John Charles Thomas


Book Description

Buoyant, irrepressible and hot-tempered, John Charles Thomas captivated audiences worldwide with his incredible voice. The son of a minister, he studied voice at the Peabody Conservatory under the tutelage of Adelin Fermin, one of the few voice teachers in America capable of training Thomas in the French operatic style. By 1915, Thomas had become a leading performer on Broadway, and ten years later had embarked on a trans-Atlantic career in opera and concerts. At the height of his popularity from 1934 through 1946, he was a popular star of radio, phonographs, and the Metropolitan Opera, a favorite of both popular and classical audiences. His decision to leave opera and focus on his radio career during the Second World War cost him his reputation as a serious artist. The singer who introduced "Home on the Range" and launched many other American standards has been largely forgotten today. This thorough biography details Thomas's life and career. Beginning with his school days at the Peabody, it traces his Broadway career as the star of Step This Way and Maytime and his highly successful career as a concert, recording, and opera star. Appendices provide a discography of his recordings, a list of operatic appearances in Brussels and the United States, and the songs he performed on radio broadcasts from 1934 to 1948.




The Complete Book of 1910s Broadway Musicals


Book Description

The 1910s shaped the future of the American musical. While many shows of the decade were imports of European operettas, and even original Broadway musicals were influenced by continental productions, the musicals of the 1910s found their own American voice. In The Complete Book of 1910s Broadway Musicals, Dan Dietz covers all 312 musicals that opened on Broadway during this decade. Among the shows discussed are The Balkan Princess, The Kiss Waltz, Naughty Marietta, The Firefly, Very Good Eddie, Leave It to Jane, Watch Your Step, See America First, and La-La-Lucille. Dietz places each musical in its historical context, including the women’s suffrage movement and the decade’s defining historical event, World War I. Each entry features the following: Plot summary Cast members Creative team, including writers, lyricists, composers, directors, choreographers, and producers Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Numerous appendixes include a chronology, discography, filmography, Gilbert and Sullivan productions, Princess Theatre musicals, musicals with World War I themes, and published scripts, making this book a comprehensive and significant resource. The Complete Book of 1910s Broadway Musicals will captivate and inform scholars, historians, and casual fans about this influential decade in musical theatre history.




Thomas Charles' Spiritual Counsels


Book Description

The North of Wales in the 1770s was one of the least Christian parts of Britain. The next three decades brought a transformation akin to that of the apostolic era and at the centre of the change was Thomas Charles.




Andre Kostelanetz on Records and on the Air


Book Description

An important extra in the book is a survey of Kostelanetz's career and on evaluation of his achievements, contributed by noted radio historian Dick O'Connor. A foreword by Barbara Haws, archivist and historian of the New York Philharmonic, completes this invaluable reference. --Book Jacket.




The Complete Book of 1920s Broadway Musicals


Book Description

During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and Hammerstein’s masterpiece Show Boat. In The Complete Book of 1920s Broadway Musicals, Dan Dietz examines in detail every book musical that opened on Broadway during the years 1920-1929. The book discusses the era’s major successes as well as its forgotten failures. The hits include A Connecticut Yankee; Hit the Deck!; No, No, Nanette; Rose-Marie; Show Boat; The Student Prince; The Vagabond King; and Whoopee, as well as ambitious failures, including Deep River; Rainbow; and Rodgers’ daring Chee-Chee. Each entry contains the following information: Plot summary Cast members Names of creative personnel, including book writers, lyricists, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Plot summary Critical commentary Musical numbers and names of the performers who introduced the songs Production data, including information about tryouts Source material Details about London productions Besides separate entries for each production, the book offers numerous appendixes, including ones which cover other shows produced during the decade (revues, plays with music, miscellaneous musical presentations, and a selected list of pre-Broadway closings). Other appendixes include a discography, filmography, a list of published scripts, and a list of black-themed musicals. This book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1920s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in the history of musical theatre.




Pathfinder


Book Description

“The most eloquent, understanding, and yet very candid biography of Frémont that has appeared to date”—Howard R. Lamar, Yale University The career of John Charles Frémont (1813–90) ties together the full breadth of American expansionism from its eighteenth-century origins through its culmination in the Gilded Age. Tom Chaffin's biography demonstrates Frémont's vital importance to the history of American empire, and illuminates his role in shattering long-held myths about the ecology and habitability of the American West. As the most celebrated American explorer and mapper of his time, Frémont stood at the center of the vast federal project of western exploration and conquest. His expeditions between 1838 and 1854 captured the public's imagination, inspired Americans to accept their nation's destiny as a vast continental empire, and earned him his enduring sobriquet, the Pathfinder. But Frémont was more than an explorer. Chaffin's dramatic narrative includes Frémont's varied experiences as an entrepreneur, abolitionist, Civil War general, husband to the remarkable Jessie Benton Frémont, two-time Republican presidential candidate, and Gilded Age aristocrat. This new paperback edition of Pathfinder features a new, additional, updated introduction by the author.




The London Gazette


Book Description







Evangelicalism Divided


Book Description

Murray analyses major changes in the evangelical movement in the years 1950 to 2000, clarifying the issues raised & assessing events in the light of biblical teaching. The period under review saw the fundamental difference between two contrasting approaches to Christian unity, ecumenism & evangelicalism, gradually obscured. In their desire to distance themselves from the older fundamentalism, some evangelical leaders were too willing, in Murray's view, to jettison, or at least to tone down, previously cherished convictions concerning the nature of Christian conversion, the authority of Scripture & the primacy of gospel truth over denominational loyalty. Leaders whose roles in these changes are discussed include Billy Graham, Martyn Lloyd-Jones, J. I. Packer & John R. W. Scott. Particular attention is given to the evangelical movement within the Anglican communion, the problematic nature of evangelical involvement in the world of scholarship & moves to break down barriers between evangelicalism & Roman Catholicism. Murray emphasizes the basic question, What is a Christian? & its implications for evangelical faith & life.