Miró (Third) (World of Art)


Book Description

A new edition of this classic illustrated survey on the life and work of Spanish surrealist Joan Miró by historian and close friend Roland Penrose. Among the great twentieth-century masters, the surrealist painter Joan Miró stands out for the atmosphere of wit and spontaneity that pervades his work. Author and artist Roland Penrose, a friend of Miró’s for almost five decades, discusses Miró’s art through its many phases. Penrose also examines its major features—the birth of his signs and symbols; his series of anguished peintures sauvages in the 1930s; his lyrical, poetic gouaches; his monumental sculptures and ceramics; his unprecedented use of poetic titles; and his attachment to nature and the night. A brief epilogue by Eduardo de Benito, London correspondent of the Spanish art periodical Lápiz, illustrates the developments of Miró’s last years. This new revised edition, now illustrated in color throughout, includes a foreword by Antony Penrose, Roland’s son, outlining the relationship between his father and the artist, as well as updates to the bibliography.




Joan Miró, Josep Llorens Artigas


Book Description

The catalogue raisonné of Miró’s ceramical work is a sequel to the four volume catalogue of his prints and the six volumes of his paintings and the volume of his sculptures. It has been produced by Joan Punyet Miró and Joan Gardy Artigas. It consists of a single volume in English, containing 570 reproductions —most of them in colour— of all Miró’s ceramics, from the first painted vases from 1941, to the final monumental ceramic walls from 1981. All these pieces are unique, always done in stoneware or earthenware, and fired in wood kilns. Comprehensive details are given for each ceramic: title, year of production, medium, materials, dimensions, with indication of signature, owner, provenance, the principal exhibitions it has appeared in and the main publications in which it has been reproduced.




Ethics in Aesthetics?


Book Description

Can aesthetic concepts reflect and provide answers for ethical aspects and issues? Is "more ethics, less aesthetics" applicable, according to the motto of the Venice Biennial for architecture in the year 2000? Or isn't "more aesthetics" in fact just what is required to encourage reflection about ethical responsibilities and dimensions in architecture, art, and design? This publication is a collection of reflections about the ethical and political dimensions of creations, presented from the point of view of art, architecture, design, and curatorial practice. The contributions range from historical reviews to future-oriented outlooks, illustrating interdisciplinary connections.




Mir¢ Lithographs


Book Description

Forty important lithographic prints with line and composition comparable to the works of Miro's friend Picasso. Eerie, droll, technically brilliant, and aggressive.




Miró


Book Description

Among the great 20th-century masters, the surrealist painter Joan Miró stands out for the atmosphere of wit and spontaneity that pervades his work. Mirós art went through many phases, and its major features his signs and symbols, his series of anguished peintures sauvages in the 1930s, his lyrical, poetic gouaches, his monumental sculptures and ceramics, his unprecedented use of poetic titles, and his attachment to nature and to the night are discussed here by Roland Penrose, a friend of the artist for almost five decades. A brief epilogue by Eduardo de Benito, London correspondent of the Spanish art periodical Lápiz, illustrates the developments of Mirós last years. This new revised edition, now illustrated in colour throughout, includes a foreword by Antony Penrose, outlining the relationship between his father and the artist, as well as updates to the Bibliography.




Joan Miró


Book Description




Joan Miró


Book Description

Modernism.




Miró


Book Description

A survey of Joan Miro's career from 1918, the date of his first solo exhibition, to his last works. Its guiding thread is the idea of "Earth" in its widest sense. For Miro, "Earth" meant his native region of Catalunya, but the word also functioned for the artist as a key to certain ideas and values characteristic of rural culture such as fertility, sexuality, fable and excess. In addition, it is related to the quest for the ancestral and the primitive. In pictorial terms, the earthly can be seen as a mistrust of form and a tendency to experiment with material. These stylistic features, which the exhibition aims to highlight, allow us to see Miro as the great forerunner of Informalism and Abstract Expressionism, trends that prevailed in mid-20th-century art.




Constellations of Miro, Breton


Book Description

In Constellations of Miro, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two Surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind."--BOOK JACKET.




Joan Miró, l'arrel i l'indret


Book Description