John Abbot and William Swainson


Book Description

An archive of never-before-published illustrations of insects and plants painted by a pioneering naturalist During his lifetime (1751–ca. 1840), English-born naturalist and artist John Abbot rendered more than 4,000 natural history illustrations and profoundly influenced North American entomology, as he documented many species in the New World long before they were scientifically described. For sixty-five years, Abbot worked in Georgia to advance knowledge of the flora and fauna of the American South by sending superbly mounted specimens and exquisitely detailed illustrations of insects, birds, butterflies, and moths, on commission, to collectors and scientists all over the world. Between 1816 and 1818, Abbot completed 104 drawings of insects on their native plants for English naturalist and patron William Swainson (1789–1855). Both Abbot and Swainson were artists, naturalists, and collectors during a time when natural history and the sciences flourished. Separated by nearly forty years in age, Abbot and Swainson were members of the same international communities and correspondence networks upon which the study of nature was based during this period. The relationship between these two men—who never met in person—is explored in John Abbot and William Swainson: Art, Science, and Commerce in Nineteenth-Century Natural History Illustration. This volume also showcases, for the first time, the complete set of original, full-color illustrations discovered in 1977 in the Alexander Turnbull Library in Wellington, New Zealand. Originally intended as a companion to an earlier survey of insects from Georgia, the newly rediscovered Turnbull manuscript presents beetles, grasshoppers, butterflies, moths, and a wasp. Most of the insects are pictured with the flowering plants upon which Abbot thought them to feed. Abbot’s journal annotations about the habits and biology of each species are also included, as are nomenclature updates for the insect taxa. Today, the Turnbull drawings illuminate the complex array of personal and professional concerns that informed the field of natural history in the eighteenth and nineteenth centuries. These illustrations are also treasured artifacts from times past, their far-flung travels revealing a world being reshaped by the forces of global commerce and information exchange even then. The shared project of John Abbot and William Swainson is now brought to completion, signaling the beginning of a new phase of its significance for modern readers and scholars.







Biographical Dictionary of American and Canadian Naturalists and Environmentalists


Book Description

Casting a wide net, this volume provides personal and professional information on some 445 American and Canadian naturalists and environmentalists, who lived from the late 15th century to the late 20th century. It includes explorers who published works on the natural history of North America, conservationists, ecologists, environmentalists, wildlife management specialists, park planners, national park administrators, zoologists, botanists, natural historians, geographers, geologists, academics, museum scientists and administrators, military personnel, travellers, government officials, political figures and writers and artists concerned with the environment. Some of the subjects are well known. The accomplishments of others are little known. Each entry contains a succinct but careful evaluation of the subject's career and contributions. Entries also include up-to-date bibliographies and information concerning manuscript sources.




Year Book


Book Description

List of members and obituary notices in volume for 1937-




Science in the Romantic Era


Book Description

First published in 1998. The Romantic Era was a time when society, religion and other beliefs, and science were all in flux. The idea that the universe was a great clock, and that men were little clocks, all built by a divine watchmaker, was giving way to a more dynamic and pantheistic way of thinking. A new language was invented for chemistry, replacing metaphor with algebra; and scientific illustration came to play the role of a visual language, deeply involved with theory. A scientific community came gradually into being as the 19th century wore on. The papers which compose this book have appeared in a wide range of books and journals; together with the new introduction they illuminate science and its context in the Romantic Era and follow its effects in the 19th century.




