John F. Carlson and Artists of the Broadmoor Academy


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A comprehensive overview of the Broadmoor Academy in Colorado Springs, Colorado (forerunner to the Colorado Springs Fine Arts Center). Includes an essay by Stanley Cuba, 44 color plates and biographies of artists including, John F. Carlson, Sven Birger Sandzen, Ernest Lawson, Boardman Robinson, Robert Reid, Willard Nash, Charles Ragland Bunnell, and more.




John F. Carlson


Book Description

Typed, signed letter Sweden/America John F. Carlson (May 05, 1875 - May 19, 1947) was a Swedish-born American Impressionist artist. John Fabian Carlson was born in Kolsebo in Västervik Municipality, Kalmar County, in Småland, Sweden. The Carlson family immigrated to the United States in 1884, making their home in Buffalo, New York. Carlson attended evening art classes at the Art Students League of Buffalo, New York. There Carlson received instruction from Lucius Wolcott Hitchcock (1868-1942), a former pupil at the Académie Colarossi in Paris and the Art Students League of New York. Carlson won a scholarship in 1903 or 1904 to study with Lovell Birge Harrison at the Byrdcliffe Colony in Woodstock, New York. Carlson began exhibiting work in such national shows as the annual of the Art Institute of Chicago in 1905. From this period on, he maintained an active exhibition schedule and submitted works in a variety of media, though with particular success in watercolor and oil. In 1906, the Art Students League Summer School awarded Carlson his third scholarship to study Landscape painting. Carlson became a specialist in winter scenes and received an appointment as assistant director of Woodstock in 1908. In 1911, he won his first important award at the Swedish-American Exhibition in Chicago and when he was elected to Associate membership of the National Academy of Design. Shortly thereafter, he was appointed by the Art Students League to the directorship of the Woodstock School of Landscape Painting. In 1912, the Salmagundi Club presented him with the Vezin Prize for watercolors, as well as the first Isidor Prize. In the following year, Carlson won a silver medal from the Washington Society of Artists. Carlson won a silver medal at the Panama-Pacific International Exposition of 1915. He was presented with the Carnegie Prize and the Altman First Prize by the National Academy of Design in 1918, and, in the following year, he resigned his position as director of Woodstock School of Landscape Painting. In 1920, Carlson began teaching during the summer months at the Broadmoor Art Academy in Colorado Springs, Colorado. Carlson founded the John F. Carlson School of Landscape Painting at Woodstock in 1922. Three years later, the artist was elected a full member of the National Academy of Design. In 1928, Carlson published an instructional book entitled Elementary Principles of Landscape Paintings. The book was reprinted in 1953, 1958, 1970 and 1973. More recent editions have been titled Carlson's Guide to Landscape Painting.




A Legacy of Art


Book Description

For more than a century, a Gilded Age mansion on the south side of New York City's Gramercy Park has been home to the National Arts Club (NAC), its magnificent interior a refuge from hectic city life. In this special catalog, Lowrey, curator of the club's permanent collection, documents selected works by Artist Life Members, artists who were given lifetime memberships in the club in exchange for one of their works (the program ended in 1950 with the advent of the abstract expressionists). The father of well-known American sculptor Alexander Calder, Alexander Stirling Calder, was an Artist Life Member, and his sculpture of the painter George Bellows is among the many artworks included here. Also featured are an A-to-Z listing of Artist Life Members and a brief history of the NAC. The catalog section includes full-color reproductions and descriptions of the artworks as well as brief biographies of the artist. Many members' works show European influences, particularly impressionism and the Barbizon school, while others are distinctly American, as in the Ash Can school. A fine and fitting tribute to the NAC legacy that will be of interest to club, academic, and large public libraries. 75 colour & 175 b/w illustrations




The Denver Artists Guild


Book Description

In 1928, the newly organized Denver Artists Guild held its inaugural exhibition in downtown Denver. Little did the participants realize that their initial effort would survive the Great Depression and World War II—and then outlive all of the group’s fifty-two charter members. The guild’s founders worked in many media and pursued a variety of styles. In addition to the oils and watercolors one would expect were masterful pastels by Elsie Haddon Haynes, photographs by Laura Gilpin, sculpture by Gladys Caldwell Fisher and Arnold Rönnebeck, ceramics by Anne Van Briggle Ritter and Paul St. Gaudens, and collages by Pansy Stockton. Styles included realism, impressionism, regionalism, surrealism, and abstraction. Murals by Allen True, Vance Kirkland, John E. Thompson, Louise Ronnebeck, and others graced public and private buildings—secular and religious—in Colorado and throughout the United States. The guild’s artists didn’t just contribute to the fine and decorative arts of Colorado; they enhanced the national reputation of the state. Then, in 1948, the Denver Artists Guild became the stage for a great public debate pitting traditional against modern. The twenty-year-old guild split apart as modernists bolted to form their own group, the Fifteen Colorado Artists. It was a seminal moment: some of the guild’s artists became great modernists, while others remained great traditionalists. Enhanced by period photographs and reproductions of the founding members’ works, The Denver Artists Guild chronicles a vibrant yet overlooked chapter of Colorado’s cultural history. The book includes a walking tour of guild members’ paintings and sculptures viewable in Denver and elsewhere in Colorado, by Leah Naess and author Stan Cuba. In honor of the book’s release, the Byers-Evans House Gallery will showcase a collection of founding guild members’ works starting June 26, 2015. The exhibit, also titled The Denver Artists Guild: Its Founding Members, contains paintings from artists such as the famed Paschal Quackenbush, Louise Ronnebeck, Albert Byron Olson, Elisabeth Spalding, Waldo Love and Vance Kirkland. The show will be on display through September 26, 2015.




John F. Carlson


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El Palacio


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The James M. Cowan Collection


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Painters and the American West


Book Description

"This book offers a tour of a collection of paintings of the American West still in private hands. The Anschutz Collection covers all the ground expected in a wide-ranging, major survey, yet still has plenty of room for surprises. Every phase in the history of American art since the 182Os is included. There are pictures of impressive quality by lesser-known artists and examples from all the major painters who have depicted the West. You'll discover works by artists such as Marsden Hartley, Childe Hassam, Jan Matulka, and John Henry Twachtman, who painted western subjects only rarely, and pictures by those whose subjects were predominantly western. The collection is particularly rich in paintings made in Taos and Santa Fe during the first half of the twentieth century, when major American artists often found inspiration and stylistic renewal in the Southwest. Among the American masters represented here are George Bellows, Albert Bierstadt, George Caleb Bingham, Ernest Blumenschein, George Catlin, Stuart Davis, Asher B. Durand, George Inness, John Marin, Alfred Jacob Miller, Thomas Moran, Georgia O'Keeffe, Frederic Remington, Charles Marion Russell, and Walter Ufer."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Artist File


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