John Taverner, Tudor Composer
Author : David S. Josephson
Publisher : Ann Arbor, Mich. : UMI Research Press
Page : 344 pages
File Size : 34,86 MB
Release : 1979
Category : Biography & Autobiography
ISBN :
Author : David S. Josephson
Publisher : Ann Arbor, Mich. : UMI Research Press
Page : 344 pages
File Size : 34,86 MB
Release : 1979
Category : Biography & Autobiography
ISBN :
Author :
Publisher :
Page : 418 pages
File Size : 36,86 MB
Release : 1923
Category : Books
ISBN :
Author : Philadelphia. St. Clement's church. Yarnall library of theology
Publisher :
Page : 370 pages
File Size : 33,55 MB
Release : 1933
Category : Catholic church
ISBN :
Author : John Taverner
Publisher :
Page : 236 pages
File Size : 18,17 MB
Release : 1924
Category : Church music
ISBN :
Author : Arthur F. Kinney
Publisher : Routledge
Page : 1747 pages
File Size : 36,15 MB
Release : 2000-11-17
Category : History
ISBN : 1136745297
This is the first encyclopedia to be devoted entirely to Tudor England. 700 entries by top scholars in every major field combine new modes of archival research with a detailed Tudor chronology and appendix of biographical essays.Entries include: * Edward Alleyn [actor/theatre manager] * Roger Ascham * Bible translation * cloth trade * Devereux fami
Author : Nicholas Temperley
Publisher : Cambridge University Press
Page : 496 pages
File Size : 49,77 MB
Release : 1979
Category : Music
ISBN : 9780521274579
Companion volume (v. 2) contains examples of the music, sources and critical notes.
Author : John Harley
Publisher : Routledge
Page : 339 pages
File Size : 17,91 MB
Release : 2016-02-24
Category : Music
ISBN : 1317010353
John Harley’s Thomas Tallis is the first full-length book to deal comprehensively with the composer’s life and works. Tallis entered the Chapel Royal in the middle of a long life, and remained there for over 40 years. During a colourful period of English history he famously served King Henry VIII and the three of Henry’s children who followed him to the throne. His importance for English music during the second half of the sixteenth century is equalled only by that of his pupil, colleague and friend William Byrd. In a series of chronological chapters, Harley describes Tallis’s career before and after he entered the Chapel. The fully considered biography is placed in the context of larger political and cultural changes of the period. Each monarch’s reign is treated with an examination of the ways in which Tallis met its particular musical needs. Consideration is given to all of Tallis’s surviving compositions, including those probably intended for patrons and amateurs beyond the court, and attention is paid to the context within which they were written. Tallis emerges as a composer whose music displays his special ability in setting words and creating ingenious musical patterns. A table places most of Tallis’s compositions in a broad chronological order.
Author :
Publisher :
Page : 374 pages
File Size : 14,35 MB
Release : 1928
Category : Church music
ISBN :
Author :
Publisher :
Page : 282 pages
File Size : 22,55 MB
Release : 1928
Category : Church music
ISBN :
Author : Wendy J Porter
Publisher : Taylor & Francis
Page : 289 pages
File Size : 37,26 MB
Release : 2022-03-23
Category : Music
ISBN : 1000564061
This book develops an innovative approach for understanding the relationship between music and words in the works of five major composers of the English Renaissance: John Taverner, Christopher Tye, John Sheppard, Thomas Tallis, and William Byrd. Focusing on these composers’ settings of the Latin Credo, the author shows how musical and linguistic emphasis can be used to understand the composers’ theological interpretations of the text. By combining markedness theory with style analysis, this study demonstrates that the composers used their musical skills to not only create beautiful music but also raise certain elements of the text to the foreground of perception and relegate others to supporting roles, inviting listeners to experience the familiar words of the liturgy in unique ways. Providing new insights into the changing musical and religious world of the sixteenth century, this book is relevant to anyone researching music or religion in early modern England, while offering a flexible and widely adaptable tool for the analysis of musical-textual relationships.