Alchemy and Authority in the Holy Roman Empire


Book Description

What distinguished the true alchemist from the fraud? This question animated the lives and labors of the common men—and occasionally women—who made a living as alchemists in the sixteenth- and seventeenth-century Holy Roman Empire. As purveyors of practical techniques, inventions, and cures, these entrepreneurs were prized by princely patrons, who relied upon alchemists to bolster their political fortunes. At the same time, satirists, artists, and other commentators used the figure of the alchemist as a symbol for Europe’s social and economic ills. Drawing on criminal trial records, contracts, laboratory inventories, satires, and vernacular alchemical treatises, Alchemy and Authority in the Holy Roman Empire situates the everyday alchemists, largely invisible to modern scholars until now, at the center of the development of early modern science and commerce. Reconstructing the workaday world of entrepreneurial alchemists, Tara Nummedal shows how allegations of fraud shaped their practices and prospects. These debates not only reveal enormously diverse understandings of what the “real” alchemy was and who could practice it; they also connect a set of little-known practitioners to the largest questions about commerce, trust, and intellectual authority in early modern Europe.




Taxidermy


Book Description




Journeys Through Paradise


Book Description

"This book is for those inhabited by the same desires that drove the early naturalists afield, who yearn to know wilder territory. We read it voraciously, as if in the understanding of how they loved we might also begin to do so, as if in the reliving of their lives we might recapture some vanishing part of the human psyche that must know wilderness."-- Janisse Ray, author of Ecology of a Cracker Childhood "Like the naturalists she profiles, Gail Fishman takes us on an odyssey through a time when the extraordinary diversity of the southeastern United States was first being explored and described. . . . Entertaining."-- Steve Gatewood, executive director, Society for Ecological Restoration, Tucson "Fishman modernizes the men and their explorations by retracing the terrain that they explored, wrote about, drew and painted. The result is an intriguing and appealing lesson in biographical and scientific history and a literary reading experience that will appeal to a wide audience."-- William W. Rogers, professor of history emeritus, Florida State University Following the original steps of pioneering naturalists, Gail Fishman profiles thirteen men who explored North America’s southeastern wilderness between 1715 and the 1940s, including John James Audubon, Mark Catesby, John and William Bartram, John Muir, and Alvan Wentworth Chapman. The book is also Fishman’s personal travelogue as she experiences the landscape through their eyes and describes the changes that have occurred along the region’s trails and streams. Traveling by horseback, boat, and foot, these naturalists--dedicated to their task and blessed with passion and insatiable curiosity--explored gentle mountains, regal forests, and shadowy swamps. Their interests ran deeper than merely cataloging plants and animals. They identified the continent’s foundations and the habits and histories of the flora and fauna of the landscape. Fishman tells us who they were and what compelled them to pursue their work. She evaluates what they accomplished and measures their importance, also pointing out their strengths and failings. And she paints an engaging picture of what America was like at the time. Fishman combines natural history and American history into a series of portraits that recapture the American Southeast as it was seen by those who first tramped through the wilderness and whose voices from the beginning urged the preservation of wild places. Gail Fishman, a freelance writer who lives in Tallahassee, has worked for the Florida Defenders of the Environment, The Nature Conservancy, and the National Audubon Society. She is a volunteer for the St. Marks National Wildlife Refuge and helped form the St. Marks Refuge Association.




Insects and Colors between Art and Natural History


Book Description

This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel’s glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer’s bookplates on Regensburg insects; Schiffermüller’s watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths. Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle.




The Lives of Lepidopterists


Book Description

Inchworms, tiger moths, underwings, owlet moths, silkworms,sphinx moths, grass moths, and butterflies. Collectively, these and many others are the Lepidoptera, one of the most diverse groups of animals on the planet. Lepidoptera can be found in the highest tropical canopies,the driest deserts, and at the leading edge of science. The adults include some of the most beautiful insects that have inspired artists and have sailed through the dreams of human cultures for millennia. The immature stages (“caterpillars”), like the underwing depicted on the cover, link together vital processes in diverse terrestrial ecosystems that are only barely documented let alone understood. The people that study these animals are lepidopterists, and the goal of this book is to introduce them with their own words. In twenty chapters, lepidopterists tell their stories, and these tales mirror the diversity of nature in their range and depth. You will find individuals that wrestle with the challenges of scientific careers, stories of far flung travel sand close calls, and historical perspectives on recent decades of scientific break throughs.