship with top officials of the United States. It is a detailed portrait of a man who ranks with Stalin, Roosevelt, Hitler, Churchill, and Gandhi as leaders who shaped our world.




Writing and Materiality in China


Book Description

Speaking about Chinese writing entails thinking about how writing speaks through various media. In the guises of the written character and its imprints, traces, or ruins, writing is more than textuality. The goal of this volume is to consider the relationship of writing to materiality in China’s literary history and to ponder the physical aspects of the production and circulation of writing. To speak of the thing-ness of writing is to understand it as a thing in constant motion, transported from one place or time to another, one genre or medium to another, one person or public to another. Thinking about writing as the material product of a culture shifts the emphasis from the author as the creator and ultimate arbiter of a text’s meaning to the editors, publishers, collectors, and readers through whose hands a text is reshaped, disseminated, and given new meanings. By yoking writing and materiality, the contributors to this volume aim to bypass the tendency to oppose form and content, words and things, documents and artifacts, to rethink key issues in the interpretation of Chinese literary and visual culture.




The Private Life of Chairman Mao


Book Description

“The most revealing book ever published on Mao, perhaps on any dictator in history.”—Professor Andrew J. Nathan, Columbia University From 1954 until Mao Zedong's death twenty-two years later, Dr. Li Zhisui was the Chinese ruler's personal physician, which put him in daily—and increasingly intimate—contact with Mao and his inner circle. in The Private Life of Chairman Mao, Dr. Li vividly reconstructs his extraordinary experience at the center of Mao's decadent imperial court. Dr. Li clarifies numerous long-standing puzzles, such as the true nature of Mao's feelings toward the United States and the Soviet Union. He describes Mao's deliberate rudeness toward Khrushchev and reveals the actual catalyst of Nixon's historic visit. Here are also surprising details of Mao's personal depravity (we see him dependent on barbiturates and refusing to wash, dress, or brush his teeth) and the sexual politics of his court. To millions of Chinese, Mao was more god than man, but for Dr. Li, he was all too human. Dr. Li's intimate account of this lecherous, paranoid tyrant, callously indifferent to the suffering of his people, will forever alter our view of Chairman Mao and of China under his rule. Praise for The Private Life of Chairman Mao “From now one no one will be able to pretend to understand Chairman Mao's place in history without reference to this revealing account.”—Professor Lucian Pye, Massachusetts Institute of Technology “Dr. Li does for Mao what the physician Lord Moran's memoir did for Winston Churchill—turns him into a human being. Here is Mao unveiled: eccentric, demanding, suspicious, unregretful, lascivious, and unfailingly fascinating. Our view of Mao will never be the same again.”—Ross Terrill, author of China in Our Time “An extraordinarily intimate portrait of Mao. [Dr. Li] portrays [Mao's imperial court] as a place of boundless decadence, licentiousness, selfishness, relentless toadying and cutthroat political intrigue.”—Richard Bernstein, The New York Times “One of the most provocative books on Mao to appear since the publication of Edgar Snow's Red Star Over China.”—Paul G. Pickowicz, The Wall Street Journal




Abandoned Women and Boudoir Resentment


Book Description

This book studies the formation of the male-constructed conventional voice of women in Chinese literature from the 3rd to 6th century. It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history. This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.